What role does the state have over national development within an increasingly globalized economy? Moreover, how do we conceive 'nationality' during periods of rapid economic and social change spurred on by globalization? By examining tourism in the Republic of Ireland over the past 20 years, Michael Clancy addresses these questions of national identity formation, as well as providing a detailed understanding of the political economy of tourism and development. He explores tourism's role in the 'Celtic Tiger' phenomenon and uses tourism as a lens for observing national identity formation in a period of rapid change.

What role does the state have over national development within an increasingly globalized economy? Moreover, how do we conceive 'nationality' during periods of rapid economic and social change spurred on by globalization? By examining tourism in the Republic of Ireland over the past 20 years, Michael Clancy addresses these questions of national identity formation, as well as providing a detailed understanding of the political economy of tourism and development. He explores tourism's role in the 'Celtic Tiger' phenomenon and uses tourism as a lens for observing national identity formation in a period of rapid change.

It’s not your father’s Ireland. Not anymore. A story of modern revolution in Ireland told by the founder of IrishCentral, Irish America magazine, and the Irish Voice newspaper. In a May 2019 countrywide referendum, Ireland voted overwhelmingly to make abortion legal; three years earlier, it had done the same with same-sex marriage, becoming the only country in the world to pass such a law by universal suffrage. Pope Francis’s visit to the country saw protests and a fraction of the emphatic welcome that Pope John Paul’s had seen forty years earlier. There have been two female heads of state since 1990, the first two in Ireland’s history. Prime Minister Leo Varadkar, an openly gay man of Indian heritage, declared that “a quiet revolution had taken place.” It had. For nearly all of its modern history, Ireland was Europe’s most conservative country. The Catholic Church was its most powerful institution and held power over all facets of Irish life. But as scandal eroded the Church’s hold on Irish life, a new Ireland has flourished. War in the North has ended. EU membership and an influx of American multinational corporations have helped Ireland weather economic depression and transform into Europe’s headquarters for Apple, Facebook, and Google. With help from prominent Irish and Irish American voices like historian and bestselling author Tim Pat Coogan and the New York Times’s Maureen Dowd, A New Ireland tells the story of a modern revolution against all odds.

Exhibiting Irishness analyses how exhibitions enabled Irish individuals and groups to work out (privately and publicly) their politicised existences across two centuries. As a cultural history of Irish identity, the book considers exhibitions as a formative platform for imagining a host of Irish pasts, presents and futures. Fair organisers responded to the contexts of famine and poverty, migration and diasporic settlement, independence movements and partition, as well as post-colonial nation building. My research demonstrates how Irish businesses and labourers, the elite organisers of the fairs and successive Irish governments curated Irishness. The central malleability of Irish identity on display emerged in tandem with the unfolding of Ireland’s political transformation from a colony of the British Empire, a migrant community in the United States, to a divided Ireland in the form of the Republic and Northern Ireland.

"There is more to Irish than St. Patrick's Day and Guinness. The word Irish conjures an array of images, each with a long history. Who defined Irish? In the twentieth century Ireland, the United States, and Irish America were all invested in representation. Exerting or losing control of an ethnic image had ramifications on both sides of the Atlantic"--

With five Nobel Prize-winners, seven Pulitzer Prize-winners and two Booker Prize-winning novelists, modern Irish writing has contributed something special and permanent to our understanding of the twentieth century. Irish Writing in the Twentieth Century provides a useful, comprehensive and pleasurable introduction to modern Irish literature in a single volume. Organized chronologically by decade, this anthology provides the reader with a unique sense of the development and richness of Irish writing and of the society it reflected. It embraces all forms of writing, not only the major forms of drama, fiction and verse, but such material as travel writing, personal memoirs, journalism, interviews and radio plays, to offer the reader a complete and wonderfully varied sense of Ireland's contribution our literary heritage. David Pierce has selected major literary figures as well as neglected ones, and includes many writers from the Irish diaspora. The range of material is enormous, and ensures that work that is inaccessible or out of print is now easily available. The book is a delightful compilation, including many well known pieces and captivating "discoveries," which anyone interested in literature will long enjoy browsing and dipping into.

