It’s not your father’s Ireland. Not anymore. A story of modern revolution in Ireland told by the founder of IrishCentral, Irish America magazine, and the Irish Voice newspaper. In a May 2019 countrywide referendum, Ireland voted overwhelmingly to make abortion legal; three years earlier, it had done the same with same-sex marriage, becoming the only country in the world to pass such a law by universal suffrage. Pope Francis’s visit to the country saw protests and a fraction of the emphatic welcome that Pope John Paul’s had seen forty years earlier. There have been two female heads of state since 1990, the first two in Ireland’s history. Prime Minister Leo Varadkar, an openly gay man of Indian heritage, declared that “a quiet revolution had taken place.” It had. For nearly all of its modern history, Ireland was Europe’s most conservative country. The Catholic Church was its most powerful institution and held power over all facets of Irish life. But as scandal eroded the Church’s hold on Irish life, a new Ireland has flourished. War in the North has ended. EU membership and an influx of American multinational corporations have helped Ireland weather economic depression and transform into Europe’s headquarters for Apple, Facebook, and Google. With help from prominent Irish and Irish American voices like historian and bestselling author Tim Pat Coogan and the New York Times’s Maureen Dowd, A New Ireland tells the story of a modern revolution against all odds.

What role does the state have over national development within an increasingly globalized economy? Moreover, how do we conceive 'nationality' during periods of rapid economic and social change spurred on by globalization? By examining tourism in the Republic of Ireland over the past 20 years, Michael Clancy addresses these questions of national identity formation, as well as providing a detailed understanding of the political economy of tourism and development. He explores tourism's role in the 'Celtic Tiger' phenomenon and uses tourism as a lens for observing national identity formation in a period of rapid change.

The elusive search for stability is the subject of Professor D. George Boyce's Nineteenth-Century Ireland, the fifth in the New Gill History of Ireland series. Nineteenth-century Ireland began and ended in armed revolt. The bloody insurrections of 1798 were the proximate reasons for the passing of the Act of Union two years later. The 'long nineteenth century' lasted until 1922, by which the institutions of modern Ireland were in place against a background of the Great War, the Ulster rebellion and the armed uprising of the nationalist Ireland. The hope was that, in an imperial structure, the ethnic, religious and national differences of the inhabitants of Ireland could be reconciled and eliminated. Nationalist Ireland mobilised a mass democratic movement under Daniel O'Connell to secure Catholic Emancipation before seeing its world transformed by the social cataclysm of the Great Irish Potato Famine. At the same time, the Protestant north-east of Ulster was feeling the first benefits of the Industrial Revolution. Although post-Famine Ireland modernised rapidly, only the north-east had a modern economy. The mixture of Protestantism and manufacturing industry integrated into the greater United Kingdom and gave a new twist to the traditional Irish Protestant hostility to Catholic political demands. In the home rule period from the 1880s to 1914, the prospect of partition moved from being almost unthinkable to being almost inevitable. Nineteenth-century Ireland collapsed in the various wars and rebellions of 1912–22. Like many other parts of Europe than and since, it had proved that an imperial superstructure can contain domestic ethnic rivalries, but cannot always eliminate them. Nineteenth-Century Ireland: Table of Contents Introduction - The Union: Prelude and Aftermath, 1798–1808 - The Catholic Question and Protestant Answers, 1808–29 - Testing the Union, 1830–45 - The Land and its Nemesis, 1845–9 - Political Diversity, Religious Division, 1850–69 - The Shaping of Irish Politics (1): The Making of Irish Nationalism, 1870–91 - The Shaping of Irish Politics (2): The Making of Irish Unionism, 1870–93 - From Conciliation to Confrontation, 1891–1914 - Modernising Ireland, 1834–1914 - The Union Broken, 1914–23 - Stability and Strife in Nineteenth-Century Ireland

These are the stories of people who have come to Ireland for work, education, retirement, love and in some cases forced from their homes by death and destruction. New to the Parish: Stories of Love, War and Adventure from Ireland's Immigrants is an important reminder that every migrant is a human being, and that every one of us has a story to tell.

The distinctive artistic styles of the people of New Ireland, an island in the Bismarck Archipelago of Melanesia in the South Pacific, are characterized by an appreciation for fine carving, a taste for vivid colors, and imaginative combinations of human and animal forms. This volume provides an elaborate visual repertoire of their art and explores the relationship between the art of New Ireland and the religion and rituals of its society.

Since 1998, Open Door has been introducing readers new and old to some of Ireland's finest writers. In this our first collection of stories, we have gathered a range of voices to suit every taste. With themes ranging from family and friendship to ageing, love and childhood, there is something for everyone. So come on in! Book jacket.

From Georgian cities to modernist masterpieces, architecture in Ireland has a long history of excellence. The last fifteen years, however, witnessed more social, economic, and cultural change than any previous period on the island, leaving a dramatic mark on the country's architecture. A new commitment to design quality by developers and a series of government-sponsored competitions to design new civic buildings enabled Ireland to become for the first time a net importer of architectural talent. These architects, from disparate cultures and design backgrounds, filled Ireland's landscape with modern architectural masterworks, from small private homes to large community centers. In Full Irish author Sarah A. Lappin examines the nature of twenty-first-century Irish architectural identity as it develops its own progressive, contemporary idiom. Illustrated with color photographs and drawings, Full Irish includes more than seventy projects from Ireland's leading firms as well as its up-and-coming designers: Boyd Cody, Alan Jones, de Blacam and Meagher, Bucholz McEvoy, de Paor Architects, FKL Architects, Dominic Stevens, Grafton Architects, Henchion+Reuter, Hackett Hall McKnight, Heneghan.Peng, McCullough Mulvin, Hassett + Ducatez, MacGabhann Architects, O'Donnell + Tuomey, and ODOS Architects.