This special edition revives an acclaimed work. Exquisite photographs showcase England’s finest buildings, guiding the reader through five centuries of English architecture and interior design. In this new, special edition of a cult classic work, photographer Derry Moore and interior designer David Mlinaric take readers on a panoramic tour inside some of Britain’s finest buildings, guiding them through five centuries of English interior design. Mlinaric’s informed text and Moore’s perceptive photographs present the best examples of both public and private buildings— from sixteenth-century Haddon Hall, Chastleton and Knole to seventeenth-century Hatfield and Wilton; Houghton Hall and Syon House from the eighteenth century; Apsley House, the Palace of Westminster and Waddesdon Manor from the nineteenth; and twentieth-century examples including Charleston and the Apollo Victoria Theatre. The work of British masters including Inigo Jones, William Kent and Robert Adam, as well as of influential twentieth-century tastemakers such as Nancy Lancaster, Pauline de Rothschild and David Hicks, is revealed in striking photographs and authoritative texts. Anglophiles, armchair tourists, and lovers of grand interiors will relish the photographs of these wonderful buildings, while discovering more about the designers and architects who built them, charting the evolution that has made British style so alluring, enduring, and widely imitated over the centuries.

A highly detailed look at the English country house interior, offering unprecedented access to England’s finest rooms. In this splendid book, renowned historian Jeremy Musson explores the interiors and decoration of the great country houses of England, offering a brilliantly detailed presentation of the epitome of style in each period of the country house, including the great Jacobean manor house, the Georgian mansion, and the Gothic Revival castle. For the first time, houses known worldwide for their exquisite architecture and decoration--including Wilton, Chatsworth, and Castle Howard--are seen in unprecedented detail. With intimate views of fabric, gilding, carving, and furnishings, the book will be a source of inspiration to interior designers, architects, and home owners, and a must-have for anglophiles and historic house enthusiasts. The fifteen houses included represent the key periods in the history of English country house decoration and cover the major interior fashions and styles. Stunning new color photographs by Paul Barker-who was given unparalleled access to the houses-offer readers new insights into the enduring English country house style. Supplementing these are unique black-and-white images from the archive of the esteemed Country Life magazine. Among the aspects of these that the book covers are: paneling, textile hangings (silks to cut velvet), mural painting, plasterwork, stone carving, gilding, curtains, pelmets, heraldic decoration, classical imagery, early upholstered furniture, furniture designed by Thomas Chippendale, carved chimney-pieces, lass, use of sculpture, tapestry, carpets, picture hanging, collecting of art and antiques, impact of Grand Tour taste, silver, use of marble, different woods, the importance of mirror glass, boulle work, English Baroque style, Palladian style, neo-Classical style, rooms designed by Robert Adam, Regency, Gothic Revival taste, Baronial style, French 18th century style, and room types such as staircases, libraries, dining rooms, parlors, bedrooms, picture galleries, entrance halls and sculpture galleries. Houses covered include: Hatfield - early 1600s (Jacobean); Wilton - 1630/40s (Inigo Jones); Boughton - 1680/90s (inspired by Versailles); Chatsworth -1690/early 1700s (Baroque); Castle Howard - early 1700s (Vanbrugh); Houghton - 1720s (Kent); Holkham - 1730s-50s (Palladian); Syon Park - 1760s (Adam); Harewood - 1760s/70s (neo-Classical); Goodwood - 1790s/1800s (neo-Classical/Regency); Regency at Chatsworth/Wilton/C Howard etc - 1820/30s; Waddesdon Manor - 1870/80ss (French Chateau style); Arundel Castle -1880s/90s (Gothic Revival); Berkeley Castle - 1920/30s (period recreations and antique collections); Parham House - 1920s/30s (period restorations and antique collections). The range is from the early 17th century to present day, drawn from the authenticated interiors of fifteen great country houses, almost all still in private hands and occupied as private residences still today. The book shows work by twentieth-century designers who have helped evolve the country house look, including Nancy Lancaster, David Hicks, Colefax & Fowler, and David Mlinaric

