'An ambitious, nuanced and confident debut: Patel writes with passion, curiosity and purpose.' Maxine Beneba Clarke, bestselling and award winning author of The Hate Race, Foreign Soil, The Patchwork Bike and Carrying The World A fresh and exciting feminist memoir about what it means to never feel at home where you live. 'I was born in a hospital in Suva, Fiji. I can't recall ever seeing the building on my trips back to the city, first as a child or later as an adult. I imagine it in shades of blue and brown, the plastic waiting room chairs covered in the fine film of moisture that creeps over everything there. It is not a place I've thought of often, but I think of it now and wonder how it has shaped me. I am Fijian-Indian, and have lived in Australia since I was three years old. Memories of my early life in Fiji are limited to flashes, like an old film projector running backwards. I remember a blue dress, a trip on a boat where my father handed me a dried, floating starfish that I clutched in my fingers, determined not to lose it back to the ocean.' No Country Woman is the story of never knowing where you belong. It's about not feeling represented in the media you consumed, not being connected to the culture of your forebears, not having the respect of your peers. It's about living in a multicultural society with a monocultural focus but being determined to be heard. It's about challenging society's need to define us and it's a rallying cry for the future. It's a memoir full of heart, fury and intelligence - and the book we need right now.

Articles with reference chiefly to Bangladesh and India.

One of NPR's Best Books of the Year “Straight’s memoir is a lyric social history of her multiracial clan in Riverside that explores the bonds of love and survival that bind them, with a particular emphasis on the women’s stories . . . The aftereffect of all these disparate stories juxtaposed in a single epic is remarkable. Its resonance lingers for days after reading.” —San Francisco Chronicle In the Country of Women is a valuable social history and a personal narrative that reads like a love song to America and indomitable women. In inland Southern California, near the desert and the Mexican border, Susan Straight, a self–proclaimed book nerd, and Dwayne Sims, an African American basketball player, started dating in high school. After college, they married and drove to Amherst, Massachusetts, where Straight met her teacher and mentor, James Baldwin, who encouraged her to write. Once back in Riverside, at driveway barbecues and fish fries with the large, close–knit Sims family, Straight—and eventually her three daughters—heard for decades the stories of Dwayne’s female ancestors. Some women escaped violence in post–slavery Tennessee, some escaped murder in Jim Crow Mississippi, and some fled abusive men. Straight’s mother–in–law, Alberta Sims, is the descendant at the heart of this memoir. Susan’s family, too, reflects the hardship and resilience of women pushing onward—from Switzerland, Canada, and the Colorado Rockies to California. A Pakistani word, biraderi, is one Straight uses to define a complex system of kinship and clan—those who become your family. An entire community helped raise her daughters. Of her three girls, now grown and working in museums and the entertainment industry, Straight writes, “The daughters of our ancestors carry in their blood at least three continents. We are not about borders. We are about love and survival.” “Certain books give off the sense that you won’t want them to end, so splendid the writing, so lyrical the stories. Such is the case with Southern California novelist Susan Straight’s new memoir, In the Country of Women . . . Her vibrant pages are filled with people of churned–together blood culled from scattered immigrants and native peoples, indomitable women and their babies. Yet they never succumb . . . Straight gives us permission to remember what went before with passion and attachment.” ––Los Angeles Times

'Hannah August's intelligent and humane study illuminates, sometimes uncomfortably, the ways in which our demographics are changing and our attitudes are not. This is public intellection that is curious, rigorous, and highly relevant to our time.' Eleanor Catton In 2013, there were over 66,000 more women between the ages of 25-49 living in New Zealand than there were men. This so-called ‘man drought’ is a hot topic for journalists and academics alike, who comment on how the situation might affect New Zealand women’s chances of finding love. Yet they rarely stop to ask women their own opinions on the matter. In this BWB Text, Hannah August does just that, integrating interview material, statistics and cultural commentary in order to demonstrate why we need to talk differently about the ‘man drought’.

No Nation for Women takes a hard, close look at what makes India unsafe for its women — from custodial rapes and honour killings to rapes of minors and trafficking — the author uncovers many unpalatable truths behind what we are familiar with as newspaper headlines only... Numbers convey, in part, why India is referred to as one of the world’s rape capitals — one woman is raped every 15 minutes; and, in 50 years, there has been a staggering rise of 873 per cent in sexual crimes against girls. And beyond the numbers and statistics, there are stories, often unreported — of women in Damoh, Madhya Pradesh, who are routinely raped if they spurn the advances of men; of girls from de-notified tribes in central India who have no recourse to justice if sexually violated; of victimized lower-caste girls in small-town Baduan, Uttar Pradesh; of frequent dislocation faced by survivor families in West Bengal; of political wrath turning into rape in Tripura. Priyanka Dubey travels through large swathes of India, over a period of six years, to uncover the accounts of disenfranchised women who are caught in the grip of patriarchy and violence. She asks if, after the globally reported December 2012 gang-rape of ‘Nirbhaya’ in New Delhi, India’s gender narrative has shifted — and, if it hasn’t, what needs to be done to make this a nation worthy of its women.

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a "profoundly disturbing and gorgeously rendered" novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

Great Pro-Choice Feminist Design featuring a uterus shape on a retro vintage look circle. This No Country For Old Men is the perfect Woman's Rights Feminist design. We work hard to bring useful, beautiful and aesthetic paperback notebooks to life. This is a 6"x 9" sized lined notebook, perfect for taking notes at work, school or home. Take it everywhere with you. The college ruled lines are perfect for note taking and doodling. Take notes of everything that comes to your mind and keep your memories organised with this funny journal notebook 6 x 9 inches 120 pages Blank Notebook

This is the first book to analyse the complexities of women's political participation on a cross-national scale and from a feminist perspective. Surveying forty-three countries, chosen to represent a variety of political systems, regions, and levels of ecomic development, questions of women's status, power, means, and methods of reform, are addressed on a global scale. Includes chapters on the following countries: Argentina, Australia, Bangladesh, Bolivia, Brazil, Canada, China, Costa Rica, Cuba, Czechoslovakia(former), Egypt, France, Germany, Ghana, Great Britain, Greece, Hong Kong, Hungary, India, Israel, Japan, Kenya, Korea, Rebpublic of(South Korea), Mexico, Morocco, Nepal, The Netherlands, Nigeria, Norway, Palestine, Papua New Guinea, Peru, The Philippines, Poland, Puerto Rico, South Africa, Spain, Sudan, Switzerland, Turkey, Union of Soviet Socialist Republics(former), United States, Uruguay.

Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates. Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it. Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.

A powerful work that examines how—even without country or settled identity—a legacy of love can endure. Eavan Boland is considered “one of the finest and boldest poets of the last half century” by Poetry Review. This stunning new collection, A Woman Without a Country, looks at how we construct one another and how nationhood and history can weave through, reflect, and define the life of an individual. Themes of mother, daughter, and generation echo throughout these extraordinary poems, as they examine how—even without country or settled identity—a legacy of love can endure. From “Talking to my Daughter Late at Night” We have a tray, a pot of tea, a scone. This is the hour When one thing pours itself into another: The gable of our house stored in shadow. A spring planet bending ice Into an absolute of light. Your childhood ended years ago. There is No path back to it.