The Nazis' use and misuse of Nietzsche is well known. In this pioneering book, Bernice Glatzer Rosenthal excavates the trail of long-obscured Nietzschean ideas that took root in late Imperial Russia, intertwining with other elements in the culture to become a vital ingredient of Bolshevism and Stalinism.

There is an emphasis on de-constructing, de-centring, de-stabilizing, and especially de-mythologizing in the study that illustrates New World myth narrators questioning the past in the present and carrying out their original investigations of myth, place, and identity. Underlining the fact that political realities are encoded in the language and narrative of the works, Vautier argues that the reworkings of literary, religious, and historical myths and political ideologies in these novels are grounded in their shared situation of being in and of the New World.

Comprehensive and cross-referenced, this informative volume is a rich introduction to the world of nature as experienced by ancient peoples around the globe. 51 halftones.

Mythology--circulated in sacred stories (myths) and their reenactments (rituals)--is the basis of any society's religion, and religion is an essential key to identity. Mythology's meaning depends on the elaboration of identity in cultural metaphors that are at the same time ecological (arising from a society's environmental exploitation), sociological (based on indigenous social relations) and ideological (couched in terms of a society's worldview). But tellingly, these metaphors are embodied in anthropomorphic spirits, fostering a deep sense of identification with those spirits as well as with individuals who share in one's spiritual devotions. This study examines mythology from a global perspective, citing case studies in cultural traditions from Africa, Europe, Oceania, Native America and elsewhere.

This is a study of God as a concept, not from the perspective of any religious tradition, but rather as belief in an all-powerful, all-knowing and loving supernatural entity as has prevailed through the ages. The book reviews arguments throughout history for and against the idea of such a God. One unique perspective is to ask what can be modeled about God in denotative language of rationality (much as modeling in science, medicine and economics) in contrast to connotative language (e.g., myth, metaphor, art and music). Since the early Greeks there have been skeptics concerning God, with progressively more questioning since the Enlightenment. Today’s “new atheists” are seen as being even more assertive, and as having little respect for religious and philosophical traditions and the natural longing for some kind of supreme being. However, as demographic trends continue to diminish the influence of the church, there is opportunity for atheism to gain respect by respecting the beliefs of others. The book ends with some considerations of what it means to respect others’ beliefs and cultural traditions without abandoning a sincere disbelief in a supernatural being.

The great American Westerns can be profoundly meaningful when read metaphorically. More than mere shoot 'em up entertainment, they are an essential part of a vibrant, evolving national mythology. Like other versions of the archetypal Hero's Journey, these films are filled with insights about life, love, nature, society, ethics, beauty and what it means to be human, and are key to understanding American culture. Part film guide, part historical survey, this book explores the mythic and artistic elements in 52 great Westerns--some orthodox, some subversive--from the genre's first half-century. Each film is given detailed critical analysis, from the earliest silent movies to Golden Age classics like Red River (1948), High Noon (1952) and Shane (1953).

Offers an analysis of the relationship between communism and fascism. This title examines the ideological appeal of these radical, revolutionary political movements, the visions of salvation and revolution they pursued, the value and types of charisma of leaders within these political movements, and their legacies in contemporary politics.

In essays written jointly by specialists on Soviet and German history, the contributors to this book rethink and rework the nature of Stalinism and Nazism and establish a new methodology for viewing their histories that goes well beyond the now-outdated twentieth-century models of totalitarianism, ideology, and personality. Doing the labor of comparison gives us the means to ascertain the historicity of the two extraordinary regimes and the wreckage they have left. With the end of the Cold War and the collapse of the Soviet Union, scholars of Europe are no longer burdened with the political baggage that constricted research and conditioned interpretation and have access to hitherto closed archives. The time is right for a fresh look at the two gigantic dictatorships of the twentieth century and for a return to the original intent of thought on totalitarian regimes - understanding the intertwined trajectories of socialism and nationalism in European and global history.

Humans are composed of poetic tissues as surely as physical ones. Our identities, worldviews, longings—all are drawn and developed from the unique relationships and texts we encounter and incorporate. We collect and imagine stories and creatively build them into the tale of ourselves. But each of these personal mythologies is irrevocably lost at death—unless it is true, as Christianity claims, that God raises the dead. Systematic Mythology: Imagining the Invisible studies the ways in which we make meaning. It argues that God must be the ultimate subject of every person’s essential myth, so that Christ may redeem and resurrect our stories as well as our bodies. Systematic mythology calls us to consciously and creatively participate in the story God is telling through our cosmos and its inhabitants: a story in which Christ is all, and in all.

This philosophical introduction to and discussion of social and political studies of science argues that scientific knowledge is socially constructed.