Together with his brother Humberto, Daniel Ortega Saavedra masterminded the only victorious Latin American revolution since Fidel Castro's in Cuba. Following the triumphant 1979 Nicaraguan revolution, Ortega was named coordinator of the governing junta, and then in 1984 was elected president by a landslide in the country's first free presidential election. The future was full of promise. Yet the United States was soon training, equipping, and financing a counterrevolutionary force inside Nicaragua while sabotaging its crippled economy. The result was a decade-long civil war. By 1990, Nicaraguans dutifully voted Ortega out and the preferred candidate of the United States in. And Nicaraguans grew poorer and sicker. Then, in 2006, Daniel Ortega was reelected president. He was still defiantly left-wing and deeply committed to reclaiming the lost promise of the Revolution. Only time will tell if he succeeds, but he has positioned himself as an ally of Castro and Hugo Ch&ávez, while life for many Nicaraguans is finally improving. Unfinished Revolution is the first full-length biography of Daniel Ortega in any language. Drawing from a wealth of untapped sources, it tells the story of Nicaragua's continuing struggle for liberation through the prism of the Revolution's most emblematic yet enigmatic hero.

This concise history of Nicaragua provides the reader with a history of the ways in which key political and economic factors have contributed to the creation of the modern nation. Notwithstanding Nicaraguan President Daniel Ortega's disdain for the United States, our nation has played a significant role in shaping Nicaraguan nationalism, as well as the country's political, economic, and social systems. The History of Nicaragua was written, in part, to help students and other interested readers understand that relationship, providing them with an up-to-date, concise, and analytical history of the Central American nation. The book begins by describing the people, geography, culture, and current political, economic, and social systems of Nicaragua. The remainder of the volume is devoted to a chronological history, emphasizing recurring themes or factors that have shaped the modern state. These include the importance of elite families such as the Somoza dynasty that ruled for more than 40 years. Other topics include the agro-export model of economic development, modern Nicaraguan nationalism, the Sandinista revolution and its legacy, and the democratic transition that began in 1990.

"LGBTQ Politics in Nicaragua provides the previously untold history of the LGBTQ community's emergence as political actors-from revolutionary guerillas to civil rights activists"--

Those who survived the brutal dictatorship of the Somoza family have tended to portray the rise of the women’s movement and feminist activism as part of the overall story of the anti-Somoza resistance. But this depiction of heroic struggle obscures a much more complicated history. As Victoria González-Rivera reveals in this book, some Nicaraguan women expressed early interest in eliminating the tyranny of male domination, and this interest grew into full-fledged campaigns for female suffrage and access to education by the 1880s. By the 1920s a feminist movement had emerged among urban, middle-class women, and it lasted for two more decades until it was eclipsed in the 1950s by a nonfeminist movement of mainly Catholic, urban, middle-class and working-class women who supported the liberal, populist, patron-clientelistic regime of the Somozas in return for the right to vote and various economic, educational, and political opportunities. Counterintuitively, it was actually the Somozas who encouraged women's participation in the public sphere (as long as they remained loyal Somocistas). Their opponents, the Sandinistas and Conservatives, often appealed to women through their maternal identity. What emerges from this fine-grained analysis is a picture of a much more complex political landscape than that portrayed by the simplifying myths of current Nicaraguan historiography, and we can now see why and how the Somoza dictatorship did not endure by dint of fear and compulsion alone.

This book is an attempt to treat in a compact and objective manner the dominant social, political, economic, and national security aspects of contemporary Nicaraguan society.

As President Carter?s ambassador to Nicaragua from 1977?1979, Mauricio Sola£n witnessed a critical moment in Central American history. In U.S. Intervention and Regime Change in Nicaragua, Sola£n outlines the role of U.S. foreign policy during the Carter administration and explains how this policy with respect to the Nicaraguan Revolution of 1979 not only failed but helped impede the institutionalization of democracy there. Late in the 1970s, the United States took issue with the Nicaraguan dictator Anastasio Somoza. Moral suasion, economic sanctions, and other peaceful instruments from Washington led to violent revolution in Nicaragua and bolstered a new dictatorial government. A U.S.-supported counterrevolution formed, and Sola£n argues that the United States attempts to this day to determine who rules Nicaragua. Sola£n explores the mechanisms that kept Somoza?s poorly legitimized regime in power for decades, making it the most enduring Latin American authoritarian regime of the twentieth century. Sola£n argues that continual shifts in U.S. international policy have been made in response to previous policies that failed to produce U.S.- friendly international environments. His historical survey of these policy shifts provides a window on the working of U.S. diplomacy and lessons for future policy-making.

Intimate Activism tells the story of Nicaraguan sexual-rights activists who helped to overturn the most repressive antisodomy law in the Americas. The law was passed shortly after the Sandinistas lost power in 1990 and, to the surprise of many, was repealed in 2007. In this vivid ethnography, Cymene Howe analyzes how local activists balanced global discourses regarding human rights and identity politics with the contingencies of daily life in Nicaragua. Though they were initially spurred by the antisodomy measure, activists sought to change not only the law but also culture. Howe emphasizes the different levels of intervention where activism occurs, from mass-media outlets and public protests to meetings of clandestine consciousness-raising groups. She follows the travails of queer characters in a hugely successful telenovela, traces the ideological tensions within the struggle for sexual rights, and conveys the voices of those engaged in "becoming" lesbianas and homosexuales in contemporary Nicaragua.

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While indigenous languages have become prominent in global political and educational discourses, limited attention has been given to indigenous children’s everyday communication. Voices of Play is a study of multilingual play and performance among Miskitu children growing up on Corn Island, part of a multi-ethnic autonomous region on the Atlantic Coast of Nicaragua. Corn Island is historically home to Afro-Caribbean Creole people, but increasing numbers of Miskitu people began moving there from the mainland during the Contra War, and many Spanish-speaking mestizos from western Nicaragua have also settled there. Miskitu kids on Corn Island often gain some competence speaking Miskitu, Spanish, and Kriol English. As the children of migrants and the first generation of their families to grow up with television, they develop creative forms of expression that combine languages and genres, shaping intercultural senses of belonging. Voices of Play is the first ethnography to focus on the interaction between music and language in children’s discourse. Minks skillfully weaves together Latin American, North American, and European theories of culture and communication, creating a transdisciplinary dialogue that moves across intellectual geographies. Her analysis shows how music and language involve a wide range of communicative resources that create new forms of belonging and enable dialogue across differences. Miskitu children’s voices reveal the intertwining of speech and song, the emergence of “self” and “other,” and the centrality of aesthetics to social struggle.