Nicole Oresme was one of the most original and influential thinkers of the fourteenth century. He is best known for his mathematical discoveries, his economic theories, as well as his vernacular translations of cosmological and ethical texts that were undertaken at the request of King Charles V. This volume sheds light on the beginning of Oresme's scientific activity at the University of Paris (ca. 1340 – ca. 1350), a period of his intellectual career about which little is known. Over the course of this decade, Oresme lectured on many Aristotelian texts on natural philosophy, such as the Physics, On the Heavens, On generation and corruption, Meteorology, and On the Soul. Oresme's commentaries on Aristotle's Meteorology count among his only unpublished texts. This volume presents the first critical edition of books I-II.10 of the second redaction of Oresme's Questions on Meteorology. The edition is preceded by a historical and philological introduction that discusses the context of Oresme’s scientific career and examines the manuscript tradition.

Few figures of the Middle Ages command the attention of so many modern disciplines as Robert Grosseteste (c. 1170-1253). Theology, Philosophy, History, and Science are all areas which his life and thought continue to have significance and to inspire re-interpretation. Accompanied by a series of original commentaries, this new edition of Grosseteste's work, with English translation, draws together the perspectives of modern scientists and medieval specialists. Volume I of a six volume series, Knowing and Speaking presents two of the earliest of Grosseteste's works, the treatises On the Liberal Arts and On the Generation of Sounds. These are accompanied by a significant Middle English treatise on the Seven Liberal Arts whose anonymous fifteenth-century author translated and excerpted passages from Grosseteste's treatises in a re-imagining of their structure and function. Each work is treated separately within the volume, which is constructed in three parts. On the Liberal Arts sets Grosseteste's thoughts on the arts subjects and emphasises moral concerns about the purpose of learning. On the Generation of Sounds builds on the theories and statements of On the Liberal Arts in connection to the production of sound, elaborating the earlier position, relating the generation of sounds to human vocal and speech production.

For the first time, the reader can have a synoptic view of the reception of Pythagoras and Pythagoreanism in the Middle Ages and the Renaissance, East and West, in a multicultural perspective. All the major themes of Pythagoreanism are addressed, from mathematics, number philosophy and metaphysics to ethics and religious thought.

"Robert Grosseteste's treatise De colore is presented here in an authoritative new critical edition, with translation, commentary on its context, and a functional analysis from the perspective of modern science."--P. [i].

Papers previously presented at the 2003 conference of the International Robert Grosseteste Society, held at Bishop Grosseteste University College, Lincoln, England.

A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.

"A further specification regarding the role of tradition in a changing world was added and thus was identified the core topic of a conference held in Galway (2004), where a multidisciplinary team met to share concerns and outline research methods. This book has emerged from that occasion of interdisciplinary dialogue: philosophy, history, performing arts, literature, religion, education, linguistics, folklore and European ethnology, meet here to offer a wide range of scholarly interests and map some of the ways in which it is possible to engage with the frontier between past and present."--Back cover.

In this critical edition of Nicole Oresme's 14th-century treatise on atmospheric refraction, Oresme uses optics and infinitesimals to help solve this vexing problem of astronomy, proposing that light travels along a curve through the atmosphere, centuries before Hooke and Newton.