Stranded on a hostile alien planet, a beautiful young translator is forced tochoose between trusting her own crewmates or the noble commander of the alienrace that shot down her spacecraft. Original.

Originally published in hardcover in 2021 by Aladdin.

A uniquely compassionate book that provides information, companionship and hope for individuals and families coping with depression.

From bestselling author Rachel Vincent comes a gripping and heartfelt story about a girl faced with a shocking revelation when her mom dies and she's forced to move in with her father's “real” family. Michaela is a junior in high school, living with her single mom. Her dad lives a few towns away and she only sees him on holidays and birthdays. They barely know each other, but Michaela is so close with her mom that she's never minded. That is, until her mom dies suddenly, and Michaela has to move in with her dad . . . who reveals he's been married with kids all this time and she's the product of an affair. Before she can even grieve her mother, Michaela is thrust into a strange house with a stepmom and three half siblings. Including her new sister Emery, who is less than thrilled at the prospect of sharing her room. Especially when they both try out for the school musical and Emery's theater star ex-boyfriend suddenly seems interested in Michaela. Can Michaela find a way to make a home with a family who didn't ask for her in the first place?

In today's fast-paced, fast food world, everyone seems to be eating alone, all the time--whether it's at their desks or in the car. Michael Carolan argues that needs to change if we want healthy, equitable, and sustainable food. We can no longer afford to ignore human connections as we struggle with dire problems like hunger, obesity, toxic pesticides, antibiotic resistance, depressed rural economies, and low-wage labor. In No One Eats Alone he tells the stories of people getting together to change their relationship to food and to each other--from community farms where suburban moms and immigrant families work side by side, to online exchanges where entrepreneurs share kitchen space, to "hackers" who trade information about farm machinery repairs. This is how real change happens, Carolan contends: when we start acting like citizens first and consumers second.

A hopeful book about big emotions from the Waterstones Children's Laureate, Joseph Coelho. Told through the voice of a little girl who is labelled as quiet and shy, No Longer Alone follows her tumult of emotions as she navigates the world around her. But when she finally shares her feelings and tells her Dad all the things that are worrying her, she no longer feels so alone. Joseph's warm, authentic voice offers an insightful take on the way children feel and how they perceive the world and it's perfectly complimented by gorgeous artwork from rising-star illustrator, Robyn Wilson-Owen. Joseph Coelho is the 2022-2024 Waterstones Children's Laureate.

Snappsy the alligator is having a normal day when a pesky narrator steps in to spice up the story. Is Snappsy reading a book ... or is he making CRAFTY plans? Is Snappsy on his way to the grocery store ... or is he PROWLING the forest for defenseless birds and fuzzy bunnies? Is Snappsy innocently shopping for a party ... or is he OBSESSED with snack foods that start with the letter P? What's the truth? Snappsy the Alligator (Did Not Ask to Be in This Book) is an irreverent look at storytelling, friendship, and creative differences, perfect for fans of Mo Willems.

When Denis Donoghue left Warrenpoint and went to Dublin in September 1946, he entered University College as a student of Latin and English. A few months later he also started as a student of lieder at the Royal Irish Academy of Music. These studies have informed his reading of English, Irish, and American literature. Now in this volume, one of our most distinguished readers of modern literature offers his most personal book of literary criticism. Donoghue's Words Alone is an intellectual memoir, a lucid and illuminating account of his engagement with the works of T. S. Eliot--from initial undergraduate encounters with "The Love Song of J. Alfred Prufrock" to later submission to Eliot's entire writings. "The pleasure of Eliot's words persists," Donoghue says, "only because in good faith it can't be denied." Submission to Eliot, in Donoghue's case, involves the ear as much as it does the mind. He is a reader who listens attentively and a writer whose own music in these pages commands attention. Whether he is writing about Eliot's poetry or confronting the (often contentious) prose, Donoghue eloquently demonstrates what it means to read and to hear a master of language.

W. B. Yeats is usually seen as a great innovator who put his stamp so decisively on modern Irish literature that most of his successors worked in his shadow. R. F. Foster's eloquent and authoritative book weaves together literature and history to present an alternative perspective. By returning to the rich seed-bed of nineteenth-century Irish writing, Words Alone charts some of the influences, including romantic 'national tales' in post-Union Ireland, the poetry and polemic of the Young Ireland movement, the occult and supernatural novels of Sheridan LeFanu, William Carleton's 'peasant fictions', and fairy-lore and folktale collectors that created the unique and powerful Yeatsian voice of the decade from 1885 to 1895. As well as placing these literary movements in a vivid contemporary context of politics, polemic and social tension, Foster discusses recent critical and interpretive approaches to these phenomena. He shows that the use Yeats made of his predecessors during his apprenticeship, and the part that a self-conscious use of Irish literary tradition played in the construction of his path-breaking early work as he attempted to 'hammer his thoughts into a unity' made him an inheritor as much as an inventor.