Stranded on a hostile alien planet, a beautiful young translator is forced tochoose between trusting her own crewmates or the noble commander of the alienrace that shot down her spacecraft. Original.

A uniquely compassionate book that provides information, companionship and hope for individuals and families coping with depression.

Originally published in hardcover in 2021 by Aladdin.

From bestselling author Rachel Vincent comes a gripping and heartfelt story about a girl faced with a shocking revelation when her mom dies and she's forced to move in with her father's “real” family. Michaela is a junior in high school, living with her single mom. Her dad lives a few towns away and she only sees him on holidays and birthdays. They barely know each other, but Michaela is so close with her mom that she's never minded. That is, until her mom dies suddenly, and Michaela has to move in with her dad . . . who reveals he's been married with kids all this time and she's the product of an affair. Before she can even grieve her mother, Michaela is thrust into a strange house with a stepmom and three half siblings. Including her new sister Emery, who is less than thrilled at the prospect of sharing her room. Especially when they both try out for the school musical and Emery's theater star ex-boyfriend suddenly seems interested in Michaela. Can Michaela find a way to make a home with a family who didn't ask for her in the first place?

W. B. Yeats is usually seen as a great innovator who put his stamp so decisively on modern Irish literature that most of his successors worked in his shadow. R. F. Foster's eloquent and authoritative book weaves together literature and history to present an alternative perspective. By returning to the rich seed-bed of nineteenth-century Irish writing, Words Alone charts some of the influences, including romantic 'national tales' in post-Union Ireland, the poetry and polemic of the Young Ireland movement, the occult and supernatural novels of Sheridan LeFanu, William Carleton's 'peasant fictions', and fairy-lore and folktale collectors that created the unique and powerful Yeatsian voice of the decade from 1885 to 1895. As well as placing these literary movements in a vivid contemporary context of politics, polemic and social tension, Foster discusses recent critical and interpretive approaches to these phenomena. He shows that the use Yeats made of his predecessors during his apprenticeship, and the part that a self-conscious use of Irish literary tradition played in the construction of his path-breaking early work as he attempted to 'hammer his thoughts into a unity' made him an inheritor as much as an inventor.

When Denis Donoghue left Warrenpoint and went to Dublin in September 1946, he entered University College as a student of Latin and English. A few months later he also started as a student of lieder at the Royal Irish Academy of Music. These studies have informed his reading of English, Irish, and American literature. Now in this volume, one of our most distinguished readers of modern literature offers his most personal book of literary criticism. Donoghue's Words Alone is an intellectual memoir, a lucid and illuminating account of his engagement with the works of T. S. Eliot--from initial undergraduate encounters with "The Love Song of J. Alfred Prufrock" to later submission to Eliot's entire writings. "The pleasure of Eliot's words persists," Donoghue says, "only because in good faith it can't be denied." Submission to Eliot, in Donoghue's case, involves the ear as much as it does the mind. He is a reader who listens attentively and a writer whose own music in these pages commands attention. Whether he is writing about Eliot's poetry or confronting the (often contentious) prose, Donoghue eloquently demonstrates what it means to read and to hear a master of language.

A hopeful book about big emotions from the Waterstones Children's Laureate, Joseph Coelho. Told through the voice of a little girl who is labelled as quiet and shy, No Longer Alone follows her tumult of emotions as she navigates the world around her. But when she finally shares her feelings and tells her Dad all the things that are worrying her, she no longer feels so alone. Joseph's warm, authentic voice offers an insightful take on the way children feel and how they perceive the world and it's perfectly complimented by gorgeous artwork from rising-star illustrator, Robyn Wilson-Owen. Joseph Coelho is the 2022-2024 Waterstones Children's Laureate.

WINNER OF THE SCHNEIDER FAMILY BOOK AWARD FOR TEENS! A beautifully realistic, relatable story about mental health—anxiety, perfectionism, depression—and the healing powers of art—perfect for fans of Girl in Pieces and How it Feels to Float. Whatever you struggle with, you are not alone and you are already enough—just the way you are. It's been three months since The Night on the Bathroom Floor--when Lily found her older sister Alice hurting herself. Ever since then, Lily has been desperately trying to keep things together, for herself and for her family. But now Alice is coming home from her treatment program and it is becoming harder for Lily to ignore all of the feelings she's been trying to outrun. Enter Micah, a new student at school with a past of his own. He was in treatment with Alice and seems determined to get Lily to process not only Alice's experience, but her own. Because Lily has secrets, too. Compulsions she can't seem to let go of and thoughts she can't drown out. When Lily and Micah embark on an art project for school involving finding poetry in unexpected places, she realizes that it's the words she's been swallowing that desperately want to break through. "A tender, heartfelt, and realistic look at mental illness, familial love, and finding your voice."—Kathleen Glasgow, New York Times bestselling author of Girl in Pieces

A #1 New York Times bestseller, this innovative and wildly funny read-aloud by award-winning humorist/actor B.J. Novak will turn any reader into a comedian—a perfect gift for any special occasion! You might think a book with no pictures seems boring and serious. Except . . . here’s how books work. Everything written on the page has to be said by the person reading it aloud. Even if the words say . . . BLORK. Or BLUURF. Even if the words are a preposterous song about eating ants for breakfast, or just a list of astonishingly goofy sounds like BLAGGITY BLAGGITY and GLIBBITY GLOBBITY. Cleverly irreverent and irresistibly silly, The Book with No Pictures is one that kids will beg to hear again and again. (And parents will be happy to oblige.)

Snappsy the alligator is having a normal day when a pesky narrator steps in to spice up the story. Is Snappsy reading a book ... or is he making CRAFTY plans? Is Snappsy on his way to the grocery store ... or is he PROWLING the forest for defenseless birds and fuzzy bunnies? Is Snappsy innocently shopping for a party ... or is he OBSESSED with snack foods that start with the letter P? What's the truth? Snappsy the Alligator (Did Not Ask to Be in This Book) is an irreverent look at storytelling, friendship, and creative differences, perfect for fans of Mo Willems.