John Clare (1793–1864) has long been recognized as one of England's foremost poets of nature, landscape and rural life. Scholars and general readers alike regard his tremendous creative output as a testament to a probing and powerful intellect. Clare was that rare amalgam ‒ a poet who wrote from a working-class, impoverished background, who was steeped in folk and ballad culture, and who yet, against all social expectations and prejudices, read and wrote himself into a grand literary tradition. All the while he maintained a determined sense of his own commitments to the poor, to natural history and to the local. Through the diverse approaches of ten scholars, this collection shows how Clare's many angles of critical vision illuminate current understandings of environmental ethics, aesthetics, Romantic and Victorian literary history, and the nature of work.

Essays by leading scholars offer new insights into a remarkable poet and early advocate of environmental ethics and aesthetics.

Critics including Seamus Heaney provide a welcome reappraisal in the wake of Clare's bicentenary.

Publisher Description

This collection gathers together an exciting new series of critical essays on the Romantic- and Victorian-period poet John Clare, which each take a rigorous approach to both persistent and emergent themes in his life and work. Designed to mark the 200th anniversary of the publication of Clare’s first volume of poetry, Poems Descriptive of Rural Life and Scenery, the scholarship collected here both affirms Clare’s importance as a major nineteenth-century poet and reveals how his verse continually provokes fresh areas of enquiry. Offering new archival, theoretical, and sometimes corrective insights into Clare’s world and work, the essays in this volume cover a multitude of topics, including Clare’s immersion in song and print culture, his formal ingenuity, his environmental and ecological imagination, his mental and physical health, and his experience of asylums. This book gives students a range of imaginative avenues into Clare’s work, and offers both new readers and experienced Clare scholars a vital set of contributions to ongoing critical debates.

This book investigates what it is that makes John Clare’s poetic vision so unique, and asks how we use Clare for contemporary ends. It explores much of the criticism that has appeared in response to his life and work, and asks hard questions about the modes and motivations of critics and editors. Clare is increasingly regarded as having been an environmentalist long before the word appeared; this book investigates whether this ‘green’ rush to place him as a radical proto-ecologist does any disservice to his complex positions in relation to social class, work, agriculture, poverty and women. This book attempts to unlock Clare’s own theorisations and practices of what we might now call an ‘ecological consciousness’, and works out how his ‘ecocentric’ mode might relate to that of other Romantic poets. Finally, this book asks how we might treat Clare as our contemporary while still being attentive to the peculiarities of his unique historical circumstances.

The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare. 2017.

“It has been a while since I have read a book as richly sown with beauty . . . A remarkable work, remarkable for the precision and vitality of its perceptions and for the successful intricacy of its prose.” —James Wood, The New Yorker A visionary novel by "one of the most talented writers of his generation"—The Times Literary Supplement Shortlisted for the Man Booker Prize Based on real events, The Quickening Maze won over UK critics and readers alike with its rapturous prose and vivid exploration of poetry and madness. Historically accurate yet brilliantly imagined, this is the debut publication of this elegant and riveting novel in the United States. In 1837, after years of struggling with alcoholism and depression, the great nature poet John Clare finds himself in High Beach—a mental institution located in Epping Forest on the outskirts of London. It is not long before another famed writer, the young Alfred Tennyson, moves nearby and grows entwined in the catastrophic schemes of the hospital's owner, the peculiar Dr. Matthew Allen, his lonely adolescent daughter, and a coterie of mysterious local characters. With lyrical grace, the cloistered world of High Beach and its residents are brought richly to life in this enchanting book.

The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.