A glorious companion volume to Historical Fashion in Detail- The 17th and 18th Centuries and Modern Fashion in Detail, this book captures the opulence and variety of nineteenth-century fashion through an authoritative text, exquisite colour photography and line drawings of the complete garments. From the delicate embroidery on neoclassical gowns to the vibrant colours of crinolines and the elegant tailoring of men's coats, the richness of the period is revealed in breathtaking detail. The garments showcased here, drawn from the V&A Museum's world famous collection, were at the height of fashion in their time. They display a remarkable range of colours, materials and construction details- from the intricate boning on women's corsets to the patterned silk of men's waistcoats. Seen in close-up for the first time and further illuminated by detailed commentary and line drawings that show the ingenuity of the underlying construction, these carefully chosen garments illustrate some of the major themes of nineteenth-century dress.

A glorious companion volume to Historical Fashion in Detail- The 17th and 18th Centuries (V&A 2000) and Modern Fashion in Detail (V&A 1998), this book captures the opulence and variety of nineteenth-century fashion through an authoritative text, exquisite colour photography and line drawings of the complete garments. From the delicate embroidery on neoclassical gowns to the vibrant colours of crinolines and the elegant tailoring of men's coats, the richness of the period is revealed in breathtaking detail. The garments showcased here, drawn from the V&A Museum's world famous collection, were at the height of fashion in their time. They display a remarkable range of colours, materials and construction details- from the intricate boning on women's corsets to the patterned silk of men's waistcoats. Seen in close-up for the first time and further illuminated by detailed commentary and line drawings that show the ingenuity of the underlying construction, these carefully chosen garments illustrate some of the major themes of nineteenth-century dress.

De ontwikkeling van de maatschappelijke positie van de Engelse vrouw in de negentiende eeuw, inclusief beschrijvingen van kledingstijlen en -stukken en de redenen hiervoor.

Exuberantly written reference presents a kaleidoscopic panorama of clothing styles worn in period covering the last years of George III to latter part of Victoria's reign. Charming descriptions and illustrations of such authentic outfits as a French court dress (1818), Garibaldi shirt (1861), and evening dress (1865). 200 black-and-white, 27 color illustrations.

By the middle of the century, men were prompted to disdain the decadent and gaudy colors of the pre-Revolutionary period and wear unrelievedly black frock coats suitable to the manly and serious world of commerce. Their wives and daughters, on the other hand, adorned themselves in bright colors and often uncomfortable and impractical laces and petticoats, to signal the status of their family.

"This book was conceived, designed and produced by Ivy Press ... East Sussex"--T.p. verso.

In the first half of the nineteenth century, rural New England society underwent a radical transformation as the traditional household economy gave way to an encroaching market culture. Drawing on a wide array of diaries, letters, and published writings by women in this society, Catherine E. Kelly describes their attempts to make sense of the changes in their world by elaborating values connected to rural life. In her hands, the narratives reveal the dramatic ways female lives were reshaped during the antebellum period and the women's own contribution to those developments. Equally important, she demonstrates how these writings afford a fuller understanding of the capitalist transformation of the countryside and the origins of the Northern middle class. Provincial women exalted rural life for its republican simplicity while condemning that of the city for its aristocratic pretension. The idyllic nature of the former was ascribed to the financial independence that the household economy had long provided those in the farming community. Kelly examines how the juxtaposition of rural virtue to urban vice served as a cautionary defense against the new realities of the capitalist market society. She finds that women responded to the transition to capitalism by upholding a set of values which point toward the creation of a provincial bourgeoisie.

You'll find answers to these questions in Fashion Through the Ages. This stylish oversized gift book includes twelve lavish full-color interactive spreads that present fashion's highlights. From the Roman Empire to the 1960s, each of the twelve spreads feature: -- A man, a woman, a boy, and a girl dressed in outfits of the era.-- Lift-up flaps revealing all the layers of clothing beneath (each with a tiny caption).-- A gatefold page with a historical overview and a fashion overview of the era.-- NMargin illustrations showing accessories, such as shoes, hats, hairstyles, and jewelry.Chock-full of fashion history and stunning costumes by an award winning illustrator, Fashion Through the Ages is a "must-have" for every budding trend setter.

Clothing is often an indication of an individual's status, and gender. By the early nineteenth century clear definitions had developed regarding how American women and men were supposed to appear in public and how they were meant to lead their lives. As men's style of dress moved from the ornate to the moderate, women's fashions continued to be decorative and physically restrictive. This visible separation of the sexes was paralleled in other arenas - social, cultural, and religions. Some women defied this convention and cut their skirts short, abandoned their corsets, and put on trousers. In Pantaloons and Power Gayle V. Fisher shows how the reformers' denouncement of conventional dress highlighted the role of clothing in the struggle of power relations between the sexes.