THE LATEST SUNDAY TIMES BESTSELLER AND RICHARD & JUDY BOOK CLUB THRILLER PICK FROM THE AUTHOR OF YOU WERE GONE Nine neighbours gather for a dinner party. But by the next morning, they had disappeared without a trace. No bodies. No evidence. No clues. Two and a half years later, it remains a mystery. Desperate for answers, the families of the missing turn to investigator David Raker. How did an entire village vanish overnight? And is he looking for nine missing people, or nine dead bodies? 'The terrific David Raker series - bliss!' LEE CHILD 'I was hooked from beginning to end. A dark, thrilling rollercoaster of a read that is not only unputdownable but has heart' Claire Douglas 'From the moment I read the intriguing premise for this book, I couldn't wait to dive in - and I wasn't disappointed. A clever and original plot, expertly executed' Rachel Abbott Praise for Tim Weaver: 'So many twists and surprises' Times 'Impressive' Guardian 'I couldn't put it down' Sun 'It had me racing to the end' Fiona Barton 'Genuinely original' Gillian McAllister

For fans of The Haunting of Hill House comes a dark tale of a mansion haunted by a legacy of tragedy and a family trapped by lies. Margot and Myron Spielman move to a new town, looking for a fresh start and an escape from the long shadow of their past. But soon after they buy Rawlingswood, a foreclosed mansion rumored to be haunted, they realize they're in for more of the same...or worse. After a renovation fraught with injuries and setbacks, the Spielmans move in to the century-old house, and their problems quickly escalate. The home's beautiful facade begins to crumble around them when their teenage son uncovers disturbing details of Rawlingswood's history--a history of murder, betrayal, and financial ruin. The Spielmans' own shameful secrets and lies become harder to hide as someone or something inside the house watches their every move. As tensions build between the family members, the home's dark history threatens to repeat itself. Margot and Myron must confront their own ghosts and Rawlingswood's buried past before the house becomes their undoing.

A stunning evocation of the shifting emotional landscape of a man who has lost his way and a daughter who cannot find her father, No One is an intimate novel of love and loss. Cleaning up her father’s home after his death, Gwenaëlle Aubry discovered a handwritten, autobiographical manuscript with a note on the cover: “to novelize.” The title was The Melancholic Black Sheep, but the subtitle An Inconvenient Specter had been crossed out. The specter? Her father’s disabling bipolar disorder. Aubry had long known that she wanted to write about her father; his death, and his words, gave her the opportunity to explain his many absences—even while he was physically present—and to sculpt her memory of him. No One is the portrait of a man without a true self; a one-time distinguished lawyer and member of the Paris bar who imagined himself in many important roles—a procession of doubles, a population of masks—who became a drifter and frequent visitor to mental institutions. Moving between the voices of daughter and father, this fictional memoir in dictionary form investigates the many men behind the masks, and a unified portrait evolves. A describes her father’s adopted persona as Antonin Artaud, the poet/playwright; B is for James Bond; H is for homeless; and, finally, Z is for Zelig, the Woody Allen character who could transform his appearance to that of the people around him. Letter by letter, Aubry gives shape and meaning to the father who had long disappeared from her view. The whole is a beautifully written, vivid exploration of a particular experience of mental illness and what it can reveal more generally about human experience.

"Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter--a name that has been keeping readers at the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer's at the age of forty-nine, Jerry's crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: the stories are real. He knows this because he committed the crimes"--

This is an ethnographic study, based on fieldwork and extensive personal interviews, of Brazilians of Japanese descent who have migrated to Japan in response to the government's call for ethnically acceptable unskilled workers. These people of Toyota City are among 200,000 Brazilians of Japanese descent who live in Japan today, forming Japan's third-largest minority group.

DIVDIVDIVNothing—and no one—will stand in Kathy’s way of winning the tennis championship. After all winning is everything . . . or is it?/divDIV Kathy Bardy doesn’t have the good looks and ease of her best friend, Julia. She doesn’t have the grades of her little sister, Jody. What she has is tennis. Kathy’s coach even says she’s the most promising New England junior to come along in years. With tennis come trophies, free equipment, and tournament prize money—and all these things put Kathy on equal more footing with pretty and well-heeled Julia. /divDIVThen, out of nowhere, comes Ruth Gumm, an indifferent player Kathy should beat every time. But Kathy can’t beat her. She loses her cool and her nerves every time Ruth is on the other side of the net. And Ruth is supposed to play Kathy in the first round of an important tournament, one that could lead to enormous future success for young Kathy Bardy. /divDIVSuddenly, Ruth is found drowned in a swimming pool. Is Kathy connected to Ruth’s death? Was it just an accident, or had someone else stepped into the picture?/divDIV /divDIVThis chilling mystery was named a runner-up for the Edgar Award from the Mystery Writers of America, an ALA Best Book for Young Adults, and a School Library Journal choice for Best Book for Young Adults./divDIV /divDIVThis ebook features an illustrated biography of Rosemary Wells including rare images from the author’s collection./div/div/div

