On a field trip to N.Y.C., Emily is named N.Y.C. expert and is afraid to tell her teacher that she is unfamiliar with the city.

Beyond the safety of New York City's news headlines, Next Stop is a train ride into the heart of the Bronx during the late eighties and early nineties at the height of the crack epidemic, a tumultuous time when hip-hop was born and money-hungry slumlords were burning down apartment buildings with tenants still inside. From one stop to the next, this gritty memoir follows Ivan Sanchez and his crew on their search for identity and an escape from poverty in a stark world where street wars and all-night symphonies of crime and drug-fueled mayhem were as routine as the number 4 train. In the game, the difference between riches and ruin was either a bullet or a lucky turn away. Almost driven insane by the poverty, despair, and senseless violence, Ivan left it all behind and moved to Virginia, but the grotesque images and voices of the dead continued to haunt him. This book honors the memories of those who died. At times heartbreakingly sad and brutal, Next Stop shares with a whole new generation the insights and hard lessons Ivan learned.

An eye-opening investigation of the growing phenomenon of "Relos," the professionals for whom relocation is a way of life Drive through the newest subdivisions of Atlanta, Dallas, or Denver, and you'll notice an unusual similarity in the layout of the houses, the models of the cars, the pastimes of the stay-at-home moms. But this is not your grandparents' suburbia, "the little houses made of ticky-tacky"—these houses go for half a million dollars and up, and no one stays longer than three or four years. You have entered the land of Relos, the mid-level executives for a growing number of American companies, whose livelihoods depend on their willingness to uproot their families in pursuit of professional success. Together they constitute a new social class, well-off but insecure, well traveled but insular. Peter T. Kilborn, a longtime reporter for The New York Times, takes us inside the lives of American Relos, showing how their distinctive pressures and values affect not only their own families and communities but also the country as a whole. As Relo culture becomes the norm for these workers, more and more Americans—no matter their jobs or the economy's booms and busts—will call Relovilles "home."

Historically, short stories were a rich source of successful movies and significant films. Classics such as Rear Window, High Noon, Psycho, All About Eve, and Blade Runner began as short stories. Unfortunately, many of the major venues for discovering new talent—The Saturday Evening Post, Colliers, and Mademoiselle—are gone. Today, short stories are again becoming an important basis for major motion pictures and television, with films such as Brokeback Mountain, Good Will Hunting, and Minority Report. One reason short stories are making a Hollywood comeback is Next Stop Hollywood, an organization dedicated to finding both new talent and terrific material. This volume, selected by more than sixty movie-buff readers and advised by an editorial board of Hollywood insiders, picks up where those magazines left off. These very same stories may be at a theater near you in the near future. For anyone who has been disappointed by the movies of our day compared to those of the Golden Era of Hollywood, refresh yourself with these exciting short stories, and the possibilities they hold.

At Grand Central Station, Chief of Police George Coppola finds lost people, and Mr. Chidchester, head of the Lost and Found, finds lost dogs. Marino Marino makes oyster stew, while thinking up interesting math problems. A man in a porkpie hat buys cherry pies. Maira Kalman's stylized artwork, along with entertaining text, brilliantly captures the excitement of Grand Central Station, "the busiest, fastest, biggest place there is."

Ms. Rooney's class is heading for New York, New York to see the sights and participate in the Flag Day parade, but Emily Arrow cannot enjoy the trip because she feels guilty for letting the class plants die and then letting her friends believe someone else was responsible.

Few words are needed in this inventive and fun transportation adventure! "Bus! Stop!" a boy yells, as his bus pulls away one early morning. He must wait for the next bus. But the next one does NOT look like his bus at all. And neither does the next one, or the next. At first, the boy is annoyed. Then he is puzzled. Then intrigued. The other buses look much more interesting than his bus. Maybe he should try a different bus after all, and he's glad he does! Here is a book with few words and delightful illustrations that shows very young children that trying something a little different can be a lot of fun.