New Perspectives in Modern Korean Buddhism moves beyond nationalistic, modernist, and ethnocentric historiographies of modern Korean Buddhism by carefully examining individuals' lived experiences, the institutional dimensions of Korean Buddhism, and its place in transnational conversations. Drawing upon rich archives as well as historical, anthropological, and literary approaches, the book examines four themes that have gained attention in recent years: perennial existential concerns and the persistent relevance of religious practice; the role of female Buddhists; clerical marriage and scandals; and engagement with secular society. The book reveals the limits of metanarratives, such as those of colonialism, nationalism, and modernity, in understanding the complex and contested identities of both monastics and laity, thus demanding that we diversify the methods by which we articulate the history of modern Korean Buddhism.

Uncovering hidden histories, this book focuses on Korean Buddhist nuns and laywomen from the fourth century to the present. Today, South Korea's Buddhist nuns have a thriving monastic community under their own control, and they are well known as meditation teachers and social service providers. However, little is known of the women who preceded them. Using primary sources to reveal that which has been lost, forgotten, or willfully ignored, this work reveals various figures, milieux, and activities of female adherents, clerical and lay. Contributors consider examples from the early days of Buddhism in Korea during the Three Kingdoms and Unified Silla periods (first millennium CE); the Koryŏ period (982–1392), when Buddhism flourished as the state religion; the Chosŏn period (1392–1910), when Buddhism was actively suppressed by the Neo-Confucian Court; and the contemporary resurgence of female monasticism that began in the latter part of the twentieth century.

This book is a milestone in the history of academic research on the development and role of geomancy (fengshui in Chinese and p'ungsu in Korean) in Korean culture and society. As the first interdisciplinary work of its kind, it investigates many topics in geomancy studies that have never been previously explored, and contains contributions from a number of disciplines including geography, historical studies, environmental science, architecture, landscape architecture, religious studies, and psychoanalysis. While almost all books in English about geomancy are addressed to general readers as practical guides for divining auspicious locations, P'ungsu is a work of rigorous scholarship that documents, analyzes, and explains past and current practices of geomancy. Its readers will better understand the impact of geomancy on the Korean cultural landscape and appreciate the significant ecological principles embedded in the geomantic traditions of Korea; while researchers will discover new insights and inspirations for future research on geomancy not only in Korea, but in China and elsewhere.

This book highlights what Buddhism has to offer for "living well" here and now—for individuals, society as a whole, all sentient beings and the planet itself. From the perspectives of a variety of Buddhist thinkers, the book evaluates what a good life is like, what is desirable for human society, and ways in which we should live in and with the natural world. By examining this-worldly Buddhist philosophy and movements in India, Sri Lanka, Bhutan, the Tibetan diaspora, Korea, Taiwan, Japan and the United States, the book assesses what Buddhists offer for the building of a good society. It explores the proposals and programs made by progressive and widely influential lay and monastic thinkers and activists, as well as the works of movement leaders such as Thich Nhat Hanh and Dr. B. R. Ambedkar, for the social, economic, political and environmental systems in their various countries. Demonstrating that Buddhism is not solely a path for the realization of nirvana but also a way of living well here and now, this book will be of interest to researchers working on contemporary and modern Buddhism, Buddhism and society, Asian religion and Engaged Buddhism.

The Gateless Barrier is one of the most cherished yet also one of the most enigmatic Chan or Zen texts of East Asian Buddhism. Compiled by the Chinese Chan master Wumen Huikai in 1228, it contains forty-eight Zen stories of spiritual awakening called “public cases” or gong’ans (known as kōans in Japanese and kongans in Korean). This book presents a new English translation with close readings and creative analyses of the Gateless Barrier from both scholarly and practitioner perspectives, allowing a range of readers to venture into the rich world of Chan and Zen. Specialist contributors offer insights on historical context, literary structure, philosophical implications, and gendered dimensions, as well as the embodied practice and contemporary experience of the stories in the Gateless Barrier. By bringing together academic expertise with experiential insight from Zen teachers, this book provides a grounded and nuanced account of how the Gateless Barrier has been—and continues to be—practiced and lived in China, Korea, Japan, and the West. An innovative and sophisticated study, this book is ideal for university classroom use, and it also makes the Gateless Barrier accessible to other first-time readers, Buddhist practitioners, and scholars.

An overview of Korean Buddhism and its major figures in the modern period.

Explores the importance of Buddhism as it developed in the Krishna River Valley of Andhra (modern-day Andhra Pradesh) and its influence.

The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.

The encounter between Buddhism and American literature has been a powerful one for both parties. While Buddhism fueled the Beat movement's resounding critique of the United States as a spiritually dead society, Beat writers and others have shaped how Buddhism has been presented to and perceived by a North American audience. Contributors to this volume explore how Asian influences have been adapted to American desires in literary works and Buddhist poetics, or how Buddhist practices emerge in literary works. Starting with early aesthetic theories of Ernest Fenollosa, made famous but also distorted by Ezra Pound, the book moves on to the countercultural voices associated with the Beat movement and its friends and heirs such as Ginsberg, Kerouac, Snyder, Giorno, Waldman, and Whalen. The volume also considers the work of contemporary American writers of color influenced by Buddhism, such as Maxine Hong Kingston, Charles Johnson, and Lan Cao. An interview with Kingston is included.