Jill walked over and stood next to Sally. She played right before Sally in the recital. "I liked your pieces," Jill said. Sally said, "But I messed up on the second one. It sounded really bad." "Oh, I didn't notice," Jill said. She shrugged, "I made a couple of mistakes too. It's no big deal" Sally thought Jill was just trying to be nice. She couldn't remember Jill every making a mistake when she played. In fact, she made it look so easy all the time. After another sip of punch and a chocolate chip cookie, Sally was ready to leave. She wasn't in a very good mood and most of all she didn't want to face Mrs. Pratt. Sally felt like she had let her down. Sally Sanders is a perfectionist—if can’t she be the best, she feels like a failure. Sally procrastinates, shies away from new things, and constantly compares herself to others, convinced she’s not good enough. With the help of her teachers and mother, Sally learns how to relax and try new things without worrying so much about being the best. She can just be herself, and that is all she needs.

Collects stories by teenagers about retaining a positive body image, staying true to oneself, acceptance of positive and negative circumstances, and forgiveness.

The Detroit Tigers, an umpire, a pitcher, and a mistake—one of the “classic, human, baseball stories” (Ken Burns, creator of the PBS mini-series Baseball). The perfect game is one of the rarest accomplishments in sports. In nearly four hundred thousand contests in over 130 years, it has happened only twenty times. On June 2, 2010, Armando Galarraga threw baseball’s twenty-first. Except that’s not how it entered the record books. That’s because Jim Joyce, voted the best umpire in the game in 2010 and 2011, missed the call on the final out. But rather than throwing a tantrum, Galarraga simply turned and smiled, went back to the mound, and finished the game. “Nobody’s perfect,” he said later in the locker room. “You might think everything that could have been said, replayed, and revealed about that night has already been uttered, logged, and exposed. You would, however, be as wrong as the unfortunate Mr. Joyce” (The Detroit News). In Nobody’s Perfect, Galarraga and Joyce come together to tell the personal story of a remarkable game that will live forever in baseball lore, and to trace their fascinating lives in sports. The result is “a masterpiece”, an absorbing insider’s look at two careers in baseball, a tremendous achievement, and an enduring moment of pure grace and sportsmanship (The Huffington Post).

All Sam Cannon wants is a good mom for his son.

Megan has spent forever planning her positively purple birthday sleepover. She's even made glittery purple invitations for every girl in her class. Then a new girl, Alexis Powell, joins their class. Alexis seems perfect: She's smart, pretty, and rules the soccer games on the playground. But no matter how hard Megan tries to be a friend to Alexis, the new girl is aloof or rude. At first Megan thinks Alexis is shy. Then Megan starts to fear that Alexis is treating her differently because she's deaf. When the girls are forced to collaborate on a science fair project, Megan learns the truth -- and realizes that nobody's perfect. Once again Marlee Matlin draws on experiences from her own childhood to tell Megan's story. In this funny, poignant book, readers will root for Megan, a spirited young girl who doesn't let anything stand in her way.

Not being perfect has its virtues in this irresistible child’s-eye view. Your best friend is kind of a show-off. Your baby sister is loud. And Mom can be pretty stubborn. Not perfect! But sometimes they come pretty close, and you do, too. David Elliott’s winning, tongue-in-cheek text combines with Sam Zuppardi’s fresh, kid-friendly illustrations to show that life may be more about patience than perfection, and that focusing on the positive reaps its own rewards.

An inside-job art heist goes awry in this “wildly funny” crime novel by the Edgar Award–winning author (The New York Times Book Review). It would take a miracle to keep Dortmunder out of jail. Though he cased the electronics store perfectly, the cops surprised him, turning up in the alley just as he was walking out the back door, a television in each hand. Already a two-time loser, without divine intervention he faces a long stretch inside. Then God sends J. Radcliffe Stonewiler, a celebrity lawyer who gets Dortmunder off with hardly any effort at all. Stonewiler was sent by Arnold Chauncey, an art lover with a cash flow problem. He asks the thief to break into his house and make off with a valuable painting in exchange for a quarter of the insurance money. Chauncey has pulled the stunt twice before, so it must look real. He’ll give Dortmunder no inside help—a shame since, when this caper spins out of control, he’ll need all the help he can get.

Anthony Lane on Con Air— “Advance word on Con Air said that it was all about an airplane with an unusually dangerous and potentially lethal load. Big deal. You should try the lunches they serve out of Newark. Compared with the chicken napalm I ate on my last flight, the men in Con Air are about as dangerous as balloons.” Anthony Lane on The Bridges of Madison County— “I got my copy at the airport, behind a guy who was buying Playboy’s Book of Lingerie, and I think he had the better deal. He certainly looked happy with his purchase, whereas I had to ask for a paper bag.” Anthony Lane on Martha Stewart— “Super-skilled, free of fear, the last word in human efficiency, Martha Stewart is the woman who convinced a million Americans that they have the time, the means, the right, and—damn it—the duty to pipe a little squirt of soft cheese into the middle of a snow pea, and to continue piping until there are ‘fifty to sixty’ stuffed peas raring to go.” For ten years, Anthony Lane has delighted New Yorker readers with his film reviews, book reviews, and profiles that range from Buster Keaton to Vladimir Nabokov to Ernest Shackleton. Nobody’s Perfect is an unforgettable collection of Lane’s trademark wit, satire, and insight that will satisfy both the long addicted and the not so familiar.

'Love Is All Round' is a feminist publishing house where Harriet Copeland is running a competition to find new romantic fiction; their motto is 'For Women By Women'. To avoid this gender bias, Leonard Loftus is forced to submit his novel under a female pseudonym. So when Lulabelle Latiffa wins the first prize, Leonard begins to have a major problem. He is a bashful statistician lumbered with a spectacular alter ago. With domestic complications from his wayward daughter Dee Dee and Gus, his rascally old father, Leonard tries frantically to keep up the charade of Lulabelle. His problems are made worse when he falls hopelessly in love with Harriet. He is a worried man in the guise of a carefree woman. The happy ending is not going to be easy. In high heels and lipstick our hero is caught in a hilarious dilemma of cross-dressing and cross-purposes. Oh what a tangled web we weave, across The UK, Australia and all over Europe, Nobody's Perfect has been acclaimed as a classic feel good romantic comedy. Now adapted for the US audience it has the fertile tradition of Some Like It Hot, Tootsie, and Mrs. Doubtfire. This is a play that offers belly laughs galore - four irresistibly loveable characters locked into a hilarious plot. The final scene has been described as a comic masterpiece.