This definitive New York Times bestselling biography of Anna Wintour, now featuring a new afterword, follows the steep climb of an ambitious young woman who would—with singular and legendary focus—become one of the most powerful people in media. As a child, Anna Wintour was a tomboy with no apparent interest in clothing but, seduced by the miniskirts and bob haircuts of swinging 1960s London, she grew into a fashion-obsessed teenager. Her father, an influential newspaper editor, loomed large in her life, and once he decided she should become editor-in-chief of Vogue, she never looked back. Impatient to start her career, she left high school and got a job at a trendy boutique in London—an experience that would be the first of many defeats. Undeterred, she found work in the competitive world of magazines, eventually embarking on a journey to New York and a battle to ascend, no matter who or what stood in her way. Once she was crowned editor-in-chief of Vogue—in one of the stormiest transitions in fashion magazine history—she continued the fight to retain her enviable position, ultimately rising to dominate all of Condé Nast. Named one of Time’s 100 Must-Read Books of 2022, this in-depth and revealing biography is based on extensive interviews with Anna Wintour’s closest friends and collaborators. Weaving Anna’s personal story into a larger narrative about the hierarchical dynamics of the fashion industry and the complex world of Condé Nast, Anna charts the relentless ambition of the woman who would become an icon.

“Rollicking, irresistible, un-put-downable . . . For anyone . . . who swooned to Netflix’s The Crown, this book will be manna from heaven.” —Hamish Bowles, Vogue “Ninety-Nine Glimpses of Princess Margaret is a brilliant, eccentric treat.” —Anna Mundow, The Wall Street Journal “I ripped through the book with the avidity of Margaret attacking her morning vodka and orange juice . . . The wisdom of the book, and the artistry, is in how Brown subtly expands his lens from Margaret’s misbehavior . . . to those who gawked at her, who huddled around her, pens poised over their diaries, hoping for the show she never denied them.” —Parul Sehgal, The New York Times “Brown has done something astonishing: He makes the reader care, even sympathize, with perhaps the last subject worthy of such affection . . . His book is big fun, equal measures insightful and hysterical.” —Karen Heller, The Washington Post A witty and profound portrait of the most talked-about English royal She made John Lennon blush and Marlon Brando tongue-tied. She iced out Princess Diana and humiliated Elizabeth Taylor. Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. Francis Bacon heckled her. Peter Sellers was madly in love with her. For Pablo Picasso, she was the object of sexual fantasy. Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding. In her 1950s heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death in 2002, she had come to personify disappointment. One friend said he had never known an unhappier woman. The tale of Princess Margaret is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled. Such an enigmatic and divisive figure demands a reckoning that is far from the usual fare. Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues, and essays, Craig Brown’s Ninety-Nine Glimpses of Princess Margaret is a kaleidoscopic experiment in biography and a witty meditation on fame and art, snobbery and deference, bohemia and high society.

This book has been nominated for both the Sheridan Morley Prize for biography, and the Theatre Book Prize. A story of a man whose star rose very quickly and very early, and fell slowly and inexorably. A story of a man who knew himself perhaps too well, but not particularly wisely. It is exhilarating, perplexing and tragic. This new biography offers the most rounded portrait of Osborne yet seen. By embedding him in a social and cultural as well as a biographical context, Whitebrook presents Osborne in a way that has not been attempted before. It is the first book to properly explore the importance of his early collaborative work with Anthony Creighton, his lasting friendship with Pamela Lane, and his deep spiritual beliefs. It reveals the autobiographical background to Look Back in Anger and Watch It Come Down and places his literary achievement within a quintessentially English tradition. Seldom has a dramatist so compulsively revealed so much of himself – his flaws, his anxieties, his passion and his hatred – as John Osborne. His was a dazzlingly high-octane performance and in a succession of increasingly ambitious plays written during the 50s and 60s, he was able to unite a profound, intuitive intelligence with a caustically honest depth of feeling. By refusing to submit to caution, he laid bare in some of the most poetic and incendiary language heard in the 20th-century theatre, not only his own struggles and contradictions but those of the era. Almost single-handedly, he made the theatre important again. Catapulted from obscurity to being the icon of his age when he was only twenty-five, Osborne was at the height of his fame equally celebrated and derided as ‘the Angry Young Man’. John Osborne: ‘Anger is not about’ examines his fractious, often chaotic personal life against the social and political background of his times. It provides an invigorating insight into his complex, often anguished personality and a fresh critical assessment of his writing. A vivid account not only of what it was like to be John Osborne, loyal and generous, scathing and brutal, but what it was like to be so restlessly a creative artist in the latter 20th century. Click here to read an exclusive extract in The Independent

