Provides an international forum where theatrical scholarship and practice can meet.

Provides an international forum where theatrical scholarship and practice can meet.

One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.

Provides an international forum where theatrical scholarship and practice can meet.

Provides an international forum where theatrical scholarship and practice can meet.

One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.

Astronomy and Astrophysics Abstracts aims to present a comprehensive documen tation of the literature concerning all aspects of astronomy, astrophysics, and their border fields. It is devoted to the recording, summarizing, and indexing of the relevant publications throughout the world. Astronomy and Astrophysics Abstracts is prepared by a special department of the Astronomisches Rechen-Institut under the auspices of the International Astronomical Union. Volume 39 records literature published in 1985 and received before August 15, 1985. Some older documents which we received late and which are not surveyed in earlier volumes are included too. We acknowledge with thanks contributions of our colleagues all over the world. We also express our gratitude to all organiza tions, observatories, and publishers which provide us with complimentary copies of their publications. On account of the introduction of an object index the scope of index information will be considerably enlarged beginning with this volume. In connection with the subject index an additional source to satisfy the needs of retrieval is opened up. Starting with Volume 33, all the recording, correction, and data processing work was done by means of computers. The recording was done by our technical staff members Ms. Helga Ballmann, Ms. Mona El-Choura, Ms. Monika Kohl, Ms. Sylvia Matyssek. Ms. Karin Burkhardt, Ms. Susanne Schlotelburg, and Mr. Stefan Wagner supported our task by careful proofreading. It is a pleasure to thank them all for their encouragement. Heidelberg, September 1985 The Editors Contents Introduction . . . . . . . . . . . .

“The gaudy, blabbing and remorseful day Is crept into the bosom of the sea.” —Henry VI Eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide a fresh new edition of the three-part classic history that revolves around the epic, dynastic Wars of the Roses. THIS VOLUME ALSO INCLUDES MORE THAN A HUNDRED PAGES OF EXCLUSIVE FEATURES: • an original Introduction to Henry VI • incisive scene-by-scene synopses and analyses with vital facts about the work • commentary on past and current productions based on interviews with leading directors, actors, and designers • photographs of key RSC productions • an overview of Shakespeare’s theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.

Robert Lepage/Ex Machina: Revolutions in Theatrical Space provides an ideal introduction to one of our most innovative companies – and a much-needed and timely reappraisal of Lepage's oeuvre. International, interdisciplinary and intercultural to the core, Ex Machina have negotiated some of the most complex creative and cultural challenges of our time. This book maps the story of that journey by analysing the full spectrum of their richly varied work. Through a comprehensive historiography of productions since 1994, Robert Lepage/Ex Machina offers a detailed picture of the relationship between director and company, while connecting Ex Machina to culturally specific features of Québec, and its theatre. This book reveals for the first time how overlooked aspects of creativity and culture shaped the company's early work, while installing a dynamic interplay between director and company that would spark a unique and ongoing evolution of praxis. Central to this re-evaluation of practice is the book's identification of an architectural aesthetic at the heart of Ex Machina's work, an aesthetic which provides its artistic and political centres of gravity. Moreover, this architectural aesthetic powers the emergence of concrete narrative as a new and distinctive mode of theatrical storytelling – uniting story and space, body and technology, content and form – and demanding that we discover the politics of these performances in the energetic gestures of theatre design, and space itself. Drawing on extensive interviews with Lepage, Ex Machina personnel and collaborative partners, Robert Lepage/Ex Machina calls upon us to revise both our creative and critical perceptions of this vital and distinctive practice.