Provides an international forum where theatrical scholarship and practice can meet.

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 72 include: Views Across Borders; Small Audience, Big Picture; Cheerful History: the Political Theatre of John McGrath; 'Blood Red Roses': John McGrath and Lukacsian Realism; The Events of June 1848: the Monte Cristo Riots and the Politics of Protest; Performance, Embodiment, Voice; The Market Theatre of Johannesburg and its Presence in the New South Africa; NTQ Book Reviews.

Provides an international forum where theatrical scholarship and practice can meet.

One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives. The books are aimed at drama and theatre teachers, advanced students in schools and colleges, arts authorities, actors, playwrights, critics and directors.

British theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are freshly evaluated in this important new study in Methuen Drama's Decades of Modern British Playwriting series. The 1990s volume provides a detailed study by four scholars of the work of four of the major playwrights who emerged and had a significant impact on British theatre: Sarah Kane (by Catherine Rees), Anthony Neilson (Patricia Reid), Mark Ravenhill (Graham Saunders) and Philip Ridley (Aleks Sierz). Essential for students of Theatre Studies, the series of six decadal volumes provides a critical survey and study of the theatre produced from the 1950s to 2009. Each volume features a critical analysis of the work of four key playwrights besides other theatre work, together with an extensive commentary on the period. Readers will understand the works in their contexts and be presented with fresh research material and a reassessment from the perspective of the twenty-first century. This is an authoritative and stimulating reassessment of British playwriting in the 1990s.

Provides an international forum where theatrical scholarship and practice can meet.

This is the inside story of the Royal Shakespeare Company - a running historical critique of a major national institution and its location within British culture, as related by a writer who is uniquely placed to tell the tale. It describes what happened to a radical theatrical vision and explores British society's inability to sustain that vision. Spanning four decades and four artistic directors, Inside the Royal Shakespeare Company is a multi-layered chronicle that traces the company's history, offers investigation into its working methods, its repertoire, its people and its politics, and considers what the future holds for this bastion of high culture now in crisis. Inside the Royal Shakespeare Company is compelling reading for anyone who wishes to explore behind the scenes and consider the changing role of theatre in modern cultural life. It offers a timely analysis of the fight for creative expression within any artistic or cultural organisation, and a vital document of our times.

Bringing together writers, translators, poets, and leading scholars of cultural theory, literary theory, comparative literature, philosophy, history, political science, music studies, and education, The Wounds of Possibility aims to offer an in-depth and wide-ranging study of George Steiner’s imposing body of work. This book is a timely volume of important essays on one of the most provocative thinkers, critics, and philosophers now writing. During an era in which the question of the ethical and of the status of the work of art, and its relation to the theological dimension, has returned with renewed urgency, Steiner’s work provides rich resources for reflection and it is hoped that the volume will stand on its own as a rich, nuanced accompaniment to the reading of Steiner’s work. With their broad range of thematic foci, theoretical approaches, and stunning constellations of quoted material from different backgrounds, all the essays in the book try to reflect upon the relation between human identity and language, ethics and literature, philosophy and art, and they all offer what we regard as being the most comprehensive engagement with Steiner’s work to date.

The Methuen Drama Guide to Contemporary British Playwrights is an authoritative guide to the work of twenty-five playwrights who have risen to prominence since the 1980s. Written by an international team of scholars, it will be invaluable to anyone interested in, studying or teaching contemporary drama. Among the many playwrights whose work is examined are Sarah Daniels, Terry Johnson, Martin Crimp, Sarah Kane, Anthony Neilson, Mark Ravenhill, Simon Stephens, Debbie Tucker Green, Tanika Gupta and Richard Bean. Each essay features: A biographical sketch and introduction to the playwright A discussion of their most important plays An analysis of their stylistic and thematic traits, the critical reception and their place in the discourses of British theatre A bibliography of texts and critical material

One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.