You better watch your back. You better do your best to hide. Because at Whitehorn there are strange forces at play. Someone or something is watching. And the bizarre death within a secured room is only the beginning... Within a short period of time FBI agent Blake Wilder has had to overcome many life altering events. From the relief of discovering the truth of her past and having the reunion she had always dreamed of. To becoming suffocated by the feelings of grief and failure, feelings that nearly resulted in her death. Safe to say, Blake Wilder is far from looking forward to the festivities to come. Blake and her team are summoned to a small town in northern Washington to investigate the mysterious death of a patient at Whitehorn. A case with no prints and no evidence that anyone had entered the victim's room the night of her death. A strangely perplexing and unfathomable death. And the patients and staff at Whitehorn believe that it was the spirit of the woman's boyfriend-a man she'd killed-coming back from the grave to have his revenge. When Blake discovers that the victim is not what she appears to be and the case takes a more shocking turn. Blake finds herself in an inescapable fight, a fight of the ghosts of the girl's past and Blake's very own ghosts of present and future to come. You better watch out. You better hide. Because a night at The Asylum could bring forth a darkness that may lead to an untimely demise.

Starry Night is a fully illustrated account of Van Gogh's time at the asylum in Saint-Remy. Despite the challenges of ill health and asylum life, Van Gogh continued to produce a series of masterpieces – cypresses, wheatfields, olive groves and sunsets. He wrote very little about the asylum in letters to his brother Theo, so this book sets out to give an impression of daily life behind the walls of the asylum of Saint-Paul-de-Mausole and looks at Van Gogh through fresh eyes, with newly discovered material.

Welcome to the Night Asylum! Come on in -- join the madness, but don't stay after dark.From New York Times bestselling and Bram Stoker Award-winning author, Douglas Clegg, comes 18 tales of horror and suspense in this 2nd edition, revised version. "Clegg's stories can chill the spine so effectively that the reader should keep paramedics on standby, " -- Dean Koontz, NY Times Bestselling author of The Husband, Watchers and Forever Odd. Enter the Night Asylum to meet: Mysterious children surrounded by houseflies; a strange woman in a small town stalked by a preacher; boys trying to survive a terrifying boot camp; fraternity brothers who find a deeper brotherhood during a wintry Hell Week; a boy named Charlie, who may have more up his sleeve than meets the eye; a cop named Paul who discovers a tenement that opens the door into a place nightmares -- or heaven; Nix -- a patient in an asylum -- who holds the key to the secret geometry of night itself...and more. Night Asylum Table of Contents: "Where Flies Are Born" "Becoming Men" "The Skin of the World" "People Who Love Life" "Fries With That?" "The Machinery of Night" "The Wicked" "265 and Heaven" "Ice Palace" "Why My Doll is Evil" "The Five" "Subway Turnstile" "Belinda in the Pool" "The American" "The Stain" "A Madness of Starlings" "The Wolf" "The Dark Game" Look for other books by Douglas Clegg The Children’s Hour Goat Dance Purity Dark of the Eye The Words Wild Things Nightmare House Bad Karma Red Angel Night Cage Mischief The Infinite The Abandoned The Necromancer Isis The Hour Before Dark You Come When I Call You Naomi The Nightmare Chronicles The Machinery of Night Breeder The Attraction Praise for Douglas Clegg's Fiction "Douglas Clegg knows exactly what scares us, and he knows just how to twist those fears into hair-raising chills..." - Tess Gerritsen, New York Times bestselling author of the Rizzoli & Isles series. "Clegg is the best horror writer of the post-Stephen King generation." — Bentley Little, author of The Policy "Clegg delivers!" — John Saul, bestselling author of Faces of Fear and The Devil's Labyrinth. "A master of the genre. Absolutely thrilling! Douglas Clegg is the future of dark fantasy." — Sherrilyn Kenyon New York Times bestselling author of the Dark-Hunters. "Douglas Clegg has become the new star in horror fiction." — Peter Straub author of Lost Boy, Lost Girl and the New York Times Bestseller Black House (with Stephen King) "Clegg is one of the best!" — Richard Laymon "Douglas Clegg is a weaver of nightmares!" — Robert R. McCammon author of The Queen of Bedlam and Speaks The Nightbird.

