NO VILLAINS, NO HEROES is a moving historical novel of the 1912 Hillsville Massacre, the most shocking crime in the state of Virginia, and a cautionary tale for our own time about the true meaning of law and justice. No Villains, No Heroes dramatizes a shocking episode in Virginia history. In March 1912 Floyd Allen was convicted of assault in Carroll County, in Virginias Blue Ridge. When he announced, Gentlemen, I aint a-goin, a gun battle erupted in the crowded courtroom between law officers and the Allen clan. Five people were killed; seven wounded. Floyd and his young son Claude were executed a year later. Other Allens served long prison sentences. But who were the villains? Who were the heroes? In this moving historical novel, the narrator, a detective called in to hunt down the fugitives, grapples with these perplexing questions and the true meaning of law and justice. This exciting novel tells the story of a once-famous but now largely forgotten episode in Virginia history, the Hillsville Massacre of March 1912, recalled in vivid detail by Carter Hayne, a private lawman on the scene. His experience is so transforming that it turns him into a crusading lawyer who dedicates his life to advancing criminal justice. It effortlessly recreates an age and place, pre-modern America 100 years ago in the Blue Ridge Mountains, the setting for an event so complex and weighty, even primal, that it is, as Hayne says, just like a Greek tragedy. Kirkpatrick Sale, author of 12 books, including The Fire of His Genius: Robert Fulton and the American Dream.

On June 28, 1972 in a South Bronx subway station, John Skagen, a white off-duty policeman on his way home, suddenly and without apparent provocation, ordered James Richardson, a black man on his way to work, to get against the wall and put his hands up. Richardson had a gun, and the two exchanged shots. In the melee that followed, Skagen was fatally wounded by a cop who rushed to the scene. In the ensuing trial, William Kunstler handled Richardson's defense and the author of this book, then assistant district attorney, prosecuted the case. Here is a first-hand, behind-the-scenes account of every step of the proceedings.

Millie, a Ddrymmian Sting baby, has always dreamt of exploring the realms of StoryEarth beyond her homeland. Fed up with her community, with all its superstitions and endless ceremonies, she craves the glamour and prestige of the Preservation Precinct. Naïve about what that glamour conceals, and disobeying her family, Millie moves to the Preservation Precinct and proves herself worthy—until the unthinkable happens. Millie is ambitious in a land that favors humility. When she rises, she ruins everything. By the time she finally understands what’s important, will she survive to do something about it?

This pioneering work, first published in 1986, documents the continuing vitality of American Indian traditions and the crucial role of women in those traditions.

Ambiguous and unsettling, Silko's "Yellow Woman" explores one woman's desires and changes--her need to open herself to a richer sensuality. Walking away from her everyday identity as daughter, wife and mother, she takes possession of transgressive feelings and desires by recognizing them in the stories she has heard, by blurring the boundaries between herself and the Yellow Woman of myth.