When in 1901 Alfred Nobel bequeathed to the world the funds to support the Nobel Prize, one of his few directives for the category of literature was that the artists selected be of "idealistic tendency." Since its inception, the prize has given a very public voice to some of the world's greatest writers, and their responses to the honor-their acceptance speeches-have themselves often been epochal within each author's body of literature. From the famed call to "arms" by William Faulkner to the multicultural song of Derek Walcott, from 1903's Bjørnstjerne Bjørnson to 1999's Günter Grass, this collection traces the ideals of the artists and the selection committee itself throughout the entirety of the 20th century. "Interestingly," writes Draugsvold, "none [of the writers] discuss the more technical aspects of their craft." Equally striking is the strength of the common thread of idealism found in these addresses-a firm belief in humankind and the power of art, in its role in "the service of truth and the service of liberty" as Albert Camus said in 1957. "I decline to accept the end of man" wrote the Old Man, William Faulkner. The speeches presented here were chosen not by subjective but rather by substantive criteria, with biographical presentations and brief statements of gratitude omitted. Included are an introduction to each of the 28 writers chosen, an excerpted copy of the speech or lecture and a bibliography of works in English. The work concludes with a complete list of prize winners in literature and a bibliography of sources cited in the writer's introductions.

By the winner of the 2021 Nobel Prize in Literature A BBC RADIO 4 Book at Bedtime SHORTLISTED FOR THE BOOKER PRIZE _______________________ 'A poetic and vividly conjured book about Africa and the brooding power of the unknown' Independent on Sunday 'Gurnah evokes his world in poetic prose which is pure and lucid - a small paradise in itself ... The pleasures, sadnesses and losses in all the shining facets of this book are lingering and exquisite' Guardian 'An obliterated world is enthrallingly retrieved' Sunday Times _______________________ Born in East Africa, Yusuf has few qualms about the journey he is to make. It never occurs to him to ask why he is accompanying Uncle Aziz or why the trip has been organised so suddenly, and he does not think to ask when he will be returning. But the truth is that his 'uncle' is a rich and powerful merchant and Yusuf has been pawned to him to pay his father's debts. Paradise is a rich tapestry of myth, dreams and Biblical and Koranic tradition, the story of a young boy's coming of age against the backdrop of an Africa increasingly corrupted by colonialism and violence.

A novel that charts the violent events in an imaginary African nation, as told by the colonel and leader of the country—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series. "What a rich, surprising, and often funny novel.”—The New York Times Book Review “A leader,” writes Colonel Hakim Félix Ellelloû, “is one who, out of madness or goodness, takes upon himself the woe of a people. There are few men so foolish.” Colonel Ellelloû has four wives, a silver Mercedes, and a fanatic aversion—cultural, ideological, and personal—to the United States. But the U.S. keeps creeping into the nation of Kush, and the repercussions of this incursion constitute the events of the novel. Colonel Ellelloû tells his own story—always elegantly, and often in the third person—from an undisclosed location in the South of France.

Since its inception, the Nobel Prize for literature has given a very public voice to some of the world's greatest writers, and their responses to the honor--their acceptance speeches--have often been epochal. From the famed call to arms by William Faulkner to the multicultural song of Derek Walcott, from 1903's Bjornstjerne Bjornson to 1999's Gunter Grass, this collection of 28 speeches traces the ideals of the artists and the selection committee itself throughout the 20th century. Included are an introduction to each of the writers chosen, an abridged copy of the speech or lecture and a bibliography of works in English.

The Nobel Foundation presents information on Guatemalan writer Miguel Angel Asturias (1899-1974), who won the 1967 Nobel Prize in literature. Asturias received the Nobel prize for his literary achievement rooted in the national traditions of Indian peoples of Latin America. The foundation highlights a biographical sketch of Asturias, his acceptance speech, the prize presentation speech, and a Nobel lecture by Asturias.

Collects inspirational essays celebrating the art of writing, including contributions from Russell Banks, Saul Bellow, and E.L. Doctorow.

With humor, wit, and insight, David Carter sets out a number of fail-safe rules to follow in order to win the Nobel Prize in literatureThere are acclaimed writers— James Joyce, Marcel Proust, Tolstoy, Mark Twain— who never won the Nobel Prize, and others, less well known, such as Henryk Sienkiewicz, Paul Heyse, and Romain Rolland, who did. What exactly does one have to do to impress, or be snubbed by, the Nobel Committee? This book is a fascinating survey of the Nobel Prize for literature, constructed as a tongue-in-cheek series of rules. "Be a man" is one of them, and "Make sure your best work has been translated into Swedish" another. Presenting biographical information as well as extracts from their work, David Carter will try to answer a number of questions about the prize, such as What are the outstanding qualities of the winners' works? Were there any unusual circumstances attending the award? and Who else was considered and rejected and why?

Saurabh’s birth is celebrated across the town of Konkur, where people rejoice in the arrival of the much-admired Vinod and Shashi Parashars’ first offspring. Soon, their neighbour’s 5-year-old daughter Vidya is entrusted with the responsibility of Saurabh’s daily wellbeing. They grow up together among the secluded trees, hills and narrow roads of the small town, spending much of their time in an abandoned graveyard they discover near their homes. But when Saurabh starts showing signs of trouble, their seemingly idyllic world begins to quickly unravel. As the incidents become more frequent and violent, he is brandished a pariah by the very people who had once held him aloft. Vidya, Shashi and Vinod’s struggle to come to terms with Saurabh’s impulses, becomes the uncomfortable thread that binds them together and leads them to re-evaluate their own lives and relationships. Traversing through the realms of guilt and solitude, A Stick in the Dirt attempts to grapple with the uncomfortable nature of the unknown and with what it means to be misunderstood by those closest to us.

This is a collection in which meditations on imagination and the process of writing mingle with keen discussions of global affairs, geography and colonialism, cultural change, and the deeply lasting influences of the past.

Naguib Mahfouz is one of the most important writers in contemporary Arabic literature. Winner of the Nobel Prize in 1988 (the only Arab writer to win the prize thus far), his novels helped bring Arabic literature onto the international stage. Far fewer people know his nonfiction works, however—a gap that this book fills. Bringing together Mahfouz’s early nonfiction writings (most penned during the 1930s) which have not previously been available in English, this volume offers a rare glimpse into the early development of the renowned author. As these pieces show, Mahfouz was deeply interested in literature and philosophy, and his early writings engage with the origins of philosophy, its development and place in the history of thought, as well its meaning writ large. In his literary essays, he discusses a wide range of authors, from Anton Chekov to his own Arab contemporaries like Taha Hussein. He also ventures into a host of important contemporary issues, including science and modernity, the growing movement for women’s rights in the Arab world, and emerging ideologies like socialism—all of which outline the growing challenges to traditional modes of living that we saw all around him. Together, these essays offer a fascinating window not just into the mind of Mahfouz himself but the changing landscape of Egypt during that time, from the development of Islam to the struggles between tradition, modernity, and the influences of the West.