A group of struggling young screenwriters, in 1947 Hollywood, befriend an older Academy Award winning writer. They study the art of writing and begin to see a promising future when one of the group is murdered. Unhappy with the police investigation they begin to examine the evidence themselves. First, they must answer the question of why would anyone want two dead bodies to act the role of one person. As the talented, young, Hollywood hopeful screenwriters search for their answer, they are confronted with the backdrop of creeping Communism in the film industry. It is a time in our history when a congressional committee, headed by an ambitious, and calculating young United States Senator, searched for Hollywood Communists. And, unless you had a major studio supporting you, you were considered a suspect. When the young screenwriters begin questioning people they quickly find they are making enemies, and the name-calling begins. The story twists with plot turns, as the young writers try to figure out who killed their friend. Was it because she was a Communist, or was going to expose several? As their journey becomes harder they discover a truth about moral conviction with themselves. The surprising ending leads one to believe, regardless of what you know, or whom you know, that we are seldom the image we project. The majority of us will fight to survive and it is only our inner moral compass that prevents us from devouring one another. The characters in Nikki´s Journals are a reflection of most of us . . . and most people can fine one of them to identify with.

This beautiful journal is filled with Nikki McClure's signature images and ideas for embracing beauty, joy, and courage in the journey toward motherhood. Embrace is an aid to help women celebrate the growing life inside them and embrace the transformation of their body and mind. Women can develop their capacity to desire, discover, embrace, grow, dream, prepare, transform, welcome, and nurture. Filled with new gorgeous paper-cut artwork, the journal's colorful pages and thoughtful directives encourage women to record their pregnancy from the first month through the welcoming of their little one into the world.

This beautiful baby journal makes the perfect baby shower gift for parents who want to chronicle baby's first years. Use this journal to write down new discoveries about your child and your hopes, wishes, and dreams for the future. Filled with Nikki McClure's papercut illustrations, The First 1000 Days is divided into sections devoted to baby's first tree, moon, and garden, reflecting McClure's lifestyle and art. Focused on recording baby's interaction with the natural world, this lovely journal celebrates all the special moments of baby's first years and preserves them for all time.

As cash-strapped metropolitan newspapers struggle to maintain their traditional influence and quality reporting, large national and international outlets have pivoted to serving readers who can and will choose to pay for news, skewing coverage toward a wealthy, white, and liberal audience. Amid rampant inequality and distrust, media outlets have become more out of touch with the democracy they purport to serve. How did journalism end up in such a predicament, and what are the prospects for achieving a more equitable future? In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market. She details how Google, Facebook, and the digital-advertising ecosystem have wreaked havoc on the economic model for quality journalism, leaving local news to suffer. Usher also highlights how the handful of likely survivors—well-funded media outlets such as the New York Times—increasingly appeal to a global, “placeless” reader. News for the Rich, White, and Blue concludes with a series of provocative recommendations to reimagine journalism to ensure its resiliency and its ability to speak to a diverse set of issues and readers.

In The Chosen Ones, sociologist and feminist scholar Nikki Jones shares the compelling story of a group of Black men living in San Francisco’s historically Black neighborhood, the Fillmore. Against all odds, these men work to atone for past crimes by reaching out to other Black men, young and old, with the hope of guiding them toward a better life. Yet despite their genuine efforts, they struggle to find a new place in their old neighborhood. With a poignant yet hopeful voice, Jones illustrates how neighborhood politics, everyday interactions with the police, and conservative Black gender ideologies shape the men’s ability to make good and forgive themselves—and how the double-edged sword of community shapes the work of redemption.

A new collection of renowned artist Nikki McClure’s stunning papercuts, with a contemporary, community-minded message Gather, Navigate, Welcome, Fortify, Surrender, Save, Listen, Make Mistakes. These are some of the messages renowned artist Nikki McClure affirms in this gorgeous monograph of her papercuts. Organized by season, McClure’s work reminds us of the important things such as the change of seasons, slowing down the world for a moment so we can actually experience it, and looking up at the stars to dream. In a follow-up to her gorgeous monograph Collect Raindrops, You Are Not Too Late is a new collection of McClure’s original papercuts that have appeared in her beloved yearly calendars. All cut from a single piece of black paper with an X-Acto knife, McClure’s artwork features compelling images of everyday life, often accompanied by a powerful verb that inspires the viewer to action. McClure shares more than images, though, in this new book, interweaving her memories and making of the future, offering insight into her creative life.

Mandell examines the growth of corporate welfare programs around the turn of the 20th century. She argues that businessmen hoped such programs would transform conflict-ridden relations between management and labor into a harmonious partnership modeled after the Victorian family.

An analysis of the complex engagements with issues of identity in the performances of the artists Adrian Piper, Eleanor Antin, Anna Deavere Smith, and Nikki S. Lee.

Embrace the pink wine state of mind with the ultimate guide to drinking and entertaining with everyone's favorite blush beverage, from the creators of @yeswayrose! Fresh, easygoing, and a little bit whimsical, rosé is more than just a wine -- it's shorthand for an entire lifestyle. And nothing embodies the lighthearted joy of "drinking pink" more than the wine and lifestyle brand Yes Way Rosé. Equal parts informative and celebratory, Yes Way Rosé is both a wine primer and a source of lifestyle inspiration. Readers will learn the ins and outs of rosé production, as well as the major wine-making regions, before diving into food pairings, rosé cocktails, and even rosé-inspired astrology. From Rosé 101, tasting notes, and recipes, to tips on maintaining "rosé vibes" and throwing an incredible soirée, Erica Blumenthal and Nikki Huganir translate their vibrant, humorous, and well-informed passion for rosé into an irresistible gift book. Overflowing with full-color photographs and cheeky illustrations, Yes Way Rosé is the perfect read for anyone who has ever fallen under the alluring spell of pink wine.

Japan is the only country in the world where women writers laid the foundations of classical literature. The Kagerō Diary commands our attention as the first extant work of that rich and brilliant tradition. The author, known to posterity as Michitsuna’s Mother, a member of the middle-ranking aristocracy of the Heian period (794–1185), wrote an account of 20 years of her life (from 954–74), and this autobiographical text now gives readers access to a woman’s experience of a thousand years ago. The diary centers on the author’s relationship with her husband, Fujiwara Kaneie, her kinsman from a more powerful and prestigious branch of the family than her own. Their marriage ended in divorce, and one of the author’s intentions seems to have been to write an anti-romance, one that could be subtitled, “I married the prince but we did not live happily ever after.” Yet, particularly in the first part of the diary, Michitsuna’s Mother is drawn to record those events and moments when the marriage did live up to a romantic ideal fostered by the Japanese tradition of love poetry. At the same time, she also seems to seek the freedom to live and write outside the romance myth and without a husband. Since the author was by inclination and talent a poet and lived in a time when poetry was a part of everyday social intercourse, her account of her life is shaped by a lyrical consciousness. The poems she records are crystalline moments of awareness that vividly recall the past. This new translation of the Kagerō Diary conveys the long, fluid sentences, the complex polyphony of voices, and the floating temporality of the original. It also pays careful attention to the poems of the text, rendering as much as possible their complex imagery and open-ended quality. The translation is accompanied by running notes on facing pages and an introduction that places the work within the context of contemporary discussions regarding feminist literature and the genre of autobiography and provides detailed historical information and a description of the stylistic qualities of the text.