"Mary Summer Rain was the last student of the blind-from-birth Chippewa visionary, and spent many days in the remote cabin in the mountains with the woman who would become her beloved friend and teach her the many lessons of the spirit and of the Earth Mother." -- Back cover.

A poetic meditation on the last year of tenor saxophonist Lester Young's life, of joyful playing and self-willed dying. In 1959, at the age of fifty, jazz greaet Lester Young--a lyrical player, his airy tone haunted by a breathy melancholy--died alone in the Arvin Hotel in Manhattan. As Meltzer explains, "No Eyes is a book about death, and Young sits in for a metaphor for the artist living and dying for and with his art." An "inside" biography, No Eyes is a brilliant jazz-world evocation, composed in free verse whose flow is arrested to capture significant moments, Meltzer creates a layered narrative of vivid colors and textures, the material facts of Young's story dissolving into internalized, projected truths of erotic understanding and spiritual sympathy with the "sweet and isolate lovely other."

Mary Summer Rain's relationship with the old and wise Indian shaman No-Eyes, introduced in Spirit Song, continues, as she reveals to Mary her compelling visions of the future. From the setting in the simple mountain cabin, No-Eyes takes her on a sometimes frightening journey through time, viewing the upheavals to come through a unique perspective, on timeless paths that few have ever traveled. Second in a celebrated and best-selling series, which includes Spirit Song, Dreamwalker, Phantoms Afoot, Daybreak, Soul Sounds, Mountains, Meadows, and Moonbeams(Young Spirit), and Whispered Wisdom, Phoenix Rising gives the reader an understanding of the relationship between the Earth Mother and the creatures who inhabit her domain. It's a book that is already a classic for its philosophical insight and the powerful lyricism of the author's portrayal of the beautiful mountains of Colorado. And, as always, the unique relationship between teacher and student is delightfully rendered.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

A digital solution for your classroom with features created with teachers and students in mind: * Perpetual license * 24 hour, 7 days a week access * No limit to the number of students accessing one title at a time * Provides a School to Home connection wherever internet is available * Easy to use * Ability to turn audio on and off * Words highlighted to match audio Describes adaptations that occur in a cave environment, including general adaptations and examples.

Whatever will stimulate the observing tendencies of the young cannot but be of value to them. “Eyes and No Eyes” does this in a delightful way. The story is so natural that the child is wrapped up in it, and so it makes a deep impress upon him. Much less could be accomplished by simply telling him to observe, or lecturing upon the value of keeping one's eyes open. But when the reader sees how much more William gets out of his walk than Robert, and what marvellous things exist everywhere if one is on the lookout for them, he is himself incited to examine with greater care the many more or less ordinary things he has neglected heretofore. William and Robert become very real individuals to the child, and there is no doubt which of them he will choose to emulate. The author relies upon the force of concrete example to determine the conduct of children, and this is certainly sound in theory and endorsed by experience. The story is told in a very agreeable style, which is at once attractive and affords a good model for imitation. The dialogue gives an opportunity to present information without its seeming dry and didactic. “The Three Giants” cannot be too highly commended. I find children are greatly interested in it, and they get a valuable lesson which they could not gain quite so well in any other form. The story has that literary touch which marks it as of permanent value. The story of “A Curious Instrument” will offer the child a good chance to try his imaginative wings, so to speak, and will also afford him a useful lesson. It cannot but be desirable for the young to begin early to think upon the wonderful construction of the human body, although they must not be carried into the detailed anatomy too far. The child must rather be led to see how marvellously efficient the various organs of his body are, and what they accomplish to promote his welfare. The object here indicated is attained very well in this story; the child's curiosity is greatly stimulated to find out what the wonderful instrument can be, and this leads him to appreciate the uses to which it may be put. In this way he gains useful knowledge while being pleasantly entertained. “Travellers' Wonders” will excite hardly less curiosity in the reader than “A Curious Instrument.” He marvels that any people can do as they are said to in the story; and when he discovers that they dwell all about him, it is a revelation to him. He usually does not think upon these familiar topics; he takes them all as matters of course. But it is a good thing for him to view them in another light once in a while; and there could hardly be any more effective means of getting him to do this than is illustrated in this selection. Formal lessons do not get the hold upon the child that a dramatic story of this sort does,—one that sets him to solving a puzzle. There is really no exercise that so stimulates the mind of the young as something of the puzzle character; and when the outcome of the puzzle is profitable, it makes a valuable method of teaching...FROM THE BOOK.

In 1996, an unprecedented decade-long courtroom battle was waged in Florida to help bring justice and hope to the family of a young boy born with no eyes after his mother was doused outside of a local u-pick farm by a chemical fungicide believed to have caused his birth defect and the birth defects of many other children. It was a battle that nearly everyone but attorney Jim Ferraro deemed unwinnable. After all, it involved one of the world’s most powerful industrial giants. In the process, it was a fight that changed the landscape of tort law forever. Before it was over Castillo-vs-DuPont would go down in history as the first and one of the most important cases of its kind, setting precedent and also sparking a crucial debate over the questionable use of what is known as the “junk-science defense.” Blindsided is a blow-by-blow account of how a lone attorney challenged a dangerous threat to public health....and how the defenders never saw defeat coming. It’s a real life David and Goliath story―a true courtroom drama for the ages.

