No Religion without Idolatry offers an interpretation of Mendelssohn's general philosophy and discusses for the first time his semiotic interpretation of idolatry in his commentaries.

A bold and persuasive case for abandoning old religions and still believing in God In this book, Mark Johnston argues that God needs to be saved not only from the distortions of the "undergraduate atheists" (Richard Dawkins, Christopher Hitchens, and Sam Harris) but, more importantly, from the idolatrous tendencies of religion itself. Each monotheistic religion has its characteristic ways of domesticating True Divinity, of taming God's demands so that they do not radically threaten our self-love and false righteousness. Turning the monotheistic critique of idolatry on the monotheisms themselves, Johnston shows that much in these traditions must be condemned as false and spiritually debilitating. A central claim of the book is that supernaturalism is idolatry. If this is right, everything changes; we cannot place our salvation in jeopardy by tying it essentially to the supernatural cosmologies of the ancient Near East. Remarkably, Johnston rehabilitates the ideas of the Fall and of salvation within a naturalistic framework; he then presents a conception of God that both resists idolatry and is wholly consistent with the deliverances of the natural sciences. Princeton University Press is publishing Saving God in conjunction with Johnston's forthcoming book Surviving Death, which takes up the crux of supernaturalist belief, namely, the belief in life after death. Some images inside the book are unavailable due to digital copyright restrictions.

***2015 National Jewish Book Award Winner*** In this powerful and timely book, one of the most admired and authoritative religious leaders of our time tackles the phenomenon of religious extremism and violence committed in the name of God. If religion is perceived as being part of the problem, Rabbi Sacks argues, then it must also form part of the solution. When religion becomes a zero-sum conceit—that is, my religion is the only right path to God, therefore your religion is by definition wrong—and individuals are motivated by what Rabbi Sacks calls “altruistic evil,” violence between peoples of different beliefs appears to be the only natural outcome. But through an exploration of the roots of violence and its relationship to religion, and employing groundbreaking biblical analysis and interpretation, Rabbi Sacks shows that religiously inspired violence has as its source misreadings of biblical texts at the heart of all three Abrahamic faiths. By looking anew at the book of Genesis, with its foundational stories of Judaism, Christianity, and Islam, Rabbi Sacks offers a radical rereading of many of the Bible’s seminal stories of sibling rivalry: Cain and Abel, Isaac and Ishmael, Jacob and Esau, Joseph and his brothers, Rachel and Leah. “Abraham himself,” writes Rabbi Sacks, “sought to be a blessing to others regardless of their faith. That idea, ignored for many of the intervening centuries, remains the simplest definition of Abrahamic faith. It is not our task to conquer or convert the world or enforce uniformity of belief. It is our task to be a blessing to the world. The use of religion for political ends is not righteousness but idolatry . . . To invoke God to justify violence against the innocent is not an act of sanctity but of sacrilege.” Here is an eloquent call for people of goodwill from all faiths and none to stand together, confront the religious extremism that threatens to destroy us, and declare: Not in God’s Name.

The first in the new Power Polemics series, Thomas Crow's No Idols: The Missing Theology of Art turns away from contemporary cultural theories to face a pervading blindspot in today's art-historical inquiry: religion. Crow pursues a perhaps unpopular notion of Christianity's continued presence in modern abstract art and in the process makes a case for art's own terrain of theology: one that eschews idolatry by means of abstraction. Tracking the original anti-idolatry controversy of the Jansenists, anchored in a humble still life by Chardin, No Idols sets the scene for the development of an art of reflection rather than representation, and divinity without doctrine. Crow's reinstatement of the metaphysical is made through the work of New Zealand artist Colin McCahon and American artists Mark Rothko, Robert Smithson, James Turrell, and Sister Mary Corita Kent. While a tightly selected group of artists, in their collective statute the author explores the proposal that spiritual art, as opposed to "a simulacrum of one," is conceivable for our own time.

