The New Londoners is a powerful celebration of London's unique cultural richness, and of the diversity that is the hallmark of this great and fascinating city. Over the last four years leading British photographer Chris Steele-Perkins has photographed and interviewed 164 families from 188 different countries, all of whom have made their homes in London. These are beautiful and powerful portraits, with each family photographed in their homes. Through insightful interviews we learn of the varied experiences of these families from across the globe.

A collection of images and writing by young refugees, who have been mentored by established and emerging London-based professional photographers.

Both devastating and funny, The Lonely Londoners is an unforgettable account of immigrant experience - and one of the great twentieth-century London novels At Waterloo Station, hopeful new arrivals from the West Indies step off the boat train, ready to start afresh in 1950s London. There, homesick Moses Aloetta, who has already lived in the city for years, meets Henry 'Sir Galahad' Oliver and shows him the ropes. In this strange, cold and foggy city where the natives can be less than friendly at the sight of a black face, has Galahad met his Waterloo? But the irrepressible newcomer cannot be cast down. He and all the other lonely new Londoners - from shiftless Cap to Tolroy, whose family has descended on him from Jamaica - must try to create a new life for themselves. As pessimistic 'old veteran' Moses watches their attempts, they gradually learn to survive and come to love the heady excitements of London. This Penguin Modern Classics edition includes an introduction by Susheila Nasta. 'His Lonely Londoners has acquired a classics status since it appeared in 1956 as the definitive novel about London's West Indians' Financial Times 'The unforgettable picaresque ... a vernacular comedy of pathos' Guardian

“A rich and exuberant kaleidoscopic portrait of a great, messy, noisy, daunting, inspiring, maddening, enthralling, constantly shifting Rorschach test of a place. . . . Delightful. . . . In Taylor’s patient and sympathetic hands, regular people become poets, philosophers, orators.” -- New York Times Book Review Londoners is a fresh and compulsively readable view of one of the world's most fascinating cities–a vibrant narrative portrait of the London of our own time, featuring unforgettable stories told by the real people who make the city hum. Acclaimed writer and editor Craig Taylor has spent years traversing every corner of the city, getting to know the most interesting Londoners, including the voice of the London Underground, a West End rickshaw driver, an East End nightclub doorperson, a mounted soldier of the Queen's Life Guard at Buckingham Palace, and a couple who fell in love at the Tower of London—and now live there. With candor and humor, this diverse cast—rich and poor, old and young, native and immigrant, men and women (and even a Sarah who used to be a George)—shares indelible tales that capture the city as never before. Together, these voices paint a vivid, epic, and wholly original portrait of twenty-first-century London in all its breadth, from Notting Hill to Brixton, from Piccadilly Circus to Canary Wharf, from an airliner flying into London Heathrow Airport to Big Ben and Tower Bridge, and down to the deepest tunnels of the London Underground. Londoners is the autobiography of one of the world's greatest cities.

This book surveys the lives and experiences of hundreds of thousands of eighteenth-century non-elite Londoners in the evolution of the modern world.

While looking through his contact sheets in 2007 Harvey Benge noticed that one of his pictures reminded him of a Friedlander, another of an Atget, yet others of a Tillmans, a Baldessari and Adams a Picking them out he decided to make what leading UK photography critic Gerry Badger describes in his opening essay as an 'anthology' of contemporary photography featuring some of its biggest names. The result is a sharply curated and perfectly formed collection of intriguing, beguiling and seductive images, sure to delight the photography aficionado and newcomer alike. 'Of course they are all genuine original Benges. And it is important that they are all good pictures, not mere pastiches of the "originals" of which they gently but insistently remind one. This may be a game, but games can be very serious, and this is both as serious and light-hearted exploration of photographic style.' - Gerry Badger

A number of lives captured at a particular time creates a record that enables us to see just how the circumstances of Londoners are changing and evolving, though perhaps for the luckiest or unluckiest few, nothing ever seems to change very much. In addition to addressing the question, 'WHERE do we live?', perhaps the most obvious dimension of Londoners at Home, the project goes on to consider, through 64 topics, 'WHO do we live with?', 'WHAT do we do?', 'WHENCE did we come?', and 'HOW are we different?' and a wide variety of sitters has contributed to the substantial commentary that now offers extensive and illuminating answers to these existential questions. However, Londoners at Home always aimed to comprise wholly non-judgmental observations of some of the denizens of our vast, capital city and the accumulated images and stories have, as was originally hoped, built into a fascinating tableau of the way we Londoners live now, in the second decade of the 21st century. The Photographer, Milan Svanderlik, is a veteran observer of the extraordinary diversity and beauty of nature, people and life in general. Londoners at Home: The Way We Live Now is the final part of a major project, The London Trilogy. Part I, 100 Faces of London, was exhibited in central London in 2012, with Part II, Outsiders in London, following in 2015. Gerald Stuart Burnett was born to émigré Scottish parents in a small Cheshire market town. Graduating from the University of Stirling, he went on to the University of Nottingham before pursuing a long career in the Education Service. Gerald's project role has been primarily as editor, painstakingly reworking the text of each 'story' into its current form.

This lively biography of America’s most famous traitor offers a new perspective on his terrible legacy as well as life in Revolutionary Era Connecticut. On September 6, 1781, Connecticut native Benedict Arnold and a force of 1,700 British soldiers and loyalists took Fort Griswold and burnt New London to the ground. The brutality of the invasion galvanized the new nation, and “Remember New London!” would become a rallying cry for troops under General Lafayette. In Homegrown Terror, Eric D. Lehman chronicles the events leading up to the attack and highlights this key transformation in Arnold—the point where he went from betraying his comrades to massacring his neighbors and destroying their homes. This defining incident forever marked him as a symbol of evil, turning an antiheroic story about weakness of character and missed opportunity into one about the nature of treachery itself. Homegrown Terror draws upon a variety of primary sources and perspectives, from the traitor himself to his former comrades like Jonathan Trumbull and Silas Deane, to the murdered Colonel Ledyard. Rethinking Benedict Arnold through the lens of this terrible episode, Lehman sheds light on the ethics of the dawning nation, and the way colonial America responded to betrayal and terror.