No one is more responsible for Britain"s current obsession with celebrity culture than the late, great gossip columnist Nigel Dempster (1941-2007). For a quarter of a century, as the editor of the Daily Mail"s diary, he was the man perfectly placed and qualified to record - and accelerate - the end of the age of deference.

Indexes the Times, Sunday times and magazine, Times literary supplement, Times educational supplement, Times educational supplement Scotland, and the Times higher education supplement.

The decades between the close of World War I and the end of the Thatcher era have changed and challenged family life in England dramatically. The Depression and World War II shifted priorities and behaviour, as did the Welfare State, the Pill and Women's Lib later on. What threatened a family's respectability in the 1920s is often commonplace today - abortion, contraception, the single parent family, or gay relationships. Family Affairs explores the secret life of English families from 1920 to 1990. Mary Abbott takes the reader into her subjects' homes and hearts and provokes readers to reflect on families past and speculate on families future. A product of intense original research of primary and secondary sources, this volume is a useful contribution to the history of the family.

From the author called the best mystery writer in the English-speaking world ("Time") comes her newest novel featuring Inspector Wexford.

A funny, raucous, and delightfully dirty history of 1,000 years of bedroom-hopping secrets and scandals of Britain's royals. Insatiable kings, lecherous queens, kissing cousins, and wanton consorts-history has never been so much fun. Royal unions have always been the stuff of scintillating gossip, from the passionate Plantagenets to Henry VIII's alarming head count of wives and mistresses, to the Sapphic crushes of Mary and Anne Stuart right on up through the scandal-blighted coupling of Prince Charles and Princess Diana. Thrown into loveless, arranged marriages for political and economic gain, many royals were driven to indulge their pleasures outside the marital bed, engaging in delicious flirtations, lurid love letters, and rampant sex with voluptuous and willing partners. This nearly pathological lust made for some of the most titillating scandals in Great Britain's history. Hardly harmless, these affairs have disrupted dynastic alliances, endangered lives, and most of all, fed the salacious curiosity of the public for centuries. Royal Affairs will satiate that curiosity by bringing this arousing history alive.

'Young is a sharp and funny writer with a brilliant eye for moral fudging and verbal hypocrisy, and she has a splendid foil in Miss Mole' Sally Beauman WINNER OF THE JAMES TAIT BLACK MEMORIAL PRIZE 'Who would suspect her sense of fun and irony, of a passionate love for beauty and the power to drag it from its hidden places? Who would imagine that Miss Mole had pictured herself, at different times, as an explorer in strange lands, as a lady wrapped in luxury and delicate garments?' Miss Hannah Mole has for twenty years earned her living precariously as a governess or companion to a succession of difficult old women.Now, aged forty, a thin and shabby figure, she returns to Radstowe, the lovely city of her youth. Here she is, if not exactly welcomed, at least employed as housekeeper by the pompous Reverend Robert Corder, whose daughters are sorely in need of guidance. But even the dreariest situation can be transformed into an adventure by the indomitable Miss Mole. Blessed with imagination, wit and intelligence, she wins the affection of Ethel and her nervous sister Ruth. But her past holds a secret that, if brought to life, would jeopardise everything.