This volume offers the first comparative account from contemporary and historical perspectives of Irish and Icelandic memory cultures and addresses the broader dynamics of trans-cultural memory that are surfaced in such comparative approaches of geographically peripheral islands.

Brian McMahon and Joe Collins have come together to fuse a smorgasbord of images and information that embodies iconic Irish pop culture.

Roman legions rang Celtic Europe's death-knell and orchestrated Celtic Britain's swansong, provoking Queen Boudicea's massive anti-Roman revolt which resulted in "the worst disaster to befall the Roman Empire" — all of which had a huge bearing on the rise of Celtic Ireland. This book presents Turoe's Celtic Royal complex, unprecedented for its size and layout, but akin to Belgic oppida (as named by Caesar) in SE England and NW Europe. It hosts the Turoe Stone, Europe's most celebrated La Tene-decorated stone. No one knew why this classic masterpiece of Celtic stone art was set on Turoe's summit in the West of Ireland. Here its hitherto unrecognized Royal Sanctuary trappings at the centre of a vast Belgic oppidum defensive system of linear embankments uniquely connected to the Celtic invasion of Ireland and its archaic history are unfolded. It is recorded in early dindshenchas (history of the famous places) and associated with the names of archaic kings and queens. The first record of it is by the renowned 1st/2nd century Greek geographer, Ptolemy of Alexandria, who listed 2 capitals in Ireland, the only 2 in his day. One is Emain Macha near Armagh. The other was never definitively identified. He located it roughly in central Co. Galway where Turoe is. He named it REGIA E TERA (Te[mh]ra), the genuine early Celtic name for 'Capital at Turoe' (Cnoc Temhro). It had an acropolis and several necropoli, including those around Athenry cited in archaic texts in the Book of Leinster as ‘Releg na Rí lamh le Cruachain' where members of Turoe's Royal Household (Rígrád Temhróit) were interred, such as Queen Medb and her father, Eochaid Ferach Mhor whose palace, Rath Ferach Mhor, stood beside the Turoe Stone. Part of its sprawling urban-like complex flanking Turoe and Knocknadala (Assembly/­Parliament Hill) is placed under preservation order by The National Monuments Department. Ptolemy renders Knocknadala (early Cnoc na nDál) as NAG-NA-TA[L], "the most illustrious 'city' (polis) in all Britannia, and most considerable in size, located in the west of Ireland." The sole reference to a dense population in early Irish literature points to this area. Ancient roadways, Slí Mhór and Slí Dála, converged on Turoe/Knocknadala. Rót na Ri, Royal Road of the Kings, ran from Turoe to the great seaport of Ath Cliath Magh Rí in Galway Bay. Dindshenchas texts state that "Ath Cliath Magh Rí was the chief seaport of Ireland through which Ireland has most often been invaded." A large segment of the Celtic invasion force landed there and advanced on Turoe, the core of its primary settlement area, as recorded in the Dindshenchas of Cnoc na Dála. Continental and British Belgic tribes are remembered in townland names within this vast Turoe oppidum complex. It was suppressed by pseudo-historians who set the Irish race on the cutting edge of woeful ignorance about its Celtic roots as Armagh's monastic conmen concocted scheming stews of sheer political propaganda to win the patronage of powerful warlords. The enforced Irish exile of King Dagobert II shows the depth of involvement of Armagh-linked Abbots in Frankish politics through whom Pepin's new national Over Kingship of the Franks profoundly impacted the genesis of Ireland's High King-ship/Tara/Patrick myth. As E. Breathnach noted "The culmination of the creation of the medieval myth surrounding Tara ensured Tara would be regarded from the late 10th/11th century as the monument of the Kingship of Ireland. Tara's potency as a political symbol was evoked to the extent that by the 17th century it was depicted as one of the institutions on which the Kingship of Ireland had rested from time immemorial" (Edel Breathnach, 'Cultural Identity of Tara' in Discovery Programme Reports').