A thoughtful and provocative collection, in the vein of the intellectual spiritual classic The Weight of Glory, from N. T. Wright, the influential Bishop, Bible scholar, and bestselling author widely regarded as a modern C. S. Lewis. An unusual combination of scholar, churchman, and leader, N. T. Wright—hailed by Newsweek as “the world’s leading New Testament scholar”—is not only incredibly insightful, but conveys his knowledge in terms that excite and inspire Christian leaders worldwide, allowing them to see the Bible from a fresh viewpoint. In this challenging and stimulating collection of popular essays, sermons, and talks, Wright provide a series of case studies which explore how the Bible can be applied to some of the most pressing contemporary issues facing us, including: Why it is possible to love the Bible and affirm evolution Why women should be allowed to be ordained Where Christians today have lost focus, and why it is important for them to engage in politics—and why that involvement benefits everyone Why the Christian belief in heaven means we should be at the forefront of the environmental movement And much more Helpful, practical, and wise, Surprised by Scripture invites readers to examine their own hearts and minds and presents new models for understanding how to affirm the Bible in today’s world—as well as new ideas and renewed energy for deepening our faith and engaging with the world around us.

Abstract theology is overrated, for God can be found in even the most ordinary of things. Jesus used things like a lily, sparrow, and sheep to teach about the kingdom of God. And in the Old Testament, God repeatedly describes himself and his saving work in relation to physical things such as a rock, horn, or eagle. In God of All Things, pastor and author Andrew Wilson invites you to rediscover God in this way, too--through ordinary, everyday things. He explores the idea of a material world and presents a variety of created marvels that reveal the gospel in everyday life and fuel worship and joy in God--marvels like: Dust: the image of God Horns: the salvation of God Donkeys: the peace of God Water: the life of God Viruses: the problem of God Cities: the kingdom of God God of All Things will leave you with a deeper understanding of Scripture, the world you live in, and the God who made it all.

We must lay down our certainties and honestly admit our doubts to identify with Jesus. Rollins purposely upsets fundamentalist certainty in order to open readers up to a more loving, active manifestation of Christ's love. He explores how the Good News actually involves embracing the idea that we can't be whole, that life is difficult, and that we are in the dark. By joyfully embracing our brokenness, and courageously accepting the difficulties of existence, we truly rob death of its sting and enter into the fullness of life.

From the prizewinning Jewish Lives series, an accessible and fascinating biography of Moses Mendelssohn, the seminal Jewish philosopher "A fascinating portrait of an important Enlightenment figure."—Library Journal The “German Socrates,” Moses Mendelssohn (1729–1786) was the most influential Jewish thinker of the eighteenth and nineteenth centuries. A Berlin celebrity and a major figure in the Enlightenment, revered by Immanuel Kant, Mendelssohn suffered the indignities common to Jews of his time while formulating the philosophical foundations of a modern Judaism suited for a new age. His most influential books included the groundbreaking Jerusalem and a translation of the Bible into German that paved the way for generations of Jews to master the language of the larger culture. Feiner’s book is the first that offers a full, human portrait of this fascinating man—uncommonly modest, acutely aware of his task as an intellectual pioneer, shrewd, traditionally Jewish, yet thoroughly conversant with the world around him—providing a vivid sense of Mendelssohn’s daily life as well as of his philosophical endeavors. Feiner, a leading scholar of Jewish intellectual history, examines Mendelssohn as father and husband, as a friend (Mendelssohn’s long-standing friendship with the German dramatist Gotthold Ephraim Lessing was seen as a model for Jews and non-Jews worldwide), as a tireless advocate for his people, and as an equally indefatigable spokesman for the paramount importance of intellectual independence.

In this New Studies in Biblical Theology volume, Richard Lints argues that "idol" language in the Bible is a conceptual inversion of the "image" language of Genesis 1. He shows how the narrative of human identity runs from creation to fall to redemption in Christ, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the "culture of desire."

Idolatry, or its Hebrew equivalent Avodah Zarah ̧ is a fundamental feature of a Jewish view of other religions. All religions must pass the test of whether they are compliant with a Jewish view of religions as being free from the worship of another God. With the advance in interfaith relations, positions have been affirmed that clear most major contemporary religions from the charge of idolatry. What remains of “idolatry” once it no longer serves as a tool for evaluating other faiths? Does the category continue to have theological appeal? What are its internal uses? A cadre of Jewish scholars and thought leaders explore in this volume what the continuing relevance of “idolatry” is and how it might continue to inform our religious horizons, allowing us to distinguish between good and bad religion, both within Judaism and beyond.