If nobody wants him, that's fine.He'll just take care of himself. When his father dies, Dave knows nothing will ever be thesame. And then it happens. Dave lands in an orphanage—the cold and strict Hebrew Home for Boys in Harlem—far from the life he knew on the Lower East Side. But he's not so worried. He knows he'll be okay. He always is. If it doesn't work out, he'll just leave, find a better place to stay. But it's not that simple. Outside the gates of the orphanage, the nighttime streets of Harlem buzz with jazz musicians and swindlers; exclusive parties and mystifying strangers. Inside, another world unfolds, thick with rare friendships and bitter enemies. Perhaps somewhere, among it all, Dave can find a place that feels like home.

They arrive alive. They leave dead.But first, they give me their confessions.My name is Jack Steen. That name shouldn't mean anything to you. Unless you're about to die. And then I'm your bloody guardian angel. I work as a night nurse in the Asylum for the criminally insane. My name is the only real name you'll find in this book. I won't tell you which hospital I work at. I won't tell you the names of those dying.But I won't lie to you.You'll read exactly what I'm told. If you're smart, if you're deranged enough to read between the lines, you'll know who is telling the story.They could be playing their final game with me by messing with my head. Now, maybe they're messing with yours too.Inside this book are 4 confessions: One has an interesting 'appetite'. One was the Ken to his Barbie, and he would do anything to keep her happy.Another is a Nanny, but not one you want watching your kids.The other is the sweetest soul you'd ever meet but you'll have a hard time reading her confession. WARNING: There is swearing in this book. And some stories might be a trigger for something you have a hard time handling. But, these are the confessions of serial killers, mass murderers and such. NOTE: These once were published as novellas. Now they're in a full length novel. Deal with it.Want to read the next set of Confession books? Sign up for my mailing list - I'm told all the real authors have one, so I figured why not

After waking up in a small asylum in England with no memory of the past several weeks, Georgia Ferrars learns that her family believes she is an imposter.

Set in a mining town in the Australian outback, NIGHTS IN THE ASYLUM is the story of a collision between Aziz, an illegal Afghan immigrant on the run from detention, and Miri, a woman who is lost in her own life. Miri flees from her grief at her daughter's death, and her husband's infidelity, to her Cuban grandmother's old house in a town where outsiders and any hint of eccentricity are viewed with suspicion. Then Zett Moran and her baby also seek refuge there from her abusive policeman husband, sparking off a chain of events that will disturb their already fragile peace.

In this edgy thriller from the #1 international bestselling author of Lineup, which was described by New York Times bestselling author Joseph Finder as "a marvel of tight plotting, spare prose, and relentless pacing," a young police officer's investigation of a murder plunges her into the dark underworld of Tel Aviv. When young social activist Michal Poleg is found dead in her Tel Aviv apartment, her body showing signs of severe violence, officer Anat Nachmias is given the lead on her first murder investigation. Eager to find answers, the talented and sensitive cop looks to the victim's past for clues, focusing on the last days before her death. Could one of the asylum seekers Michal worked with be behind this crime? Then a young African man confesses to the murder, and Anat's commanders say the case is closed. But the cop isn't convinced. She believes that Michal, a tiny girl with a gift for irritating people, got involved in something far too big and dangerous for her to handle. Joined by Michal's clumsy yet charming boss, Anat is pulled deep into a perplexing shadow world where war victims and criminals, angels and demons, idealists and cynics, aid organizations and criminal syndicates intersect. But the truth may be more than Anat can handle, bringing her face to face with an evil she's never before experienced.

A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR “At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.