One day you will feel better... Eyes without Sparkle is a powerful medical autobiography describing the journey followed by the author into, through, and out of puerperal psychosis, the most severe form of postnatal depression. With vivid and intimate descriptions of events and the author’s feelings, this is the only book offering a single first-hand account of postnatal illness. The book serves as an inspiration for anyone suffering from or involved with a depressive illness. For health and social care professionals it is a reflective guide to learning from patients’ experiences, and the examples of positive and negative aspects of treatment can inform mental health services and policies.

DIVLee Alexander McQueen (1969†“2010), whose design combined visionary aesthetics, emotional power, and extraordinary craft, was known for staging provocative shows that were as much performances as venues to display his couture creations. Charged with energy, informed by history and culture, and filled with fresh concepts, McQueen’s shows have become legends not only of fashion but also of art. Anne Deniau was the only photographer allowed backstage by McQueen for 13 years, beginning in September 1997 and ending with the final show in March 2010. She captured McQueen working with his close circle of collaborators—including designer Sarah Burton, milliner Philip Treacy, jewelry designer Shaun Leane, and model Kate Moss—to create his meticulously produced spectacles. Her book offers an inspiring homage, through the art of photography, to the work of a great artist. Praise for Love Looks Not With the Eyes: Thirteen Years With Lee Alexander McQueen: The pictures are evocative of the torture, the toughness and, most of all, the tenderness of Mr. McQueen.†? —New York Times “Deniau’s close connection to McQueen and her appreciation for his formidable talent is like many of the pieces he created: breathtaking.†? —San Francisco Chronicle “Thekinetic color and black-and-white photographs document the fantastical,shocking spectacle of a McQueen show in action: hairdos trussed up with birdsof prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrialcheek prostheses. The images are sensual, spooky, and whimsical, playing up thedrama of McQueen’s vision; like one of the designer’s fabulous garments, thephotographs transform fashion into high art. The book is both an homage and amemorial; this celebration of McQueen’s vast, unique talent is also a eulogyfor his tragic loss.†? — “Haute couture has a reputation for spectacle, but Anne Deniau’s photographs remind us that it’s also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Alexander McQueen (1969†“2010).†? —Wall Street Journal “Lush, previously unpublished backstage photographs from many of the late designer’s provocative fashion shows.†?—The Los Angeles Times “The kinetic color and black-and-white photographs document the fantastical, shocking spectacle of a McQueen show in action: hairdos trussed up with birds of prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrial cheek prostheses. The images are sensual, spooky, and whimsical, playing up the drama of McQueen’s vision; like one of the designer’s fabulous garments, the photographs transform fashion into high art. The book is both an homage and a memorial; this celebration of McQueen’s vast, unique talent is also a eulogy for his tragic loss.†? —Publishers Weekly “Love Looks Not with the Eyes document[s] the intense work and equally intense emotions that played out behind the scenes of McQueen’s poetic, passionate, and provocative shows. . . . The intimacy is evident in the pictures.†? —Vogue “The haunting images offer a rarefied glimpse into the designer’s inner world.†? —Harper’s Bazaar “Deniau, in the process of documenting 26 McQueen presentations, captured images which, too, transcend photography—matching the decadent and grand world created by the hands of McQueen.†? —Time.com “Haute couture has a reputation for spectacle, but Anne Deniau’s photographs remind us that it’s also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Alexander McQueen (1969†“2010).†? —Wall Street Journal /div

A NEW YORK TIMES NOTABLE BOOK • The dramatic story of the Flint water crisis, by a relentless physician who stood up to power. “Stirring . . . [a] blueprint for all those who believe . . . that ‘the world . . . should be full of people raising their voices.’”—The New York Times “Revealing, with the gripping intrigue of a Grisham thriller.” —O: The Oprah Magazine Here is the inspiring story of how Dr. Mona Hanna-Attisha, alongside a team of researchers, parents, friends, and community leaders, discovered that the children of Flint, Michigan, were being exposed to lead in their tap water—and then battled her own government and a brutal backlash to expose that truth to the world. Paced like a scientific thriller, What the Eyes Don’t See reveals how misguided austerity policies, broken democracy, and callous bureaucratic indifference placed an entire city at risk. And at the center of the story is Dr. Mona herself—an immigrant, doctor, scientist, and mother whose family’s activist roots inspired her pursuit of justice. What the Eyes Don’t See is a riveting account of a shameful disaster that became a tale of hope, the story of a city on the ropes that came together to fight for justice, self-determination, and the right to build a better world for their—and all of our—children. Praise for What the Eyes Don’t See “It is one thing to point out a problem. It is another thing altogether to step up and work to fix it. Mona Hanna-Attisha is a true American hero.”—Erin Brockovich “A clarion call to live a life of purpose.”—The Washington Post “Gripping . . . entertaining . . . Her book has power precisely because she takes the events she recounts so personally. . . . Moral outrage present on every page.”—The New York Times Book Review “Personal and emotional. . . She vividly describes the effects of lead poisoning on her young patients. . . . She is at her best when recounting the detective work she undertook after a tip-off about lead levels from a friend. . . . ‛Flint will not be defined by this crisis,’ vows Ms. Hanna-Attisha.”—The Economist “Flint is a public health disaster. But it was Dr. Mona, this caring, tough pediatrican turned detective, who cracked the case.”—Rachel Maddow