No Nā Mamo is an updated and enlarged compilation of books in the acclaimed Ka Wana series, published in 2005-2010. The books, revised and presented here as individual chapters, offer invaluable insights into the philosophy and way of life of Native Hawaiian culture: Pono (right way of living) Aloha (love and affection) Welina (welcome and hospitality) A'o (education) Ola (health and healing) Ho'oponopono (healing to make things right) Ho'omana (the sacred and spiritual) Alaka'i (leadership) Kākā'ōlelo (oratory) Ho'onohonoho (cultural management) Kapu (gender roles) Hewa (wrong way of living) Readers both familiar and unfamiliar with Native Hawaiian traditions and practices will find much to reflect on as well as practical guidance and knowledge. Throughout Chun draws on first-hand accounts from early Hawaiian historians, early explorers and missionaries, and nineteenth-century Hawaiian language publications--as well as his own experience, gained from a lifetime of engagement with the language and culture. No Nā Mamo contains new and updated information throughout, a completely new chapter on Aloha, color illustrations, prefaces by the author and editor, a new Afterword, and an Appendix describing the challenges faced in creating this book.

Biographies of ten contemporary Hawaiians engaged in a variety of traditional cultural practices. Each chapter is introduced by a chant or poem composed by a Native Hawaiian.

Here for the first time is a large collection of Hawaiian songs in an authoritative text with translation (music not included). The texts have never before been written consistently with the glottal stops (indicating syllabic breaks between vowels) and macrons (indicating long vowels and stresses) that make the words pronounceable by those unfamiliar with the Hawaiian language. Many of the songs have not been translated before or have only been freely adapted rather than translated. These 101 songs are all postmissionary and owe their musical origin to missionary hymns, although only a few are religious. None are technically chants, though some are chants that have been edited and set to music. They date from the mid-1850s (most are from the time of the monarchy) to 1968 (the date of Mary Kawena Pukui's translation of Christmas songs). Nearly all of these songs are sung today and are well known to Hawaiian singers. Included are love songs, and Christmas songs. There is an exhaustive introduction, which includes classification and arrangement of the songs; a note on the composers; and analysis of the structure, symbolism, and meanings of the songs; and a note on the translations and on the poetic vocabulary of the Hawaiian words.

Veteran activist Mab Segrest takes readers along on her travels to view a world experiencing extraordinary change. As she moves from place to place, she speculates on the effects of globalization and urban development on individuals, examines the struggles for racial, economic, and sexual equality, and narrates her own history as a lesbian in the American South. From the principle that we all belong to the human community, Segrest uses her personal experience as a filter for larger political and cultural issues. Her writings bring together such groups as the Ku Klux Klan in North Carolina, fledging gay rights activists in Zimbabwe, and resistance fighters in El Salvador. Segrest expertly plumbs her own personal experiences for organizing principles and maxims to combat racism, homophobia, sexism, and economic exploitation.

The second volume of the Hawaiian National Bibliography records the transformation of Hawai'i from a feudal system of government to a constitutional monarchy whose autonomy was recognized by the United States and the great powers of Europe. Here are referenced the formation of laws, a constitution, a bill of rights, and government reports. Political entanglements with Great Britain and France, the Provisional Cession of Hawai'i to Great Britain, and the restoration of sovereignty in 1843 are documented. Publications resulting from the United States Exploring Expedition under Captain Charles Wilkes are included. Also listed and described are theater bills, broadsides, and other ephemera, which illuminate the everyday life of the period.