LONGLISTED FOR THE INTERNATIONAL IMPAC DUBLIN LITERARY AWARD1938 is a tumultuous year on the small Trinidadian island of El Caracol, which houses a leper colony and a convent. In the sultry heat of the dry season a young orphan, Theo, is sent to live with the island's doctor, Vincent Metivier. The doctor knows little of Theo's past, only that it has been troubled and that he now needs love and attention.As Theo settles into the rhythm of life in El Caracol, he begins to unburden himself of his demons. Every night, he sleeptalks his own strange, disturbing calypso about his childhood. Vincent listens and, gradually, learns what demons still haunt the boy's mind. And as his friendship with the passionate, unpredictable nurse Sister Weil intensifies, Vincent finds his settled life spirally dangerously out of control, as war in Europe looms on the horizon.A richly sensual, heartfelt novel, Night Calypso is the work of one of the world's most imaginative writers.

1938 is a tumultuous year in the small Trinidadian island of El Caracol. In the sultry heat of the summer a young orphan, Theo, is sent to live with the island's doctor, Vincent Metivier. The doctor knows little of Theo's past only that it has been troubled and the he now needs love and attention. Yet Theo is not the only one who needs Vincent's attention. The island is rife with leprosy. Together with Sister Weil, Vincent tries to educate the population about this most taboo of diseases. With war in Europe looming and a feeling of civil unrest building in Trinidad, the staggering beauty of the island is overshadowed by human discord.

If you've ever laughed your way through David Sedaris's cheerfully misanthropic stories, you might think you know what you're getting with Calypso. You'd be wrong. When he buys a beach house on the Carolina coast, Sedaris envisions long, relaxing vacations spent playing board games and lounging in the sun with those he loves most. And life at the Sea Section, as he names the vacation home, is exactly as idyllic as he imagined, except for one tiny, vexing realization: it's impossible to take a vacation from yourself. With Calypso, Sedaris sets his formidable powers of observation toward middle age and mortality. Make no mistake: these stories are very, very funny - it's a book that can make you laugh 'til you snort, the way only family can. Sedaris's writing has never been sharper, and his ability to shock readers into laughter unparalleled. But much of the comedy here is born out of that vertiginous moment when your own body betrays you and you realize that the story of your life is made up of more past than future. This is beach reading for people who detest beaches, required reading for those who loathe small talk and love a good tumour joke. Calypso is simultaneously Sedaris's darkest and warmest book yet - and it just might be his very best.

First comes the spider, banging steel drums.

Skylar Connelly wants to know what happened to her sister, Maia, who vanished without a trace in the Florida Keys. Unwilling to accept the authorities' dismissal of the case, she conceals her relationship to the missing girl and takes a position at Casa del Mar, a magnificent, seaside estate owned by Martin Escalle, a slick entrepreneur whose business interests, she suspects, include illegal activities. Luke White, the captain of the yacht named Calypso and Escalle's right hand man, challenges and fascinates her with his combination of surfer good looks, bad boy charm, and stiletto sharp mind, but is he also a killer? Dare she trust him? Her heart and soul will accept no less.

To the west, proud and alone, was the Imperial Country. To the East stood the Freelands, engulfed in civil war since its very birth. Above them was Cecorria, Home of all Sorcery, struggling against its very own downfall. And finally there was Bryre, the keeper of the sinister Blood Jewels, deadly to all who held them too close. But above them all was another country, a country ignored and long gone silent, but just stirring awake. Only myths told of three heroines arising to meet the powers rising from the North, but myths are myths, stories, and nothing more.

This is Volume II of two volumes. American Silhouettes is primarily a study in human character in its dealing with the adversity of life. The setting is America during the last quarter of the twentieth century. More specifically it focuses on the struggle of two generations of a small African American family whose destiny encounters more than its share of horrific tribulations. It is a window on life, love, happiness, suffering, and death of the members of this small vulnerable resilient family from the South, that moves to Washington, D.C. for a better life, only to find a very short interlude of happiness, followed by a deep plunge into another cycle of trauma and despair; not death though, that would be too easy; and when death finally does come, it is a liberation of the body and soul. The saga continues with the cycle of misfortune repeating itself in a new age, a new generation with the same finality as if their destiny had been wickedly predefined. From Bridgeville SC to Washington DC, and from Rome to Dakar, their saga brings to light the evil and virtuousness of man in its most natural occurrence, as a part of daily life. The story brings together various individuals of different and sometimes opposite background and describes either the passions of their encounters or the clashes resulting from their conflicts. It analyses the most wonderful passions of love, beauty and happiness, and juxtaposes the horrible ugliness of hate and abuse. It incorporates the duty and responsibility of man within the context of our society and dwells into the aberrations of its marginal sector. It is an interweaved matrix of emotional extremes. It demonstrates that evil has no color, no race, no religion, and that it transcends the social fabric of our society.

In this far-reaching literary history, John Wharton Lowe remakes the map of American culture by revealing the deep, persistent connections between the ideas and works produced by writers of the American South and the Caribbean. Lowe demonstrates that a tendency to separate literary canons by national and regional boundaries has led critics to ignore deep ties across highly permeable borders. Focusing on writers and literatures from the Deep South and Gulf states in relation to places including Mexico, Haiti, and Cuba, Lowe reconfigures the geography of southern literature as encompassing the "circumCaribbean," a dynamic framework within which to reconsider literary history, genre, and aesthetics. Considering thematic concerns such as race, migration, forced exile, and colonial and postcolonial identity, Lowe contends that southern literature and culture have always transcended the physical and political boundaries of the American South. Lowe uses cross-cultural readings of nineteenth- and twentieth-century writers, including William Faulkner, Martin Delany, Zora Neale Hurston, George Lamming, Cristina Garcia, Edouard Glissant, and Madison Smartt Bell, among many others, to make his argument. These literary figures, Lowe argues, help us uncover new ways of thinking about the shared culture of the South and Caribbean while demonstrating that southern literature has roots even farther south than we realize.

Phonographic Memories is the first book-length analysis of Caribbean popular music in the Caribbean novel. Tracing a region-wide poetics that attends to the centrality of Caribbean music in retrieving and replaying personal and cultural memories, Hamilton offers a fresh perspective on musical nationalism and nostalgic memory in the era of globalization.