Challenging perceptions of discrimination and prejudice, this emotionally resonant drama for readers of Lisa Wingate and Jodi Picoult explores three different women navigating challenges in a changing school district—and in their lives. WINNER OF THE CHRISTY AWARD® When an impoverished school district loses its accreditation and the affluent community of Crystal Ridge has no choice but to open their school doors, the lives of three very different women converge: Camille Gray--the wife of an executive, mother of three, long-standing PTA chairwoman and champion fundraiser--faced with a shocking discovery that threatens to tear her picture-perfect world apart at the seams. Jen Covington, the career nurse whose long, painful journey to motherhood finally resulted in adoption but she is struggling with a happily-ever-after so much harder than she anticipated. Twenty-two-year-old Anaya Jones--the first woman in her family to graduate college and a brand new teacher at Crystal Ridge's top elementary school, unprepared for the powder-keg situation she's stepped into. Tensions rise within and without, culminating in an unforeseen event that impacts them all. This story explores the implicit biases impacting American society, and asks the ultimate question: What does it mean to be human? Why are we so quick to put labels on each other and categorize people as "this" or "that", when such complexity exists in each person?

*THE INAUGURAL SARAH JESSICA PARKER PICK FOR BOOK CLUB CENTRAL* CHOSEN AS A 2017 BEST SUMMER READ PICK BY The Wall Street Journal • The Washington Post • The Seattle Times NAMED ONE OF THE MOST ANTICIPATED BOOKS OF 2017 BY Entertainment Weekly • Nylon • Elle • Redbook • W Magazine • The Chicago Review of Books JJ Ferguson has returned home to Pinewood, North Carolina, to build his dream house and to pursue his high school sweetheart, Ava. But as he reenters his former world, where factories are in decline and the legacy of Jim Crow is still felt, he’s startled to find that the people he once knew and loved have changed just as much as he has. Ava is now married and desperate for a baby, though she can’t seem to carry one to term. Her husband, Henry, has grown distant, frustrated by the demise of the furniture industry, which has outsourced to China and stripped the area of jobs. Ava’s mother, Sylvia, caters to and meddles with the lives of those around her, trying to fill the void left by her absent son. And Don, Sylvia’s unworthy but charming husband, just won’t stop hanging around. JJ’s return—and his plans to build a huge mansion overlooking Pinewood and woo Ava—not only unsettles their family, but stirs up the entire town. The ostentatious wealth that JJ has attained forces everyone to consider the cards they’ve been dealt, what more they want and deserve, and how they might go about getting it. Can they reorient their lives to align with their wishes rather than their current realities? Or are they all already resigned to the rhythms of the particular lives they lead? No One Is Coming to Save Us is a revelatory debut from an insightful voice: with echoes of The Great Gatsby it is an arresting and powerful novel about an extended African American family and their colliding visions of the American Dream. In evocative prose, Stephanie Powell Watts has crafted a full and stunning portrait that combines a universally resonant story with an intimate glimpse into the hearts of one family.

For Dr. David Beck, the loss was shattering. And every day for the past eight years, he has relived the horror of what happened. The gleaming lake. The pale moonlight. The piercing screams. The night his wife was taken. The last night he saw her alive. Everyone tells him it’s time to move on, to forget the past once and for all. But for David Beck, there can be no closure. A message has appeared on his computer, a phrase only he and his dead wife know. Suddenly Beck is taunted with the impossible–that somewhere, somehow, Elizabeth is alive. Beck has been warned to tell no one. And he doesn’t. Instead, he runs from the people he trusts the most, plunging headlong into a search for the shadowy figure whose messages hold out a desperate hope. But already Beck is being hunted down. He’s headed straight into the heart of a dark and deadly secret–and someone intends to stop him before he gets there.

In her long career, Ugresic has published several novels (e.g., The Ministry of Pain), but she made her name with her essay collections, which have caused controversy and earned her the admiration of writers and critics abroad. In these latest musings, written over the course of several years, Ugresic leaves no stone unturned and no thought contained, doing what she does best: writing about the human condition through her own experience. Refusing to establish a central theme, she touches upon a wide range of topics: the paradox of multiculturalism, metaphors as our "defense against nightmares," the eerie similarities between capitalism and communism, and ways in which we try to rise hopelessly above our less-than-perfect existence. Along the way, she pays homage to the works of literature that have influenced her own creative process, in an effort to pay "a symbolic literary tax on narcissim" because "writing is not the humblest of vocations." Perhaps not, but Ugresic certainly knows how to balance being a critic with being criticized. Recommended for all libraries collecting cultural criticism.--Mirela Roncevic, Library Journal Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.