Robert B. Parker introduces readers to police chief Jesse Stone in the first novel in the beloved mystery series—a New York Times bestseller. After a busted marriage kicks his drinking problem into overdrive and the LAPD unceremoniously dumps him, thirty-five-year-old Jesse Stone’s future looks bleak. So he’s shocked when a small Massachusetts town called Paradise recruits him as police chief. He can’t help wondering if this job is a genuine chance to start over, the kind of offer he can’t refuse. Once on board, Jesse doesn’t have to look for trouble in Paradise: it comes to him. For what is on the surface a quiet New England community quickly proves to be a crucible of political and moral corruption—replete with triple homicide, tight Boston mob ties, flamboyantly errant spouses, maddened militiamen and a psychopath-about-town who has fixed his violent sights on the new lawman. Against all this, Jesse stands utterly alone, with no one to trust—even he and the woman he’s seeing are like ships passing in the night. He finds he must test his mettle and powers of command to emerge a local hero—or the deadest of dupes.

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In the beginning was the night. All light, shapes, language, and subjective consciousness, as well as the world and art depicting them, emerged from this formless chaos. In fantasy, we seek to return to this original darkness. Particularly in literature, visual representations, and film, the night resiliently resurfaces from the margins of the knowable, acting as a stage and state of mind in which exceptional perceptions, discoveries, and decisions play out. Elisabeth Bronfen follows nocturnal spaces in which extraordinary events unfold, enabling the irrational exploration of desire, transformation, ecstasy, transgression, spiritual illumination, and moral choice. She begins with classical myths depicting the creation of the world and moves through nocturnal scenes in Shakespeare and Milton, Gothic figurations, Hegel's romantic philosophy, and Freud's psychoanalysis. In modern times, she shows how literature and film, particularly film noir, transmit that piece of night the modern subject carries within. From Mozart's "Queen of the Night" to Virginia Woolf 's oscillation between day and night, life and death, and chaos and aesthetic form, Bronfen renders something visible, conceivable, and tellable from the dark realms of the unknown.

The classic bestseller from the master of the game

Jesse Stone returns in this New York Times bestselling novel of death and deception from Robert B. Parker. Stiles Island is a wealthy and exclusive enclave separated by a bridge from the Massachusetts coast town of Paradise. James Macklin sees the Island as the ultimate investment opportunity: all he needs to do is invade it, blow the bridge, and loot the island. To realize his scheme, Macklin, along with his devoted girlfriend, Faye, assembles a crew of fellow ex-cons—all experts in their fields—including Wilson Cromartie, a fearsome Apache. James Macklin is a bad man, a very bad man. And Wilson Cromartie, known as Crow, is even worse. As Macklin plans his crime, Paradise police chief Jesse Stone has his hands full. He faces romantic entanglements in triplicate: his ex-wife, Jenn, is in the Paradise jail for assault, he’s begun a new relationship with a Stiles Island realtor named Marcy Campbell, and he’s still sorting out his feelings for attorney Abby Taylor. When Macklin’s attack on Stiles Island is set in motion, both Marcy and Abby are put in jeopardy. As the casualties mount, it’s up to Jesse to keep both women from harm.

D-Passage is a unique book by the world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha. Taking as grounding forces her feature film Night Passage and installation L'Autre marche (The Other Walk), both co-created with Jean-Paul Bourdier, she discusses the impact of new technology on cinema culture and explores its effects on creative practice. Less a medium than a "way," the digital is here featured in its mobile, transformative passages. Trinh's reflections shed light on several of her major themes: temporality; transitions; transcultural encounters; ways of seeing and knowing; and the implications of the media used, the artistic practices engaged in, and the representations created. In D-Passage, form and structure, rhythm and movement, and language and imagery are inseparable. The book integrates essays, artistic statements, in-depth conversations, the script of Night Passage, movie stills, photos, and sketches.

The Andromeda Strain meets The Stand in this startling and stunning thriller that brings to life a unique vision of the apocalypse and plays brilliantly with vampire mythology, revealing what becomes of human society when a top-secret government experiment spins wildly out of control. At an army research station in Colorado, an experiment is being conducted by the U.S. Government: twelve men are exposed to a virus meant to weaponize the human form by super-charging the immune system. But when the experiment goes terribly wrong, terror is unleashed. Amy, a young girl abandoned by her mother and set to be the thirteenth test subject, is rescued by Brad Wolgast, the FBI agent who has been tasked with handing her over, and together they escape to the mountains of Oregon. As civilization crumbles around them, Brad and Amy struggle to keep each other alive, clinging to hope and unable to comprehend the nightmare that approaches with great speed and no mercy. . .

Investigative reporter Roni Mayfield returns to her crumbling Nevada hometown to avenge a friend’s brutal death—only to be hunted by the same twisted serial killer Caroline Holt’s body was found in her bed, covered in blood, her wrists cut, a framed wedding photo on her chest. The death was quickly ruled a suicide, but investigative reporter Roni Mayfield suspects foul play—especially after receiving a terrified message from Caroline hours earlier. What really happened to Caroline that night? What shadowy secrets—secrets that may have cost Caroline her life—are lurking below the surface in this eerie Nevada town? One thing is for certain: In Eagleton, Nevada, what you know can kill you—and Roni is next. Written by New York Times– and USA Today–bestselling author Carol Luce Davis, Night Passage is a gristly and chilling tale that will keep readers guessing until the very end.

Mark Mahaney's Polar Night is a passage through a rapidly changing landscape in Alaska's northernmost town of Utqiagvik. It's an exploration of prolonged darkness, told through the strange beauty of a snowscape cast in a two month shadow. The unnatural lights that flare in the sun's absence and the shapes that emerge from the landscape are unexpectedly beautiful in their softness and harshness. It's hard to see past the heavy gaze of climate change in an arctic town, though Polar Night is a visual poem about endurance, isolation and survival.

Alastair Reynolds has continued to publish short fiction throughout the thirty-odd years of his professional career. This fourth collection gathers material mostly written by the former space scientist in the last decade, even as a number of stories--such as the title piece, set in the universe of House of Suns--revisit earlier environments. The scope of settings is wide, ranging from the contemporaneous Earth to the near future and out to the furthest realms of the galaxy, and taking in such diverse topics as the perils of immortality, cybernetic encounters in the Wild West, uncanny skateboard parks and the flocking behaviour of birds. There is horror here, but also hope--and not a little black humour. The collection includes "Open and Shut," "Night Passage," and "Plague Music," a long, previously unpublished story, all three set in the Revelation Space universe.