A deep-dive into the homes of 22 of England’s most exciting creatives, with interiors writer Elizabeth Metcalfe and photographer Dean Hearne. Of the countless interior design trends that come and go every year, there is one that endures: the ever-evolving English style. An inspiration to people across the world, it is a style rich with colour, pattern and a certain eccentricity. Wallpapers, fabrics, charming details and lovingly collected objects are all among the key components of a style that embraces individuality and benefits from its layers being allowed to evolve slowly. New English Interiors explores over 20 homes – a handful of which have not been published before – belonging to some of England’s most exciting creatives, from interior designers and illustrators to artists and antique dealers. With original photography by Dean Hearne and illuminating insights into how these interiors came together, it promises to be an inspiring visual feast. From fashion stylist and designer Lucinda Chambers’ colourful kaleidoscope of a home in west London to illustrator Fee Greening’s earthy toned cottage in Dorset, this is a celebration of colour and pattern in its infinite variety. Other interiors featured belong to the likes of designer Cath Kidston, artists Annie Morris and Idris Khan and designers Luke Edward Hall and Duncan Campbell. While they range aesthetically from the bold and theatrical to the more earthy and homespun, there is one thing that unites them all: they are deeply personal visual moodboards for their owners. None of them are static either: these interiors are ever-evolving and that is part of their joy. Featuring everything from small city flats to country cottages, this promises to be the perfect inspiration for anyone who might want to live with glorious layers of colour and pattern. It is also a lesson in how to let our personalities – with their many facets and quirks – guide how we decorate our homes.

Filled with hundreds of ideas drawn from tradition, this work is both a confident style statement for the enthusiast of English design, and a reference work for the home decorator.

A complete history of English interior decoration, beginning with the Normans.

Showcasing 18 landmark projects that celebrate the critically acclaimed interiors of leading English design studio Todhunter Earle Founded by Emily Todhunter and Kate Earle in 1998 and based in Chelsea, London, the design studio Todhunter Earle is renowned for creating beautiful, sensitively considered interiors around the world. With a hugely diverse mix of projects, ranging from traditional country estates and uber‑contemporary town houses to ski chalets and fashionable restaurants, one key element remains constant: their commitment to imbuing interiors with passion, dedication, and sensibility to place. Here, 18 projects showcase their extraordinarily varied catalogue of work, revealing the pivotal factors and challenges encountered on each design journey. The sumptuous book encapsulates Todhunter Earle's instinctive approach: relaxed, unpretentious, and discreet interiors that whisper rather than shout, each one embodying the right feel for the client. Including original photography plus specially commissioned concept illustrations by renowned watercolorist Marianne Topham, Modern English will inspire design enthusiasts and fellow professionals alike.

If the traditional thatched-roofed, picturesque English country cottage has piqued your curiosity about their interiors, step inside and see. Their imaginative owners have found many delightful ways to retain old-fashioned charm while not sacrificing modern comfort. A Devon home still has a log-burning stove. The washhouse of an Oakhurst cottage allows a glimpse of another century. The fruits of a countrywide search, these cottages show both those quirky imperfections and beguiling architectural details that reveal poignant reminders of past generations.

For Alessandra Branca, living means living comfortably. Growing up in Rome, Branca was always surrounded by exquisite art and architecture. She learned early on that beauty is meant to intermingle with everyday life, and to this day her interior designs, while abiding by classical principles, comfortably accommodate her clients’ lifestyles. “You can’t just do something that looks pretty,†? she says. “It has to work.†? In this book, the designer—based in Chicago—generously reveals her step-by-step creative process, offering invaluable guidance to anyone who wants a home that is both gorgeous and livable. Beginning with her own Chicago townhouse and interweaving insights drawn from several other prominent projects, she shows how she assesses each space’s form and function, selects foundation elements, chooses furniture and lighting, and, finally, incorporates decorative elements that reflect the resident’s personality. Illustrated with 200 lush photographs, the book offers a welcomes introduction to Branca’s enchanting and livable interiors.

Now for the first time in an inexpensive paperback edition: the "bible" of First Empire style in interior decor, one of the most important and influential sourcebooks in the history of French design, reprinted from the rare 1812 edition, and essential reading for interior designers, architects, and architectural and social historians.