Historical photographs, plans, and elevations document the cultural and artistic flowering in New York.

Now available again the authors take readers on a fast-paced run through New York City, resulting in a vibrant look at the urban art revolution happening on the streets of the city today. New York is a street art Mecca, boasting a vast outdoor gallery which encompasses walls, fences, sidewalks, and just about any other available surface. Featured in this dynamic collection are approximately 200 images of works by exciting newcomers and old masters, including New Yorkers Swoon, Judith Supine, Dan Witz, Skewville, WK Interact, L.A.'s Shepard Fairey, Brazil's Os Gemeos, Denmark's Armsrock, France's Space Invader, C215, Mr. Brainwash, Germany's Herakut, London's Nick Walker and the infamous Banksy. A foreword by Carolina A. Miranda, author of the blog C-Monster.net, rounds out this compelling portrait of the state of urban art in one of its most important and supportive communities.

This is the fourth volume in architect and historian Robert A. M. Stern's monumental series of documentary studies of New York City architecture and urbanism. The three previous books in the series, New York 1900, New York 1930, and New York 1960, have comprehensively covered the architects and urban planners who defined New York over the course of the twentieth century. In this volume, Stern turns back to 1880 -- the end of the Civil War, the beginning of European modernism -- to trace the earlier history of the city. This dynamic era saw the technological advances and acts of civic and private will that formed the identity of New York City as we know it today. The installation of water, telephone, and electricity infrastructures as well as the advent of electric lighting, the elevator, and mass transit allowed the city to grow both out and up. The office building and apartment house types were envisioned and defined, changing the ways that New Yorkers worked and lived. Such massive public projects as the Brooklyn Bridge and Central Park became realities, along with such private efforts as Grand Central Station. Like the other three volumes, New York 1880 is an in-depth presentation of the buildings and plans that transformed New York from a harbor town into a world-class metropolis. A broad range of primary sources -- critics and writers, architects, planners, city officials -- brings the time period to life and allows the city to tell its own complex story. The book is generously illustrated with over 1,200 archival photographs, which show the city as it was, and as some parts of it still are.

Touted by Publisher's Weekly as "an unprecedented record," the new book in the New York series, New York 2000, is indeed an exceptional survey of this great city's architectural heritage. As the world's financial and cultural capital, New York demands the best in architectural design and balances the constant pressure to build with the need to preserve its historic fabric. Author Robert A. M. Stern and his colleagues trace the rise and fall of the real estate market, the impact of the designation of historic districts and new zoning on development, and the emergence of new commercial and residential centers. The survey is organized geographically, moving north from Lower Manhattan and covering the Bronx, Queens, Brooklyn, and Staten Island as well. New York 2000 documents milestones in the city's architectural history over the past forty years—the development of Battery Park City, the rebirth of Harlem and Times Square, the creation of the cultural precinct around the new MoMA, and the reclaiming of the waterfront along the East and Hudson Rivers as recreational parkland—and celebrates the achievements of internationally recognized architects such as Sir Norman Foster, Cesar Pelli, Richard Meier, and Renzo Piano.

A “lucid, detailed, and imaginative analysis” (The Nation) of the model city that working-class New Yorkers created after World War II—and its tragic demise More than any other city in America, New York in the years after the Second World War carved out an idealistic and equitable path to the future. Largely through the efforts of its working class and the dynamic labor movement it built, New York City became the envied model of liberal America and the scourge of conservatives everywhere: cheap and easy-to-use mass transit, work in small businesses and factories that had good wages and benefits, affordable public housing, and healthcare for all. Working-Class New York is an “engrossing” (Dissent) account of the birth of that ideal and the way it came crashing down. In what Publishers Weekly calls “absorbing and beautifully detailed history,” historian Joshua Freeman shows how the anticommunist purges of the 1950s decimated the ranks of the labor movement and demoralized its idealists, and how the fiscal crisis of the mid-1970s dealt another crushing blow to liberal ideals as the city’s wealthy elite made a frenzied grab for power. A grand work of cultural and social history, Working-Class New York is a moving chronicle of a dream that died but may yet rise again.

Photographs of the skylines, the people, the festivals, and the sights of this enormous city.

This is a short, powerful novel dealing with the complicities and accomodations of power within Italian politics.

