Barry Broadfoot’s oral histories brought Canada’s past to vivid life. In Next-Year Country, he travelled across the prairie provinces, speaking to ordinary farmers, labourers, immigrants, and others who recall the challenges and achievements they faced as they settled and helped to build western Canada during the first half of the twentieth century. What emerges is a collection of anecdotes that celebrate the courage, independence, and indomitable spirit of westerners.

In this study of the problems of social organization in a rural community of Alberta, a drought-afflicted wheat-growing area centring round the town of Hanna is described as it appeared to the sociologist in 1946. Dr Burnet examines geographical and economic conditions in Hanna, and shows how farming practices, ways of living, and modes of tenure brought into the area from more humid regions proved ill adapted to the dry belt and delayed economic adjustment. In turn, the difficulties in the realm of economics had adverse social and cultural consequences in both the households and the community as a whole. The Hanna area was chosen for study, though not altogether typical, because it revealed more clearly than other areas not so severely hit by the drought of the 1930s the kind of disturbances within the Alberta social structure which made possible the rise of the Social Credit movement.

When her 30-year marriage broke up, Hubbell retreated to the country where she found solace in the natural world.

In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better.

Listen up chumps, basically the Vicar asked us to edit the parish newsletter this month, we weren't gonna do it at first cos the vicar said 'I want you to channel your energy into doing something creative', which he knows brings back Kurtan's PTSD cos our old woodwork teacher Mr Perkins used to say it to him all the time, and when Kurtan actually DID channel his energy into something creative he managed to sand down some MDF to make a back scratcher and Darren Lacey pointed at it and laughed and called it an 'abomination to woodwork', which made Kurtan throw a chair across the room in rage and one of the chair legs hit Rob Robinson and left a dent in his forehead. So we decided to write this newsletter cos people need to the know the REAL s*** that goes down in our village, it ain't just fetes and duck races you know - it's proper f***** up. All the best, Kerry and Kurtan p.s. Kurtan wants to make it clear that although this newsletter is in book format it does not make him any of the following: Book worm Book bummer Boffin Nerd alert The lion, the witch and the book worm p.p.s If you don't buy this newsletter that's fine, but we are getting a percent of the profits to donate to the Kerry Mucklowe eating fund, so if you don't buy it I'll basically starve. Which is fine if your conscience can deal with that utter headf***. p.p.p.s If you were offended by any of the contents in this newsletter please post your complaints to PO BOX GET STUFFED.

New York Times Bestseller: This insightful and deeply personal portrait of African American working-class life “offers something so authentic . . . compelling” (Charleston Post and Courier). Part memoir, part historical and cultural analysis, My Vanishing Country is an eye-opening journey through the South’s past, present, and future. Anchored in Bakari Sellers’ hometown of Denmark, South Carolina, My Vanishing Country illuminates the pride and pain that continues to fertilize the soil of one of the poorest states in the nation. He traces his father’s rise to become a friend of Stokely Carmichael and Martin Luther King, civil rights hero, and member of the Student Non-Violent Coordinating Committee (SNCC), in the process exploring the plight of the South’s dwindling rural black working class—many of whom can trace their ancestry back for seven generations. In his poetic personal history, we are awakened to the crisis affecting the other “forgotten men and women,” seldom acknowledged by the media. For Sellers, these are his family members, neighbors, and friends. He humanizes the struggles that shape their lives—to gain access to healthcare as rural hospitals disappear; to make ends meet as the factories they have relied on shut down and move overseas; to hold on to precious traditions as their towns erode; to forge a path forward without succumbing to despair. My Vanishing Country is also a love letter to fatherhood—to Sellers’ father, his lodestar, whose life lessons have shaped him, and to his newborn twins, who he hopes will embrace the Sellers family name and honor its legacy. “An engaging memoir.” —Kirkus Reviews “Family trauma—even inherited trauma—can take a tremendous toll on children. But as Bakari Sellers makes plain in My Vanishing Country, family trauma can also be a source of strength.” —BookPage

Dust off your cowboy boots and learn all about the history of country music! From Dolly Parton to Johnny Cash, from Carrie Underwood to Garth Brooks—country music has been the soul that shaped a generation. Line dance along with the greats in this delightful baby book that introduces little ones to the buckaroos that started it all! Parental Advisory: May cause toddlers to start wearing ten-gallon hats.

Best-selling author and internationally renowned painter Sally Morgan teams up with Ezekiel Kwaymullina for a picture book celebrating country.

A NEW YORK TIMES BEST SELLER • The moving story of an undocumented child living in poverty in the richest country in the world—an incandescent debut from an astonishing new talent • A TODAY SHOW #READWITHJENNA PICK In Chinese, the word for America, Mei Guo, translates directly to “beautiful country.” Yet when seven-year-old Qian arrives in New York City in 1994 full of curiosity, she is overwhelmed by crushing fear and scarcity. In China, Qian’s parents were professors; in America, her family is “illegal” and it will require all the determination and small joys they can muster to survive. In Chinatown, Qian’s parents labor in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books, coming to think of The Berenstain Bears as her first American friends. And where there is delight to be found, Qian relishes it: her first bite of gloriously greasy pizza, weekly “shopping days,” when Qian finds small treasures in the trash lining Brooklyn’s streets, and a magical Christmas visit to Rockefeller Center—confirmation that the New York City she saw in movies does exist after all. But then Qian’s headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor’s visit. As Ba Ba retreats further inward, Qian has little to hold onto beyond his constant refrain: Whatever happens, say that you were born here, that you’ve always lived here. Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light.