In this literary biography, Sule E. Egya, one of Nigeria's most promising scholar-critics, brings the skills of the storyteller and the scholar to bear on his recreation of the Osundare story. The result is a readable coming-of-age story that traces the writer's development from his rural and agrarian roots in Nigeria, through his education in Africa, Europe and North America, to his rise to prominence as one of the most versatile poets writing in English today. There can be no better platform to register the debt that Osundare owes his parentage, the rigorous discipline of his mentors and the diverse environments in which his outlook on the world has been shaped than this carefully crafted biography. Egya highlights Osundare's prodigious talent, his unwavering ethical compass, his infectious humanism, his enduring faith in the capacity of literature to reshape the world, and the harmony between his creative imagination and polemical writing. Readers and critics will find the biography an indispensable companion to reading Osundare not just because of the illuminating personal and cultural information that it offers, but also because it equally periodizes Osundare's work in a way no other book has done. Prof. Oyeniyi Okunoye, Obafemi Awolowo University, Ile-Ife In Niyi Osundare: A Literary Biography, Sule E. Egya takes us on a journey of the life experiences of the artist-scholar Niyi Osundare. Indeed, there are some books a reader just can't put down. This is one of them. It takes you to the other worlds beyond the popular world of artistry and scholarship of one of Africa's most accomplished men of letters. Dr. Ogaga Okuyade, Niger Delta University, Wilberforce Island.

Niyi Osundare's latest book of poems, Green: Sighs Of Our Ailing Planet, is a critical pastoral of poems concerning the environment around the world--A poet of renown who has travelled and given performances in many parts of the world, he has felt and tried to put into words what he has felt in what he has seen-from the Amazon to the deserts of North Africa to his home country of Nigeria. For him it was the nature speaking to him and through him, pleading and imploring...but still beautiful? Lushness of destruction, transmuted from a nature endangered....an accessible plea from nature through Osundare's words. A book relevant and hopeful for people to stop and reflect on the endangered beauty of all of nature. In the words of Niyi Osundare: Of all my 20-something books of poetry, none has confronted me with a more challenging combination of urgency of content and complexity of execution than this new one. I daresay the existential imperative of its content has been responsible for the pain that came with its composition and the uneasy relief I now feel upon its completion. There is something deeply spiritual, almost religious, about the mission and the message of the poems, and the many ways they have turned out to be denizens of that vital interface between the ecological and the cosmic...

Oral Forms of Nigerian Autobiography and Life Stories discusses the oral life stories and poems that Africans, particularly the Yoruba people, have told about the self and community over hundreds of years. Disproving the Eurocentric argument that Africans didn’t produce stories about themselves, the author showcases a vibrant literary tradition of oral autobiographies in Africa and the diaspora. The oral auto/biographies studied in this book show that stories and poems about individuals and their communities have always existed in various African societies and they were used to record, teach, and document history, culture, tradition, identity, and resistance. Genres covered in the book include the panegyric, witches’ and wizards’ narratives, the epithalamium tradition, the hunter’s chant, and Udje of the Urhobo. Providing an important showcase for oral narrative traditions this book will be of interest to students, scholars, and researchers in African and Africana studies, literature and auto/biographical studies.

A recently published play from the prolific Nigerian poet, dramatist and literary critic, which testifies to the author's commitment to socially relevant art and artistic activism for which he is justifiably renowned. The play tells the story of Yankeland, an imaginary African country, where the country's natural and donated wealth is in the hands of a few corrupt rulers in cahoots with the American military. The powerful prey on the exploited masses, whilst upholding a facade of god-fearing morality. The play is written in the style of street theatre and producs a biting and dramatic satire on political authoritarianism and ignorance, which the author holds responsible for the backwardness of many African countries.The play does however show that such oppression is being challenged; and that the natural inclination of human beings is towards resistance and solidarity, for which Osundare's characters demonstrate great capacity.The courage, unambiguous criticism and optimism in the future are reflected in the performance history of the play itself, which was first staged at the Arts Theatre at the University of Ibadan in 1997, during the time of one of Nigeria's most repressive military dictatorships.

Waiting Laughters is Osundare's second volume of poetry, published to critical acclaim. In 1991, it won The Noma Award for Publishing in Africa, the most prestigious book prize for new works published within the African continent. The collection is conceived as a poetic response to the gloom and despair gripping contemporary African society: the poems emphasise the possibility of laughter and its diverse manifestations. The style of the poetry is reflective of oral and Yoruba literary traditions.

A lyrical and panoramic body of poems from the prize-winning poet, informed by a revolutionary vision about the earth, our home.

Niyi Osundare, one of Africa's most prominent poets and resident of New Orleans, La was one of the many whose life was caught in the destructive force of hurricane Katrina. Rescued by a neighbor with a boat, losing all that he had, exiled without even an identification to several states, he returned to rebuild his life and house. Written over the last five years, these poems recount both his loss and a thank you to those who helped.

These poems from one of Africa's most highly acclaimed poets and the winner of the 1991 Noma Award for Publishing in Africa, are an ironic celebration of collective aspirations, failures, guilts and hopes. They call for change in a society wracked with problems. The poet sets out to produce a collection that captures the significant happenings of the time in a tune that is simple, accessible, topical, relevant, and artistically pleasing and, as he puts it: 'to remind kings about the corpses which line their way to the throne, to show the rich the slums which fester behind their castles, to praise virtue, denounce vice, to mirror the triumphs and travails of the downtrodden, to celebrate the green glory of the rainy season and the brown accent of the dry, to distil poetry from the dust and clay of the vast, prodigious land - songs plucked from the lips of my land in its manifold laughters and sorrows.'