What scares you the most? An impressive lineup of the biggest names in gay and lesbian publishing come together to share tales of things that go bump in the night, murder and revenge most foul, and dark creatures that will haunt your dreams, while putting a decidedly queer twist on the literary horror genre. Edited by award-winning authors Greg Herren and J. M. Redmann, the stories in Night Shadows are masterfully told, disturbing tales of psychological terror that will continue to resonate with readers long after they finish reading these delightfully wicked stories. Don’t read these stygian tales when you’re alone—or without every light in the house burning!

Explores the cultural, industrial, formal, and generic contexts of the television soap opera Dark Shadows as a precursor to today's popular gothic media franchises. While supernatural events have become fairly commonplace on daytime television in recent decades, Dark Shadows, which aired on ABC between 1966 and 1971, pioneered this format when it blended the vampires, werewolves, warlocks, and witches of fictional Collinsport, Maine, with standard soap opera fare like alcoholism, jealousy, and tangled love. In this volume, author Harry M. Benshoff examines Dark Shadows, both during its initial run and as an enduring cult phenomenon, to prove that the show was an important precursor--or even progenitor--of today's phenomenally popular gothic and fantasy media franchises like Twilight, Harry Potter, and True Blood. Benshoff demonstrates that viewers of all ages responded to the haunted world of Dark Shadows, making unlikely stars out of the show's iconic characters--reluctant vampire Barnabas Collins, playboy werewolf Quentin Collins, vengeful witch Angelique DuVal, and vampire hunter Dr. Julia Hoffman. Benshoff explores the cultural and industrial contexts of the mid-1960s that gave rise to Dark Shadows and how the show adapted nineteenth-century gothic novels and twentieth-century horror films into a televised serial format. Benshoff also examines the unique aspects of the show's casting and performance modes, its allure as a camp cult text, and the function of the show's many secondary and tertiary texts--including novels, records, games, comic books, and the two feature films, House of Dark Shadows (1970) and Night of Dark Shadows (1971). In the years since its cancellation, Dark Shadows' enduring popularity has led to a prime-time NBC remake in the early 1990s, recent talk of a Tim Burton and Johnny Depp feature film, and a popular ongoing fan convention. Benshoff's timely study of Dark Shadows will appeal to fans of the show and all film and television history scholars who are interested in the roots of one of today's most popular genres.

A collection of short stories.

"A new star is rising in the fantasy firmament...teems with magic and spine-chilling amounts of skullduggery."–Dave Duncan, author of The Great Game When young Alec of Kerry is taken prisoner for a crime he didn’t commit, he is certain that his life is at an end. But one thing he never expected was his cellmate. Spy, rogue, thief, and noble, Seregil of Rhiminee is many things–none of them predictable. And when he offers to take on Alec as his apprentice, things may never be the same for either of them. Soon Alec is traveling roads he never knew existed, toward a war he never suspected was brewing. Before long he and Seregil are embroiled in a sinister plot that runs deeper than either can imagine, and that may cost them far more than their lives if they fail. But fortune is as unpredictable as Alec’s new mentor, and this time there just might be…Luck in the Shadows.

After landing in the hospital after a bad breakup and an ensuing drug-and-alcohol binge, college student Jake Chapman is given two options: rehab, or spend the summer at his dying grandmother’s decaying home in rural Alabama. The choice is obvious. His grandmother’s land has been in Jake’s family since the early nineteenth century; the ruins of the old plantation house are a short walk through the woods behind her home. An archaeological team is excavating the ruins, looking for evidence to prove an old family legend—and there’s a meth lab just over the ridge. Once Jake is there, he begins having strange experiences—flashes of memory, inexplicable emotions—that he can’t explain, and he keeps seeing something strange out in the woods. As he explores his family history, he uncovers some dark secrets someone—or something—is willing to kill to keep hidden.

For nearly twenty-five years The Mammoth Book of Best New Horror has been the world's leading annual anthology dedicated solely to showcasing the best in contemporary horror fiction. Comprising the most outstanding new short fiction by both contemporary masters of horror and exciting newcomers, this multiple award-winning series also offers an overview of the year in horror, a comprehensive necrology of recent obituaries, and an indispensable directory of contact details for dedicated horror fans and writers. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction. Praise for previous Mammoth Books of Best New Horror: 'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.' Lisa Tuttle, The Times. 'The best horror anthologist in the business is, of course, Stephen Jones, whose Mammoth Book of Best New Horror is one of the major bargains of this as of any other year.' Roz Kavaney. 'An essential volume for horror readers.' Locus

Jamie Bradford, the hero of Pursued, is now the pursuer when he receives a mysterious package containing a class ring from his alma mater, Stratburgh University. Wrapped inside the ring is the address to a Rhodes Petroleum corporate office in Boston and the name of an ultra-conservative religious cult based in the Adirondack Mountains. To solve the mystery, Jamie and his husband, Eddie Delgado, infiltrate the cult and discover a paramilitary-style inner circle hell-bent on making the cult's beliefs everyone's beliefs. When their best friend, Ellen Rhodes, ferrets out the Boston connection, the three end up on a perilous mission to save the cult's archenemy, a group of religious fundamentalists whose views regarding homosexuality are just as archaic as the cult's.

Honey Agency: If we can't solve your problem, we're sorry. Greg Honey has bigger issues than a sketchy tagline for his one-man detective agency. To start with, his mother is pressuring him to date debutantes, his stalker keeps leaving threatening messages, his new boyfriend is at least four levels higher up on the gay boy food chain, and his best friend, Willa, has lost her panties. To top it all off, things keep pointing toward trouble at the family estate. Will Greg figure out what's going on in time to help Willa find her panties? Lord knows he wants to because Greg is more than a detective... he's also a Honey.

The 20th Century is over and done with and nothing can be changed. Or is it? Felice Picano's two short novels take delicious what-if peeks at outwitting Time's (seemingly) unbending Arrow. In Ingoldsby, a handsome graduate student finds himself caretaking a Midwestern architectural treasure in which not everything or everyone is what they seem—or when they seem either! But a sexy newcomer challenges him to change all that, for himself, and for a gay youth way out of his own time. In Wonder City of the West, a man too young in spirit to be at retirement age takes a leap back to Golden Age Hollywood. He encounters youth, friendship, a movie star lover, and talents he never knew he possessed. But as he succeeds beyond his dreams, he must ask—is he merely a tool for a shadowy group with a far larger purpose? Provocative, mind-bending, sensual, and entertaining, 20th Century Un-limited is an unexpected addition to an established body of work by an author unafraid to confound and surpass expectations.

Faye Blakemore is a photojournalist for a major New York newspaper. Faye has been taking photos since she was a small child, taught by her photographer grandfather, after spending hours in the strange blood-red light of his darkroom. Now Faye specializes in what one reviewer calls, “blood-and-guts journalism.” Her first book of photos is as celebrated as it is controversial—and as harrowing. Faye convinces her editor to send her to Afghanistan and the Congo to report on the acid burnings, the machete attacks, and the women survivors. Yet that series of assignments—each darker and more dangerous than the next—brings Faye closer to her both her own demons and to the family secrets that still haunt her and threaten to destroy her and the woman she loves.