An illustrated guide to New Mexico's best opportunities for worship, meditation, retreat, or community celebration; with more than 100 listings, including information on ancient petroglyphs and ruins, natural wonders, shrines, historic churches, retreats, and ranches.

With ancient ruins sacred to Native Americans, historic Catholic churches, Buddhist hideaways, and the New Age mecca of Sedona, Arizona offers an unmatched variety of destinations for both the spiritually curious and those seeking religious affirmation. Through written profiles, regional maps, and color photographs, this book profiles 100 of the state's best. Sanctuaries perfect for day visits, retreats that accommodate overnight guests, and sacred places that capture the glory of nature and ancient human history inspire soul-stirring journeys for the mind and spirit.

From camp-like mountain retreats to urban sanctuaries to remote enclaves of miraculous natural beauty, this guidebook catalogs nearly 100 of the state's best sites for soul-searching through informative descriptions and full-color photographs. Photos.

New Mexico is a natural camping destination for those seeking everything from wide-open spaces to narrow canyons, fully equipped RV facilities to primitive mountain sites, urban proximity to remoteness. With camping information and advice, detailed maps, and color photographs, New Mexico Campgrounds: The Statewide Guide leads campers to the best places to pitch a tent or park an RV in all corners of the Land of Enchantment. Author Christina Frain rates campgrounds by scenery, accessibility, privacy, and more, to help readers identify camping areas that best suit their interests and needs. She also covers nearby recreational activities such as fishing and hiking, plus historic sites, scenic tours, and photographic opportunities. Book jacket.

The time is 1946. From Georgia O’Keeffe’s old hacienda sitting on a bluff in Abiquiu, New Mexico, she could see my aunt and uncle, Helen and Winfield Morten’s property across the Chama River. Georgia had begun the restoration of her property. The Mortens, in the final stages of purchasing land along the Chama River, had recently completed their restoration of another old hacienda they called Rancho de Abiquiu. As one of few Anglos in the Chama River valley, Georgia ventured over to Rancho de Abiquiu to introduce herself and a private friendship resulted with the Mortens and their family. In this close family circle, Georgia revealed herself and proved that beneath her bare face there was more to her than just an artist of legendary proportions. Nancy Hopkins Reily spent many of her childhood days walking the Abiquiu and Ghost Ranch land. She explored the canyons, the White Place, Echo Amphitheater, the mountains, and the Chama River by walking the trails worn by earlier moccasined feet. In a seamless, clear, and straightforward narrative of excerpts from their lives, Reily presents Georgia in a time-window of her age. The book features Reily’s youthful experiences, letters from Georgia, glimpses of the family’s memorabilia and photographic snapshots—all gracefully woven into the forces of the contemporaneous scene that shaped their friendship. In addition, there are insights into the land’s beauty, times, culture, history and the people who surrounded Georgia, as well as many minute details that should be remembered and which are often overlooked by others when they speak of Georgia O’Keeffe.

In a seamless, clear, and straightforward narrative of excerpts from their lives, Reily presents Georgia O'Keeffee in a time-window of her age. The book features Reily's youthful experiences, letters from Georgia, and glimpses of the family's memorabilia and photographic snapshots.

A great white angel spreading her wings across the Moreno Valley: this is how one visitor described the memorial standing atop a windswept prominence in the Sangre de Cristo Mountains near Taos, New Mexico. A de-facto national Vietnam veterans memorial, built by one family more than a decade before the Wall in Washington, DC, and without aid or recognition from the US government, the chapel at Angel Fire is a testament to one young American’s sacrifice—but also to the profound determination of his family to find meaning in their loss. In The Vietnam Veterans Memorial at Angel Fire, Steven Trout tells the story of Marine Lieutenant David Westphall, who was killed near Con Thien on May 22, 1968, and of the Westphall family’s subsequent struggle to create and maintain a one-of-a-kind memorial chapel dedicated to the memory of all Americans lost in the Vietnam War and to the cause of world peace. Focused primarily on a life lost amid our nation’s most controversial conflict and on the Westphalls’ desperate battle to keep their chapel open between 1971 and 1982, the book’s brisk and moving narrative traces the memorial’s evolution from a personal act of family remembrance to its emergence as an iconic pilgrimage destination for thousands of Vietnam veterans. Documenting the chapel’s shifting messages over time, which include a momentary (and controversial) recognition of the dead on both sides of the war, The Vietnam Veterans Memorial at Angel Fire spotlights one American soldier’s tragic story and the monument to hope and peace that it inspired.

This collection of elegantly composed black-and-white images by one of New Mexico's most accomplished photographers, celebrates the state's captivating physical variety and enduring allure. With subject matter ranging from some of the state's most iconic landforms--including the White Sands desert and Carlsbad Caverns--to the people who work the land, Varjabedian's images pay homage to New Mexico's ancient history and to the homely details of everyday life. In photographing his subjects, whether epic or mundane, Varjabedian seeks the moments when the light, shadow, composition, and other elements combine to express the beauty of the place. Marin Sardy's wide-ranging essay provides historical and cultural contexts in which to understand Varjabedian's work. Scholar-poet Jeanetta Calhoun Mish defines the particular quality of the artist's imagery.