FEATURES: * Black Calfskin Leather, * Blank pages between each page of bible text, * Old Testament quotations in capitals, * Thomas Newberry's marginal notes, * Table of weights, measures and coins as well as a chart of greek prepositions, * Divine titles distinguished and explained, * Signs indicating Greek and Hebrew participles, articles, numbers, emphatic pronouns, prepositions, tenses and moods, * Single column print across the page, * Gilded gold edges, * Ribbon marker.

This beautiful black calfskin leather edition of the Newberry Reference Study Bible provides the customer with a Bible they will cherish and enjoy studying the word of God.

This beautiful, wide margin edition of the Newberry Reference Study Bible features: Tables of weights, measures, and coins A chart of Greek prepositions Greek manuscript readings noted at the foot of the page in the New Testament Alternative renderings in the margin with Greek and Hebrew words spelt out

The goal of this book is to help you create your own marking system that's easy to use. If you've tried other inductive study methods and found them too tedious then this book is for you. This book will show you how to mark your Bible with a simple, easy to remember method that will help you grow deeper in God's Word.Bible marking is an effective inductive method of Bible study. It can be simple or complex. It can be confusing or systematic. It can be haphazard or methodical. To get the most out of Bible marking it is best to be systematic and methodical, but it doesn't have to be complex. Many Christians want to mark in their Bibles but they're not sure how to mark and what to use. This marking guide will teach you:*Bible marking for deeper Bible study*What marking tools to use for writing in your Bible*12 marking techniques*20 things to mark*How to develop your own color code*How to develop your own symbols

The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene. The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene.

Suzanne Karr Schmidt's 'Interactive and Sculptural Printmaking in the Renaissance' tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions - part text, part image, and part sculpture - engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself.

Archaeologists in Print is a history of popular publishing in archaeology in the nineteenth and twentieth centuries, a pivotal period of expansion and development in both archaeology and publishing. It examines how British archaeologists produced books and popular periodical articles for a non-scholarly audience, and explores the rise in archaeologists’ public visibility. Notably, it analyses women’s experiences in archaeology alongside better known male contemporaries as shown in their books and archives. In the background of this narrative is the history of Britain’s imperial expansion and contraction, and the evolution of modern tourism in the Eastern Mediterranean and Middle East. Archaeologists exploited these factors to gain public and financial support and interest, and build and maintain a reading public for their work, supported by the seasonal nature of excavation and tourism. Reinforcing these publishing activities through personal appearances in the lecture hall, exhibition space and site tour, and in new media – film, radio and television – archaeologists shaped public understanding of archaeology. It was spadework, scripted. The image of the archaeologist as adventurous explorer of foreign lands, part spy, part foreigner, eternally alluring, solidified during this period. That legacy continues, undimmed, today. Praise for Archaeologists in Print This beautifully written book will be valued by all kinds of readers: you don't need to be an archaeologist to enjoy the contents, which take you through different publishing histories of archaeological texts and the authors who wrote them. From the productive partnership of travel guide with archaeological interest, to the women who feature so often in the history of archaeological publishing, via closer analysis of the impact of John Murray, Macmillan and Co, and Penguin, this volume excavates layers of fascinating facts that reveal much of the wider culture of the late nineteenth and twentieth centuries. The prose is clear and the stories compulsive: Thornton brings to life a cast of people whose passion for their profession lives again in these pages. Warning: the final chapter, on Archaeological Fictions, will fill your to-be-read list with stacks of new titles to investigate! This is a highly readable, accessible exploration into the dynamic relationships between academic authors, publishers, and readers. It is, in addition, an exemplar of how academic research can attract a wide general readership, as well as a more specialised one: a stellar combination of rigorous scholarship with lucid, pacy prose. Highly recommended!' Samantha Rayner, Director of UCL Centre for Publishing; Deputy Head of Department and Director of Studies, Department of Information Studies, UCL

Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned. Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts--in particular the cannibalism committed by crusaders on the bodies of Muslim enemies in Syria during the First Crusade. From such encounters with the East, Heng suggests, sprang the fantastical episodes featuring King Arthur in Geoffrey of Monmouth's chronicle The History of the Kings of England, a work where history and fantasy collide and merge, each into the other, inventing crucial new examples and models for romances to come. After locating the rise of romance and Arthurian legend in the contact zones of East and West, Heng demonstrates the adaptability of romance and its key role in the genesis of an English national identity. Discussing Jews, women, children, and sexuality in works like the romance of Richard Lionheart, stories of the saintly Constance, Arthurian chivralic literature, the legend of Prester John, and travel narratives, Heng shows how fantasy enabled audiences to work through issues of communal identity, race, color, class and alternative sexualities in socially sanctioned and safe modes of cultural discussion in which pleasure, not anxiety, was paramount. Romance also engaged with the threat of modernity in the late medieval period, as economic, social, and technological transformations occurred and awareness grew of a vastly enlarged world beyond Europe, one encompassing India, China, and Africa. Finally, Heng posits, romance locates England and Europe within an empire of magic and knowledge that surveys the world and makes it intelligible--usable--for the future. Empire of Magic is expansive in scope, spanning the eleventh to the fifteenth centuries, and detailed in coverage, examining various types of romance--historical, national, popular, chivalric, family, and travel romances, among others--to see how cultural fantasy responds to changing crises, pressures, and demands in a number of different ways. Boldly controversial, theoretically sophisticated, and historically rooted, Empire of Magic is a dramatic restaging of the role romance played in the culture of a period and world in ways that suggest how cultural fantasy still functions for us today.

The Woman's Study Bible is a priceless treasure, poignantly revealing the Word of God to a woman's heart. With special notes and features appealing to women's interests, highlighting women throught Scripture, and capturing the unique ways Christ cared for women, this Bible truly speaks to a woman's heart. Now with a fresh, new look and available in the King James Version (KJV) for the first time, The Woman's Study Bible is more relevant to today's women than ever before Features include: Inspiring articles by Anne Graham Lotz, Nancy Leigh DeMoss, Roberta Hromas, Linda Dillow, Kathy Troccoli, and more More than 100 character portraits of women in the Bible More than 300 articles on topics for women Hundreds of insightful quotes by inspiring women throughout history Topical index to scriptures and special features 8.5-point type size Part of the Signature Series line of Thomas Nelson Bibles Woman's Study Bibles sold to date: More than 1.5 million King James Version--The most successful Bible translation in history with billions of copies published Thomas Nelson Bibles is giving back through the God's Word in Action program. Donating a portion of profits to World Vision, we are helping to eradicate poverty and preventable deaths among children. Learn more and discover what you can do at www.seegodswordinaction.com.