In over 220 drawings and photographs, Robert Mellin presents the development of architecture in the decades immediately following Newfoundland's 1949 union with Canada. Newfoundland's wholehearted embrace of modern architecture in this era affected planning as well as the design of cultural facilities, commercial and public buildings, housing, recreation, educational facilities, and places of worship, and Premier Joseph Smallwood often relied on modern architecture to demonstrate the progress made by his administration. Mellin explores the links between Smallwood and modern architecture, revealing how Smallwood guided the development of numerous architectural projects. He also looks at the work of two innovative local architects, Frederick A. Colbourne and Angus J. Campbell, showing how their architecture was influenced by their life-long interest in art. The first comprehensive work on an important period of architectural development in urban and rural Newfoundland, Newfoundland Modern complements Mellin's award-winning book on the outport of Tilting, Fogo Island.

Traces the origins of nearly 3,000 surnames found on the eastern Canadian island, along with sometimes extensive information on etymology, genealogy, and Newfoundland history. Introduces the alphabetical catalogue with a survey of the history and linguistic origins, which include English, Welsh, Irish, Scottish, French, Syrian, Lebanese, and Micmac. Appends lists of names by frequency and frequency by origin, and surnames recorded before 1700. First published in 1977, reprinted four times, and here revised with additions and corrections and reset in a more convenient format. No index. Annotation copyrighted by Book News, Inc., Portland, OR

The Canadian province of Newfoundland and Labrador is a mythologized place that resonates with tragic adventure, polar expeditions and Grand Banks fishing; a real and imagined geography with an incredible artistic output that calls for critical discussion. This book examines the diversity of this province’s literature and culture, taking into consideration the expertise of scholars and writers who have first-hand knowledge of its unique context. Chapters on history, travel, fiction, autobiography, poetry, theatre, storytelling, filmmaking, and the visual arts provide an up-to-date survey across a broad range of artistic endeavours, as well as close readings of selected texts. The questions that fill the pages of Pathways of Creativity in Contemporary Newfoundland and Labrador arise from the awareness its contributors have of historically shared experiences, but also of shared delusions, and their essays provoke contemplation beyond the labels local/global, Newfoundlander/Come-From-Away. Aboriginal histories and writing come to the foreground in this panoramic view that balances descriptions of mainstream, vernacular and Indigenous cultural productions. The final chapter is organized as a multi-voiced interview which serves as a supplement to the academic essays. Here, themes are revisited and personalized as several writers express their feelings about what it means to be a Newfoundlander and an artist. As such, this book will encourage dialogue about Newfoundland and Labrador’s literary and artistic achievements within the international community of readers and researchers.

Twentieth Century Newfoundland: Explorations brings together ten papers by eight well-known historians of Newfoundland and Labrador. The papers address a wide variety of subject matter and open many avenues for further research. The book concludes with an extensive bibliography on the Newfoundland and Labrador in the Twentieth century. This bibliography is organized by topic and will serve the needs of the general reader and specialists alike. Twentieth Century Newfoundland: Explorations highlight the scope and complexity of present day writing about the history of Newfoundland and Labrador. James Hiller, Professor of History at Memorial University and author of a number of articles on Newfoundland in the Nineteenth and Twentieth Centuries. Peter Neary, Professor of History at the University of Weste Ontario and the author of Newfoundland in the North Atlantic World, 1929-1949(1998).

The English Language in Canada examines the current status, history and principal features of Canadian English, focusing on the 'standard' variety heard across the country today. The discussion of the status of Canadian English considers the number and distribution of its speakers, its relation to French and other Canadian languages and to American English, its status as the expressive medium of English Canadian culture and its treatment in previous research. The review of its history concentrates on the historical roots and patterns of English-speaking settlement that established Canadian English and influenced its character in each region of Canada. The analysis of its principal features compares the vocabulary, pronunciation and grammar of Canadian English to standard British and American English. Subsequent chapters examine variation and change in the vocabulary and pronunciation of Canadian English, while a final chapter briefly considers the future of Canadian English.

From the Roaring Twenties and the Group of Seven to the Automatistes and the early Cold War, Canadian artists lived through and embodied an era of global tumult and change. With an interweaving of historical narrative, lavish illustrations, and writings by many of Canada's most revered cultural figures, Lora Senechal Carney illuminates the lives, perspectives, and works of the era's painters and provides glimpses of the sculptors, poets, dancers, critics, and filmmakers with whom they associated. Canadian Painters in a Modern World gives readers direct access to a carefully curated selection of writings, artworks, photos, and other documents that help to reconstruct the public spheres in which artists including Paul-Émile Borduas, Emily Carr, Alex Colville, Lawren Harris, David Milne, and Pegi Nicol MacLeod circulated. Each of the book’s eight chapters consists of a narrative about a key issue or debate, focusing on the relationship of art to politics and society, and on how these are negotiated in an individual's life. Relating artistic engagement with and responses to the Spanish Civil War, the Second World War, and the Cold War, Senechal Carney discovers a common desire for new connections between art and life. Revealing continuities, ruptures, and watershed moments, Canadian Painters in a Modern World showcases artistic production within specific socio-political contexts to shed new light on Canadian art during three decades of conflict and crisis.

When Newfoundland entered the Canadian Confederation in 1949, it was hoped it would promote greater unity between the Maritime provinces, as Term 29 of the Newfoundland Act explicitly linked the region's economic and political fortunes. On the surface, the union seemed like an unprecedented opportunity to resurrect the regional spirit of the Maritime Rights movement of the 1920s, which advocated a cooperative approach to addressing regional underdevelopment. However, Newfoundland's arrival did little at first to bring about a comprehensive Atlantic Canadian regionalism. Inventing Atlantic Canada is the first book to analyse the reaction of the Maritime provinces to Newfoundland's entry into Confederation. Drawing on editorials, government documents, and political papers, Corey Slumkoski examines how each Maritime province used the addition of a new provincial cousin to fight underdevelopment. Slumkoski also details the rise of regional cooperation characterized by the Atlantic Revolution of the mid-1950s, when Maritime leaders began to realize that by acting in isolation their situations would only worsen.