A groundbreaking exploration of the themes of faith and doubt in Emily Dickinson's poetry

Garnering awards from Choice, Christianity Today, Books & Culture, and the Conference on Christianity and Literature when first published in 1998, Roger Lundin's Emily Dickinson and the Art of Belief has been widely recognized as one of the finest biographies of the great American poet Emily Dickinson. Paying special attention to her experience of faith, Lundin skillfully relates Dickinson's life -- as it can be charted through her poems and letters -- to nineteenth-century American political, social, religious, and intellectual history. This second edition of Lundin's superb work includes a standard bibliography, expanded notes, and a more extensive discussion of Dickinson's poetry than the first edition contained. Besides examining Dickinson's singular life and work in greater depth, Lundin has also keyed all poem citations to the recently updated standard edition of Dickinson's poetry. Already outstanding, Lundin's biography of Emily Dickinson is now even better than before.

"Focusing on Emily Dickinson's poem "Apparently with no surprise," Keane explores the poet's embattled relationship with the deity of her Calvinist tradition, reflecting on literature and religion, faith and skepticism, theology and science in light of continuing confrontations between Darwinism and design, science and literal conceptions of a divine Creator"--Provided by publisher.

Although Emily Dickinson is sometimes seen as a religious skeptic, she never gave up on God, struggling with issues of faith and doubt throughout her life. Many of her poems depict such struggles, sometimes with humor and sometimes with despair. Reading and reflecting on these poems can be a powerful way to listen to and experience God through the arts. Mending a Tattered Faith presents, first, an accessible introduction to the mysteries of Dickinson's life and poetry, considering her relationships to her family and the church, the significant poetic strategies she employed, and the dramatic family struggle over publishing her poetry that began soon after her death. It then offers twenty-nine carefully selected poems by Dickinson, each with an accompanying meditation. By helping readers unpack Dickinson's intense but brief poems, supplying absorbing historical background and information, and relating some personal stories and reflections, this book encourages readers to embark upon their own meditative journey with Dickinson, whose engaging struggles with faith and doubt can help illuminate our own spiritual questions, sorrows, and joys.

Playing on the frequently used metaphors of the 'turn toward' or 'turn back' in scholarship on religion, The Turn Around Religion in America offers a model of religion that moves in a reciprocal relationship between these two poles. In particular, this volume dedicates itself to a reading of religion and of religious meaning that cannot be reduced to history or ideology on the one hand or to truth or spirit on the other, but is rather the product of the constant play between the historical particulars that manifest beliefs and the beliefs that take shape through them. Taking as their point of departure the foundational scholarship of Sacvan Bercovitch, the contributors locate the universal in the ongoing and particularized attempts of American authors from the seventeenth century forward to get it – whatever that 'it' might be – right. Examining authors as diverse as Pietro di Donato, Herman Melville, Miguel Algarin, Edward Taylor, Mark Twain, Robert Keayne, Nathaniel Hawthorne, Paule Marshall, Stephen Crane, Ralph Waldo Emerson, and Joseph B. Soloveitchik, among many others-and a host of genres, from novels and poetry to sermons, philosophy, history, journalism, photography, theater, and cinema-the essays call for a discussion of religion's powers that does not seek to explain them as much as put them into conversation with each other. Central to this project is Bercovitch's emphasis on the rhetoric, ritual, typology, and symbology of religion and his recognition that with each aesthetic enactment of religion's power, we learn something new.

This volume offers 37 original essays from leading scholars on the crucial topics, issues, methods, and resources for studying and teaching religion and the arts.

In Vigilant Faith: Passionate Agnosticism in a Secular World, Daniel Boscaljon takes up the contemporary challenges to faith by skepticism and secularism. He proposes a model of faith for believers and unbelievers alike—a passionate agnosticism—that is rooted in a skeptical consciousness. Skepticism and faith are structurally similar, he writes, in that they share an "unknowing" quality. The author argues that vigilance—the act of keeping watch, a spiritual practice in its own right—is as necessary a precondition for the structure of faith as it is for the structure of skepticism. A suspension in uncertainty and an openness to possibility require vigilance, he attests, if faith and skepticism are to avoid the often dogmatic tendencies of both theism and atheism to cling to their own brands of certainty and knowledge. Boscaljon has three aims: to expand the current, post-theistic definitions of God for greater relevance to human beings on an individual and existential level; to integrate skepticism into faith so that it will restore the importance of faith to current theology and recover it from anti-intellectual bias; and to conceptualize the vigilance of faith in such a way that can provide a vocabulary for distinguishing "good faith" from "bad faith." He offers a variety of cultural examples ranging from film to poetry to represent a life of faith and to show how its components come together in practice. As an alternative to the prevailing fundamentalisms in today's world, his book proposes a paradigmatic understanding of faith in which theism, atheism, and agnosticism refuse to differ.

When Jesus offers his body as a promise to his disciples, he initiates a liturgical framework that is driven by irony and betrayal. Through these deconstructive elements, however, the promise invites the disciples into an intimate space where they anticipate the fulfilment of what is to come. The Last Supper, symbol of unfinished life and sacrifice, becomes the common thread between John Donne and Emily Dickinson, whose poetics acquire liturgical - and therefore eschatological - features, and body and text become the same. By tracing the displacing and yet co-ordinating theme of the body as a textual presence, Liturgical Liaisons opens into new readings of Donne and Dickinson in a way that enriches how these figures are understood as poets. The result is a risky and rewarding understanding of how these two gurus challenged accepted theological norms of their day.

Marty Strong's direct and compelling message is focused on business but in truth, its leadership tenets are agnostic as to industry, marketplace, private or public setting. This is not a textbook. It is a personal conversation between a high-performance business leader and professionals searching for actionable insights that deliver results. Be Nimble provides mentorship, tips, tools, and useful examples to help drive home its valuable leadership insights. Marty Strong has an accomplished leadership career spanning four decades. He worked his way from enlisted SEAL Team member to the SEAL Officer corps, retiring with twenty years’ service in that highly-decorated and esteemed military unit. He is the author of the Time Warrior Sagas and the SEAL Strike Series.

Telegraphies reveals a body of literature in which Americans of all ranks imagine how nineteenth-century telecommunications technologies forever alter the way Americans speak, write, form community, and conceive of the divine.