On August 28, 1963, over a quarter-million people—about two-thirds black and one-third white—held the greatest civil rights demonstration ever. Martin Luther King, Jr. delivered his iconic “I Have a Dream” oration. And just blocks away, President Kennedy and Congress skirmished over landmark civil rights legislation. As Charles Euchner reveals, the importance of the march is more profound and complex than standard treatments of the 1963 March on Washington allow. In this major reinterpretation of the Great Day—the peak of the movement—Euchner brings back the tension and promise of that day. Building on countless interviews, archives, FBI files, and private recordings, Euchner shows freedom fighters as complex, often conflicted, characters. He explores the lives of Philip Randolph and Bayard Rustin, the march organizers who worked tirelessly to make mass demonstrations and nonviolence the cornerstone of the movement. He also reveals the many behind-the-scenes battles—the effort to get women speakers onto the platform, John Lewis’s damning speech about the federal government, Malcolm X’s biting criticisms and secret vows to help the movement, and the devastating undercurrents involving political powerhouses Kennedy and FBI director J. Edgar Hoover. For the first time, Euchner tells the story behind King’s “Dream” images. Euchner’s hour-by-hour account offers intimate glimpses of the masses on the National Mall—ordinary people who bore the scars of physical violence and jailings for fighting for basic civil rights. The event took on the call-and-response drama of a Southern church service, as King, Lewis, Mahalia Jackson, Roy Wilkins, and others challenged the throng to destroy Jim Crow once and for all. Nobody Turn Me Around will challenge your understanding of the March on Washington, both in terms of what happened but also regarding what it ultimately set in motion. The result was a day that remains the apex of the civil rights movement—and the beginning of its decline.

This brilliant memoir-in-verse tells the moving story of how a nation learned to celebrate a hero. Through years of protests and petition, Kathlyn's story highlights the foot soldiers who fought to make Martin Luther King Jr.'s birthday a national holiday. Ain’t Gonna Let Nobody Turn Me ’Round is a deeply moving middle grade memoir about what it means to be an everyday activist and foot solider for racial justice, as Kathlyn recounts how, drawn to activism from childhood, she went from attending protests as a teenager to fighting for Martin Luther King, Jr.'s birthday to become a national holiday as an adult. A blueprint for kids starting down their own paths to civic awareness, it shows life beyond protests and details the sustained time, passion, and energy it takes to turn an idea into a law. Deftly weaving together monumental historical events with a heartfelt coming-of-age story and in-depth information on law making, Ain’t Gonna Let Nobody Turn Me ’Round is the perfect engaging example of how history can help inform the present.

Silver Winner, 2014 ForeWord IndieFab Book of the Year Award in the Women's Studies Category 2015 Lambda Literary Award in Lesbian Memoir/Biography presented by the Lambda Literary Foundation 2015 Judy Grahn Award for Lesbian Nonfiction presented by the Publishing Triangle As an organizer, writer, publisher, scholar-activist, and elected official, Barbara Smith has played key roles in multiple social justice movements, including Civil Rights, feminism, lesbian and gay liberation, anti-racism, and Black feminism. Her four decades of grassroots activism forged collaborations that introduced the idea that oppression must be fought on a variety of fronts simultaneously, including gender, race, class, and sexuality. By combining hard-to-find historical documents with new unpublished interviews with fellow activists, this book uncovers the deep roots of today's "identity politics" and "intersectionality" and serves as an essential primer for practicing solidarity and resistance.

This final installment in the powerful nonfiction trilogy about the African-American experience introduces readers to the people, armed with the songs and strength passed down from their ancestors, who profoundly impacted the American civil rights movement.

(Methodology Chorals). Henry Leck, Founder and Artistic Director of the Indianapolis Children's Choir and Director of Choral Activities at Butler University, has influenced thousands of young musicians and teachers through his dedication to choral excellence and the idea that children can perform music with artistry and understanding. This comprehensive text, written with Dr. Flossie Jordan, is an insightful guide for choral directors in the field and in training to help develop the teaching skills, leadership abilities, conducting technique, knowledge of repertoire and organizational skills necessary for success. Chapters include: 1. Going Beyond the Craft of Music Making 2. Vocal Techniques for the Young Singer 3. Director Preparation 4. Musical Expression through Visualization 5. Dalcroze Techniques in the Choral Rehearsal 6. Creating Artistry Through a Kodaly Curriculum 7. The Boy's Expanding Voice: Take the High Road 8. Leadership Style 9. Organization 10. Epilogue As an added bonus, the book includes a CD-ROM with dozens of helpful forms and documents from the Indianapolis Children's Choir covering organizing a children's choir, auditions, governing documents, managing volunteers, fundraising, grant writing and much more!

One of America's most prominent historians and a noted feminist bring together the most important political writings and testimonials from African-Americans over three centuries.

Following up on the popularity of the groundbreaking anthology Embodied Spirits: Stories of Spiritual Directors of Color, this book continues the work of filling a void in the world of contemplative spirituality in stories of the contemplative spiritual journeys of people of color. Like the first book, Ain’t Gonna Let Nobody Turn Me Around incorporates stories from members of their encounters with ‘othering’ and disparaging treatment across issues and their understandings of contemplative practice and the call to action that follows. This volume seeks to give voice to these issues from those whom have lived with them and to seek peace and healing for the unresolved trauma that continues to separate us. In a world or resurgent racism and bias against those whose skin color, nationality, religion, gender, or sexuality are seen as “other,” these are voices that need to be heard.

They needed the perfect assassin. Boy Nobody is the perennial new kid in school, the one few notice and nobody thinks much about. He shows up in a new high school in a new town under a new name, makes a few friends, and doesn't stay long. Just long enough for someone in his new friend's family to die-of "natural causes." Mission accomplished, Boy Nobody disappears, moving on to the next target. But when he's assigned to the mayor of New York City, things change. The daughter is unlike anyone he has encountered before; the mayor reminds him of his father. And when memories and questions surface, his handlers at The Program are watching. Because somewhere deep inside, Boy Nobody is somebody: the kid he once was; the teen who wants normal things, like a real home and parents; a young man who wants out. And who just might want those things badly enough to sabotage The Program's mission. In this action-packed series debut, author Allen Zadoff pens a page-turning thriller that is as thought-provoking as it is gripping, introducing an utterly original and unforgettable antihero.

This book takes the “next step” in the study of the civil rights movement in the United States. To date, the vast majority of books on the civil rights movement have analyzed either the origins and philosophies, or the strategies and tactics of the movement. When the Marching Stopped is the first comprehensive and systematic study of the various civil rights regulatory agencies created under Titles VI and VII of the 1964 Civil Rights Act. The development of these agencies and the subsequent attainment of regulatory power is certainly one of the most significant achievements of the movement. Walton begins with the creation of the regulatory agencies in 1964 under President Johnson, and continues to describe and evaluate them through the Reagan presidency, exploring the creation, structuring, staffing, financing, and attainments of these agencies. The book also compares the work of these “new” civil rights regulatory agencies with earlier efforts ranging from Reconstruction to the late 1930s and early 1940s. An introduction by Mary Frances Berry adds important insights to Walton’s monumental efforts.

A detailed look at the life and songs of of the famous folk singer.