A history of the development of London as a European epicenter of queer life. In Queer City, the acclaimed Peter Ackroyd looks at London in a whole new way–through the complete history and experiences of its gay and lesbian population. In Roman Londinium, the city was dotted with lupanaria (“wolf dens” or public pleasure houses), fornices (brothels), and thermiae (hot baths). Then came the Emperor Constantine, with his bishops, monks, and missionaries. And so began an endless loop of alternating permissiveness and censure. Ackroyd takes us right into the hidden history of the city; from the notorious Normans to the frenzy of executions for sodomy in the early nineteenth century. He journeys through the coffee bars of sixties Soho to Gay Liberation, disco music, and the horror of AIDS. Ackroyd reveals the hidden story of London, with its diversity, thrills, and energy, as well as its terrors, dangers, and risks, and in doing so, explains the origins of all English-speaking gay culture. Praise for Queer City “Spanning centuries, the book is a fantastically researched project that is obviously close to the author’s heart.... An exciting look at London’s queer history and a tribute to the “various human worlds maintained in [the city’s] diversity despite persecution, condemnation, and affliction.””—Kirkus Reviews “[Ackroyd’s] work is highly anecdotal and near encyclopedic . . . the book is fascinating in its careful exposition of the singularities—and commonalities—of gay life, both male and female. Ultimately it is, as he concludes, a celebration as well as a history,” —Booklist “A witty history-cum-tribute to gay London, from the Roman “wolf dens” through Oscar Wilde and Gay Pride marches to the present day,” —ShelfAwareness

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the seventy-five-year marriage between a preeminent publication and its preeminent context with this collection of forty-four of its best stories from (so to speak) home. East Side? Philip Roth's chronically tormented alter ego Nathan Zuckerman has just moved there, in "Smart Money." West Side? Isaac Bashevis Singer's narrator mingles with the customers in "The Cafeteria" (who debate politics and culture in four or five different languages) and becomes embroiled in an obsessional romance. And downtown, John Updike's Maples have begun their courtship of marital disaster, in "Snowing in Greenwich Village." Wonderful Town touches on some of the city's famous places and stops at some of its more obscure corners, but the real guidebook in and between its lines is to the hearts and the minds of those who populate the metropolis built by its pages. Like all good fiction, these stories take particular places, particular people, and particular events and turn them into dramas of universal enlightenment and emotional impact. Each life in it, and each life in Wonderful Town, is the life of us all. Including these stories from the magazine's most iconic writers: “The Five-Fourty-Eight” by John Cheever “Distant Music” by Ann Beattle “Sailor off the Bremen” by Irwin Shaw “Physics” by Tama Janowitz “The Whore of Mensa” by Woody Allen “What it was Like, Seeing Chris” by Deborah Eisenberg “Drawing Room B” by John O’Hara “A Sentimental Journey” by Peter Taylor “The Balloon” by Donald Barthelme “Another Marvellous Thing” by Laurie Colwin “The Failure” by Jonathan Franzen “Apartment Hotel” by Sally Benson “Midair” by Frank Conroy “The Catbird Seat” by James Thurber “I See You, Bianca” by Maeve Brennan “You’re Ugly, Too” by Lorrie Moore “Signs and Symbols” by Vladimir Nabokov “Poor Visitor” by Jamaica Kincaid “In Greenwich, There Are Many Gravelled Walks” by Hortense Calisher “Some Nights When Nothing Happens Are the Best Nights in this Place” by John McNulty “Slight Rebellion Off Madison” by J. D. Salinger “Brownstone” by Renata Adler “Partners” by Veronica Geng “The Evolution of Knowledge” by Niccolo Tucci “The Way We Live Now” by Susan Sontag “Do the Windows Open?” by Julie Hecht “The Mentocrats” by Edward Newhouse “The Treatment” by Daniel Menaker “Arrangement in Black and White” by Dorothy Parker “Carlyle Tries Polygamy” by William Melvin Kelley “Children Are Bored on Sunday” by Jean Stafford “Notes from a Bottle” by James Stevenson “Man in the Middle of the Ocean” by Daniel Fuchs “Me Spoulets of the Splendide” by Ludwig Bemelmans “Over by the River” by William Maxwell “Baster” by Jeffrey Eugenides “The Second Tree from the Corner” by E. B. White “Rembrandt’s Hat” by Bernard Malamud “Shot: A New York Story” by Elizabeth Hardwick “A Father-To-Be” by Saul Bellow “Farewell, My Lovely Appetizer” by S. J. Perelman “Water Child” by Edwidge Danticat “The Smoker” by David Schickler