In this title, a group of delinquent boys are abandoned in a remote village during the Korean war and manage to survive by stealing food and hunting, only to face the possibility of death when the villagers return.

The Nobel Prize–winning “master of the bizarre plunges the reader into a world of tortured imagination” in this four-novella collection (Library Journal). In this startling quartet of his most provocative stories, the multiple prize-winning author of A Personal Matter reaffirms his reputation as “a supremely gifted writer” (The Washington Post). In The Day He Himself Shall Wipe My Tears Away, a self-absorbed narrator on his deathbed drifts off to the comforting strains of a cantata as he recalls a blistering childhood of militarism, sacrifice, humiliation, and revenge—a tale that is questioned by everyone who knew him. In Prize Stock, winner of the Akutagawa Prize, a black American pilot is downed in a Japanese village during World War II, where the local children see him as some rare find—exotic and forbidden. In Aghwee The Sky Monster, the floating ghost of a baby inexplicably haunts a young man on the first day of his first job. And in the title story, a devoted father believes he is the only link between his mentally challenged son and reality. “[A] remarkable book.” —The Washington Post “Ōe is definitely one of the Modern Masters.” —Seattlepi.com

J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. J. M. Coetzee, one of the greatest living writers in the English language, has crafted a deeply moving tale of love and mortality in his new book, Slow Man. When photographer Paul Rayment loses his leg in a bicycle accident, he is forced to reexamine how he has lived his life. Through Paul's story, Coetzee addresses questions that define us all: What does it mean to do good? What in our lives is ultimately meaningful? How do we define the place we call "home"? In his clear and uncompromising voice, Coetzee struggles with these issues and offers a story that will dazzle the reader on every page.

The award-winning and haunting novel from Rodrigo Hasbún, the literary star Jonathan Safran Foer calls, “a great writer,” about an unusual family’s breakdown—set in South America during the time of Che Guevara and inspired by the life of Third Reich cinematographer Hans Ertl. Inspired by real events, Affections is the story of the eccentric, fascinating Ertl clan, headed by the egocentric and extraordinary Hans, once the cameraman for the Nazi propagandist Leni Riefenstahl. Shortly after the end of World War II, Hans and his family flee to Bolivia to start over. There, the ever-restless Hans decides to embark on an expedition in search of the fabled lost Inca city of Paitití, enlisting two of his daughters to join him on his outlandish quest into the depths of the Amazon, with disastrous consequences. “A one-sitting tale of fragmented relationships with a broad scope, delivered with grace and power” (Kirkus Reviews, starred review), Affections traces the Ertls’s slow and inevitable breakdown through the various erratic trajectories of each family member: Hans’s undertakings of colossal, foolhardy projects and his subsequent spectacular failures; his daughter Monika, heir to his adventurous spirit, who joins the Bolivian Marxist guerrillas and becomes known as “Che Guevara’s avenger”; and his wife and two younger sisters left to pick up the pieces in their wake. “Hasbún writes with patience and precision, revealing the family’s most intimate thoughts and interactions: first smokes, blind love, and familial devotion. This is a novel to savor for its richness and grace and its historical and political scope” (Booklist, starred review)—a masterfully layered tale of how a family’s voyage of discovery ends up eroding the affections that once held it together.

Kenzaburo Oe was awarded the Nobel Prize in Literature for creating "an imagined world, where life and myth condense to form a disconcerting picture of the human predicament today." In Death by Water, his recurring protagonist and literary alter-ego returns to his hometown village in search of a red suitcase fabled to hold documents revealing the details of his father’s death during WWII: details that will serve as the foundation for his new, and final, novel. Since his youth, renowned novelist Kogito Choko planned to fictionalize his father’s fatal drowning in order to fully process the loss. Stricken with guilt and regret over his failure to rescue his father, Choko has long been driven to discover why his father was boating on the river in a torrential storm. Though he remembers overhearing his father and a group of soldiers discussing an insurgent scheme to stage a suicide attack on Emperor Mikado, Choko cannot separate his memories from imagination and his family is hesitant to reveal the entire story. When the contents of the trunk turn out to offer little clarity, Choko abandons the novel in creative despair. Floundering as an artist, he’s haunted by fear that he may never write his tour de force. But when he collaborates with an avant-garde theater troupe dramatizing his early novels, Kogito is revitalized by revisiting his formative work and he finds the will to continue investigating his father’s demise. Diving into the turbulent depths of legacy and mortality, Death by Water is an exquisite examination of resurfacing national and personal trauma, and the ways that storytelling can mend political, social, and familial rifts.

