As a biblical motif, 'new creation' resonates throughout the pages of the Jewish and Christian scriptures, and occupies a central place in the apostle Paul's vision of the Christian life. Yet the biblical and extra-biblical occurrences of this theme vary widely in meaning, referring to either a new cosmos, a new community, or a new individual. Beginning with the Old Testament and working through the important texts of Second Temple Judaism, Moyer V. Hubbard focuses on how the motif functions in the argument, strategy, and literary structure of these documents, highlighting its role as the solution to the perceived plight. He then explores in detail which senses of the term Paul intends in Galatians 6.15 and 2 Corinthians 5.17, concluding that 'new creation' in Paul's letters describes the Spirit-wrought newness of the person in Christ, and is fundamentally anthropological in orientation.

For the first time in his career, Chris Ware presents a comprehensive, behind-the-scenes autobiographical visual monograph, and opens a revealing window into the worlds he inhabits. Similar to Chip Kidd Book One and Shepard Fairey Covert to Overt, this book serves as a personal chronicle of a contemporary iconic illustrator, and is a must-have for those interested in illustration, graphic novels, and pop culture. The first and much-anticipated monograph by multi-award-winning cartoonist and graphic novelist Chris Ware, chronicling his influential twenty-five-year career.

Matthew uniquely highlights Jesus as "Emmanuel", but almost wholly overlooked are the deeper implications of this "presence" motif for Matthean christology. Kupp takes a multidisciplinary approach to the weaving of the Emmanuel Messiah into the story-telling, redaction and christology of the Gospel. Kupp employs the lenses of both narrative and historical criticism to produce the first monograph in English on the divine presence in Matthew. Matthew's Gospel is a story that compels, a text with a history and a christological treatise.

Jesus and Israel's Traditions of Judgement and Restoration examines the eschatology of Jesus by evaluating his appropriation of sacred traditions related to Israel's restoration. It addresses the way in which Jesus' future expectations impinged upon his understanding of key features of Jewish society. Scholars have long debated the degree to which Jesus' eschatology can be said to have been realized. This 2002 book considers Jesus' expectations regarding key constitutional features of the eschaton: the shape of the people of God, purity, Land and Temple. Bryan shows that Jesus' anticipation of coming national judgement led him to use Israel's sacred traditions in ways that differed significantly from their use by his contemporaries. This did not lead Jesus to the conviction that Israel's restoration had been delayed. Instead he employed Israel's traditions to support a different understanding of restoration and a belief that the time of restoration had arrived.

This study reconstructs the historical Pontius Pilate and looks at the way in which he is used as a literary character in the works of six first century authors: Philo, Josephus and the four evangelists. The first chapter provides an introduction to the history and formation of the imperial Roman province of Judaea. The following two chapters examine the references to Pilate in Philo and Josephus, looking at each author's biases before going on to assess the historicity of their accounts. The next four chapters look at the portrayal of Pilate in each gospel, asking how a first century reader would have interpreted his actions. Each chapter asks what this portrayal shows about the author's attitude towards the Roman state, and what kind of community found this useful. The conclusion distinguishes between the 'historical Pilate' and the different 'Pilate of interpretation' preserved in our first century literary sources.

An important contribution to our understanding of Marcan irony, and combines a literary-critical approach with insights gained from the sociology of knowledge.