A comprehensive collection of articles on the subject of nationalism. It covers concepts and definitions, forms of nationalism worldwide, and nationalism and culture, and feminism and politics.

This title was first published in 2002: Addressing the burning questions confronting the Nigerian nation-state today, this book explores the diverse dimensions and voices apparent in the challenges surrounding the national question. Highlighting a range of under-researched and unexplored issues, it theoretically and empirically examines key aspects of the national question discourse and debate in Nigeria. The contributors bring wide and varied experiences to bear on the volume and employ both these experiences and the multidisciplinary approach to illuminate and enrich the issues under study. The National Question in Nigeria identifies challenges that must be addressed if the nation is to survive - and critical issues that have been left unresolved and now threaten the nation state. It is essential reading for social scientists, policy makers, politicians, NGO activists and all observers and students of Nigerian history and politics.

“One of the most vital and original novelists of her generation.” —Larissa MacFarquhar, The New Yorker From the bestselling author of Americanah and We Should All Be Feminists Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that is silent and suffocating. As the country begins to fall apart under a military coup, Kambili and Jaja are sent to their aunt, a university professor outside the city, where they discover a life beyond the confines of their father’s authority. Books cram the shelves, curry and nutmeg permeate the air, and their cousins’ laughter rings throughout the house. When they return home, tensions within the family escalate, and Kambili must find the strength to keep her loved ones together. Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.

Corruption is alive and well in Nigeria—and it must be eliminated. Moreover, the Nigerian church can no longer watch it go unchecked. Though conscious of his limitations as a priest and theologian, the author takes an in-depth look at how corruption has taken hold of Nigeria and its people in this scholarly work. He challenges the church as a socio-moral actor and the civil authorities that govern Nigeria, arguing that the nation will collapse if corruption continues. He notes that even though the Nigerian people have lashed out against corruption, it has only gotten worse—either because morality has been relegated to the background or not enough has been done to inculcate morality into Nigeria’s politics. The author employs a holistic approach in examining issues such as: bishops and their vision of Nigeria vis-à-vis Nigerian politics; democracy and the power equation among the various arms of government; principal biases that characterize Nigerian politics; and class affiliation and its impact in Nigerian politics. Find out how corruption is ruining Nigeria, and discover how the church and government can work together to fix the problem in Nigerian Politics and Corruption.

Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic traditions and the stylistic sophistication that we have come to associate with twentieth-century modernist practices. He explores how these young Nigerian artists were inspired by the rhetoric and ideologies of decolonization and nationalism in the early- and mid-twentieth century and, later, by advocates of negritude and pan-Africanism. They translated the experiences of decolonization into a distinctive "postcolonial modernism" that has continued to inform the work of major Nigerian artists.

This book offers a comprehensive political biography of Kingsley Ozuomba Mbadiwe, (1915-1990), a central figure in Nigerian political history for more than forty years. Starting in 1936 as a protégé of Nnamdi Azikiwe, then Nigeria's most renowned nationalist, Mbadiwe himself by the 1950s became a frontline nationalist. And next to Tafawa Balewa from the North who became Prime Minster in 1957, he was the most important figure in the Nigerian Federal Government between 1952 and Nigeria's first military coup in 1966. During this time he held a succession of important Cabinet positions and was Parliamentary Leader of the National Council of Nigeria and the Cameroons (NCNC), which was in a ruling alliance with the Northern People's Congress (NPC). In contrast, his older prominent political contemporaries, Azikiwe of the Eastern Region, Igbo Leader of the NCNC; Obafemi Awolowo of the Western Region, Yoruba Leader of the Action Group (AG); and Ahmadu Bello of the Northern Region, Fulani Leader of the NPC, all carved out their political careers totally or largely at the regional level. Throughout his political career Mbadiwe's focus was always at the national level. Truly, it has been stated that Mbadiwe was one of the founding fathers of the Nigerian State. Nonetheless, Mbadiwe's ambition for himself to lead Nigeria and for his nation to set it on the path to greatness faced insuperable difficulties. In a country of widespread poverty, high illiteracy, and a grossly underdeveloped private sector, there were fierce ethnic and regional conflicts for the control of governments and resources, leading to massive corruption and serious instability. This in turn led to prolonged military rule twenty years in Mbadiwe's lifetime which was often more corrupt and repressive than civilian rule, and was bitterly deprecated by Mbadiwe.