Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.

An ambitious intern. A perfectionist executive. And a whole lot of name calling. Discover the story that garnered more than two million reads online. Whip-smart, hardworking, and on her way to an MBA, Chloe Mills has only one problem: her boss, Bennett Ryan. He’s exacting, blunt, inconsiderate—and completely irresistible. A Beautiful Bastard. Bennett has returned to Chicago from France to take a vital role in his family’s massive media business. He never expected that the assistant who’d been helping him from abroad was the gorgeous, innocently provocative—completely infuriating—creature he now has to see every day. Despite the rumors, he’s never been one for a workplace hookup. But Chloe’s so tempting he’s willing to bend the rules—or outright smash them—if it means he can have her. All over the office. As their appetites for one another increase to a breaking point, Bennett and Chloe must decide exactly what they’re willing to lose in order to win each other. Originally only available online as The Office by tby789—and garnering over 2 million reads on fanfiction sites—Beautiful Bastard has been extensively updated for re-release.

Despite the prejudices of critics, popular romance fiction remains a complex, dynamic genre. It consistently maintains the largest market share in the American publishing industry, even as it welcomes new subgenres like queer and BDSM romance. Digital publishing originated in erotic romance, and savvy online communities have exploded myths about the genre's readership. Romance scholarship now reflects this diversity, transformed by interdisciplinary scrutiny, new critical approaches, and an unprecedented international dialogue between authors, scholars, and fans. These eighteen essays investigate individual romance novels, authors, and websites, rethink the genre's history, and explore its interplay of convention and originality. By offering new twists in enduring debates, this collection inspires further inquiry into the emerging field of popular romance studies.

By turns amusing and disturbing, this collection of 1960s romance comic strips provides a provocative window into male-female power dynamics as conceived by one of mid-century America's foremost comic book artists. Ogden Whitney was one of the unsung masters of American comics. He is perhaps best remembered for co-creating the satirical superhero Herbie Popnecker, also known as the Fat Fury, but his romance comics of the late 1950s and 1960s may be even more unique. In Whitney’s hands, the standard formula of meet-cute, minor complications, and final blissful kiss becomes something very different: an unsettling vision of midcentury American romance as a devastating power struggle, a form of intimate psychological warfare dressed up in pearls and flannel suits. From suburban lawns and offices to rocket labs and factories, his men and women scheme and clash, dominate and escape. It is darkly hilarious, truly terrifying—and yes, occasionally even a bit romantic.

The raw charm of rustic farmhouses, the inviting ease of country homes: New Romance presents romantic interiors inspired by modernity. From country house to chalet, New Romance highlights the charm and grace of interiors. Soft classic tones and unfinished woods provide the look and feel of dreamy antiquity. Mudrooms and breezeways bring the bright airiness of rustic outdoor spaces within the walls of beautiful homes and residences. The classic lines and traditional textures nestled within a palette of pale greys and rosé tones add to the visual storyline: soft and sophisticated, nostalgic and contemporary. New Romance features the impeccably stylized and the casually comfortable whilst providing creative insight and inspiration for established interior designers, quixotic stylists, and those undertaking their own DIY projects. This romantic collection presents an array of desirable and divine dream homes.

New York Times bestselling author Mary Balogh presents the first historical romance in the Westcott series, where the death of an earl reveals a most scandalous secret. Humphrey Westcott, Earl of Riverdale, has died, leaving behind a fortune and a scandalous secret that will forever alter the lives of everyone in his family—including the daughter no one knew he had... Anna Snow grew up in an orphanage in Bath knowing nothing of the family she came from. Now she discovers that the late Earl of Riverdale was her father and that she has inherited his fortune. She is also overjoyed to learn she has siblings. However, they want nothing to do with her or her attempts to share her new wealth. But the new earl’s guardian is interested in Anna… Avery Archer, Duke of Netherby, keeps others at a distance. Yet something prompts him to aid Anna in her transition from orphan to lady. As London society and her newfound relatives threaten to overwhelm Anna, Avery steps in to rescue her and finds himself vulnerable to feelings and desires he has hidden so well and for so long.

From acclaimed author Alyssa Cole comes the tale of a city Cinderella and her Prince Charming in disguise . . . Between grad school and multiple jobs, Naledi Smith doesn’t have time for fairy tales…or patience for the constant e-mails claiming she’s betrothed to an African prince. Sure. Right. Delete! As a former foster kid, she’s learned that the only things she can depend on are herself and the scientific method, and a silly e-mail won’t convince her otherwise. Prince Thabiso is the sole heir to the throne of Thesolo, shouldering the hopes of his parents and his people. At the top of their list? His marriage. Ever dutiful, he tracks down his missing betrothed. When Naledi mistakes the prince for a pauper, Thabiso can’t resist the chance to experience life—and love—without the burden of his crown. The chemistry between them is instant and irresistible, and flirty friendship quickly evolves into passionate nights. But when the truth is revealed, can a princess in theory become a princess ever after? Selected as one of the New York Times 100 Notable Books of 2018!

Do you know who you are? Diego Manning thinks he does, until the high school senior enrolls in an exclusive summer study program at the Mission of San Bernardino Realino. Within the walls of this converted monastery, Diego will discover a world of sexual license and secrets with roots as old and deep as those of the Mission's winery, La Viuda Riseuna. Diego will discover that, sometimes, you don't know who you are until you lose yourself.

When the notorious Black Daniel is carried, badly injured, into Hester Wyatt's home, there is no question that he will be cared for and protected. Once a slave herself, Hester regularly gives shelter to runaways, yet the man of mysteries she now harbours brings greater danger than she's ever known, for Black Daniel is a member of a unique elite class of pre Civil War blacks, involved in subversive underground activity, and is also after her heart whether she wants him or not.

Whether or not you're currently dating someone, if you're a young person thinking about romance, you probably have a lot of questions. Who should you date? How do you turn down an unwanted date, navigate a first date, or break up with someone? Is kissing OK? Is marriage really for you? The Bible is sufficient to help you to think through the concerns of singleness and dating, and it has crucial things to say about the thoughts, attitudes, actions, and situations that commonly arise in this exciting stage of life. In friendly, practical letters, Sean and Spencer (and sometimes their wives, Jenny and Taylor) explore God's Word for answers on singleness, the start of a relationship, and tough dating situations, from breakups to broken boundaries. Their biblical insights will help you to make informed decisions on the road ahead.