A collection from writers: poets, playwrights, novelists, print journalists, radio journalists, TV scriptwriters who either edited English Alive or were originally published in English Alive.

Provides a set of normative measure sto assess the value of nature and proposes the new discipline of foundational ecology as a response to environmental crisis.

This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.

Don’t be fooled by Tinkerbell and her pixie dust—the real fairies were dangerous. In the late seventeenth century, they could still scare people to death. Little wonder, as they were thought to be descended from the Fallen Angels and to have the power to destroy the world itself. Despite their modern image as gauzy playmates, fairies caused ordinary people to flee their homes out of fear, to revere fairy trees and paths, and to abuse or even kill infants or adults held to be fairy changelings. Such beliefs, along with some remarkably detailed sightings, lingered on in places well into the twentieth century. Often associated with witchcraft and black magic, fairies were also closely involved with reports of ghosts and poltergeists. In literature and art, the fairies still retained this edge of danger. From the wild magic of A Midsummer Night’s Dream, through the dark glamour of Keats, Christina Rosetti’s improbably erotic poem “Goblin Market,” or the paintings inspired by opium dreams, the amoral otherness of the fairies ran side-by-side with the newly delicate or feminized creations of the Victorian world. In the past thirty years, the enduring link between fairies and nature has been robustly exploited by eco-warriors and conservationists, from Ireland to Iceland. As changeable as changelings themselves, fairies have transformed over time like no other supernatural beings. And in this book, Richard Sugg tells the story of how the fairies went from terror to Tink.

A best seller in Africa, Ecological Intelligence defines a new way of thinking about the unprecedented environmental pressures of our day. Ian McCallum offers a compelling argument: that we must think differently about ourselves and the earth if we are to take seriously the survival of wilderness areas, wild animals, and the human race. He explores the relationship between humans and nature from both a biological and poetic perspective, articulating a wild and ethical imperative - an urgent reminder that we are inextricably linked to the land and that we must not be the creatures of our own undoing. ''A profound and necessary book about an important idea. Something like this had to be done.'' - Lyall Watson, best-selling author of Supernature.

In this book, renowned philosopher John Kekes develops and defends a humanistic conception of wisdom as a personal attitude--one that can guide how we face adversities and evaluate the often conflicting possibilities and limits of life in the context in which we live. Wisdom includes basic assumptions about the concrete and constantly changing conditions of life; reflective understanding of how we can rely on reason to evaluate the possibilities open to us and recognize the limits we have no choice but to accept; and it includes depth that enables us to accept that perennial problems are part of the human condition and yet to restrain our false hopes and disenchanted reactions to the vicissitudes of life. The evaluative attitude of wisdom is personal, not theoretical; anthropocentric, not metaphysical; context-dependent, not universal; and humanistic, not scientific. It recognizes that there are many forms of worthwhile lives, and denies that there is one ideal of The Good that everyone should try to approximate. It accepts that all of our beliefs, emotions, and desires are fallible, yet they are correctable provided we are sufficiently critical of them. The resulting conception of wisdom is intended as a contribution to philosophy as a humanistic discipline. It is a radical departure from traditional ways of thinking about wisdom.

Creation and the new creation are inextricably bound, for the God who created the world is the same God who promises a new heaven and a new earth. Bringing together theologians, biblical scholars, and artists, this volume based on the DITA10 conference at Duke Divinity School explores how the relation between creation and the new creation is informed by and reflected in the arts.