Hiroshima Notes is a powerful statement on the Hiroshima bombing and its terrible legacy by the 1994 Nobel laureate for literature. Oe's account of the lives of the many victims of Hiroshima and the valiant efforts of those who cared for them, both immediately after the atomic blast and in the years that follow, reveals the horrific extent of the devastation. It is a heartrending portrait of a ravaged city -- the "human face" in the midst of nuclear destruction.

Mo Yan, China’s most critically acclaimed author, has changed the face of his country’s contemporary literature with such daring and masterly novels as Red Sorghum, The Garlic Ballads, and The Republic of Wine. In this collection of eight astonishing stories—the title story of which has been adapted to film by the award-winning director of Red Sorghum Zhang Yimou—Mo Yan shows why he is also China’s leading writer of short fiction. His passion for writing shaped by his own experience of almost unimaginable poverty as a child, Mo Yan uses his talent to expose the harsh abuses of an oppressive society. In these stories he writes of those who suffer, physically and spiritually, under its yoke: the newly unemployed factory worker who hits upon an ingenious financial opportunity; two former lovers revisiting their passion fleetingly before returning to their spouses; young couples willing to pay for a place to share their love in private; the abandoned baby brought home by a soldier to his unsympathetic wife; the impoverished child who must subsist on a diet of iron and steel; the young bride willing to go to any length to escape an odious, arranged marriage. Never didactic, Mo’s fiction ranges from tragedy to wicked satire, rage to whimsy, magical fable to harsh realism, from impassioned pleas on behalf of struggling workers to paeans to romantic love.

"Sharp and dangerous and breathtaking.... A defiant story about a young woman choosing the life and motherhood that is best for her, without apology.” —Roxane Gay, bestselling author of Bad Feminist Marie is a waitress at an upscale Dallas steakhouse, attuned to the appetites of her patrons and gifted at hiding her private struggle as a young single mother behind an easy smile and a crisp white apron. It’s a world of long hours and late nights, and Marie often gives in to self-destructive impulses, losing herself in a tangle of bodies and urgent highs as her desire for obliteration competes with a stubborn will to survive. Pulsing with a fierce and feral energy, Love Me Back is an unapologetic portrait of a woman cutting a precarious path through early adulthood and the herald of a powerful new voice in American fiction.

The first new novel Oe has published since winning the Nobel Prize, Somersault is a magnificent story of the charisma of leaders, the danger of zealotry, and the mystery of faith. A decade before the story opens, two men referred to as the Patron and Guide of mankind were leaders of an influential religious movement. When a radical faction of their followers threatened to unleash an apocalypse, they recanted all of their teachings and abandoned their followers. Now, after ten years of silence, Patron and Guide begin contacting their old followers and reaching out to the public, assisted by a small group of young people who have come to them in recent months. Just as they are beginning this renewed push, the radical faction kidnaps Guide, holding him captive until his health gives out. Patron and a small core of the faithful, including a painter named Kizu who may become the new Guide, move to the mountains to establish the church’s new base, followed by two groups from Patron’s old church: the devout Quiet Women, and the Technicians, who have ties to the old radical faction. The Baby Fireflies, young men from a nearby village, attempt to influence the church with local traditions and military discipline. As planning proceeds for the summer conference that will bring together the faithful and launch the new church in the eyes of the world, the conflicting agendas of these factions threaten to make a mockery of the church’s unity—or something far more dangerous.

Edited by one of Japan's leading and internationally acclaimed writers, this collection of short stories was compiled to mark the fortieth anniversary of the August 1945 atomic bombings of Hiroshima and Nagasaki. Here some of Japan's best and most representative writers chronicle and re-create the impact of this tragedy on the daily lives of peasants, city professionals, artists, children, and families. From the "crazy" iris that grows out of season to the artist who no longer paints in color, the simple details described in these superbly crafted stories testify to the enormity of change in Japanese life, as well as in the future of our civilization. Included are "The Crazy Iris" by Masuji Ibuse, "Summer Flower" by Tamiki Hara, "The Land of Heart's Desire" by Tamiki Hara, "Human Ashes" by Katsuzo Oda, "Fireflies" by Yoka Ota, "The Colorless Paintings" by Ineko Sata, "The Empty Can" by Kyoko Hayashi, "The House of Hands" by Mitsuharu Inoue, and "The Rite" by Hiroko Takenishi.