Veteran journalists Casey Sherman and Dave Wedge have written the definitive inside look at the Boston Marathon bombings with a unique, Boston-based account of the events that riveted the world. From the Tsarnaev brothers' years leading up to the act of terror to the bomb scene itself (which both authors witnessed first-hand within minutes of the blast), from the terrifying police shootout with the suspects to the ultimate capture of the younger brother, Boston Strong: A City's Triumph over Tragedy reports all the facts-and so much more. Based on months of intensive interviews, this is the first book to tell the entire story through the eyes of those who experienced it. From the cop first on the scene, to the detectives assigned to the manhunt, the authors provide a behind-the-scenes look at the investigation. More than a true-crime book, Boston Strong also tells the tragic but ultimately life-affirming story of the victims and their recoveries and gives voice to those who lost loved ones. With their extensive reporting, writing experience, and deep ties to the Boston area, Sherman and Wedge create the perfect match of story, place, and authors. If you're only going to read one book on this tragic but uplifting story, this is it.

When hurricanes, earthquakes, wildfires, and other disasters strike, we count our losses, search for causes, commiserate with victims, and initiate relief efforts. Amply illustrated and expansively researched, Inventing Disaster explains the origins and development of this predictable, even ritualized, culture of calamity over three centuries, exploring its roots in the revolutions in science, information, and emotion that were part of the Age of Enlightenment in Europe and America. Beginning with the collapse of the early seventeenth-century Jamestown colony, ending with the deadly Johnstown flood of 1889, and highlighting fires, epidemics, earthquakes, and exploding steamboats along the way, Cynthia A. Kierner tells horrific stories of culturally significant calamities and their victims and charts efforts to explain, prevent, and relieve disaster-related losses. Although how we interpret and respond to disasters has changed in some ways since the nineteenth century, Kierner demonstrates that, for better or worse, the intellectual, economic, and political environments of earlier eras forged our own twenty-first-century approach to disaster, shaping the stories we tell, the precautions we ponder, and the remedies we prescribe for disaster-ravaged communities.

The harrowing story of five men who were sent into a dark, airless, miles-long tunnel, hundreds of feet below the ocean, to do a nearly impossible job—with deadly results A quarter-century ago, Boston had the dirtiest harbor in America. The city had been dumping sewage into it for generations, coating the seafloor with a layer of “black mayonnaise.” Fisheries collapsed, wildlife fled, and locals referred to floating tampon applicators as “beach whistles.” In the 1990s, work began on a state-of-the-art treatment plant and a 10-mile-long tunnel—its endpoint stretching farther from civilization than the earth’s deepest ocean trench—to carry waste out of the harbor. With this impressive feat of engineering, Boston was poised to show the country how to rebound from environmental ruin. But when bad decisions and clashing corporations endangered the project, a team of commercial divers was sent on a perilous mission to rescue the stymied cleanup effort. Five divers went in; not all of them came out alive. Drawing on hundreds of interviews and thousands of documents collected over five years of reporting, award-winning writer Neil Swidey takes us deep into the lives of the divers, engineers, politicians, lawyers, and investigators involved in the tragedy and its aftermath, creating a taut, action-packed narrative. The climax comes just after the hard-partying DJ Gillis and his friend Billy Juse trade assignments as they head into the tunnel, sentencing one of them to death. An intimate portrait of the wreckage left in the wake of lives lost, the book—which Dennis Lehane calls "extraordinary" and compares with The Perfect Storm—is also a morality tale. What is the true cost of these large-scale construction projects, as designers and builders, emboldened by new technology and pressured to address a growing population’s rapacious needs, push the limits of the possible? This is a story about human risk—how it is calculated, discounted, and transferred—and the institutional failures that can lead to catastrophe. Suspenseful yet humane, Trapped Under the Sea reminds us that behind every bridge, tower, and tunnel—behind the infrastructure that makes modern life possible—lies unsung bravery and extraordinary sacrifice.

New Englanders are always cursing. But a colorful profanity uttered by some stero-typically taciturn old Yankee is usually more humorous than menacing. Yet, true maledictions (the opposite of benedictions) have frequently been spoken on New England soil, curses intended to invoke evil, injury, or total destruction against other people. Stories about preternatural revenge are numerous in Yankee lore, with each New England state providing its favorites. You’ll read about curses that were followed by the strange disappearance of a father and daughter in Rhode Island, mysterious afflictions in Massachusetts, a river of death in Maine, an unaccountable blight in New Hampshire, unexplained madness in Connecticut, and other eerie happenings from New England’s colorful history. Some are well known, at least regionally. Others are nearly forgotten. Within these pages, storyteller Joseph A. Citro vividly brings these tales to life, letting us decide if these tales of woe were bad luck or . . . something else.

This is the dynamic account of one of the most destructive maritime actions to take place in Connecticut history: the 1814 British attack on the privateers of Pettipaug, known today as the British Raid on Essex. During the height of the War of 1812, 136 Royal marines and sailors made their way up the Connecticut River from warships anchored in Long Island Sound. Guided by a well-paid American traitor the British navigated the Saybrook shoals and advanced up the river under cover of darkness. By the time it was over, the British had burned twenty-seven American vessels, including six newly built privateers. It was the largest single maritime loss of the war. Yet this story has been virtually left out of the history books—the forgotten battle of the forgotten war. This new account from author and historian Jerry Roberts is the definitive overview of this event and includes a wealth of new information drawn from recent research and archaeological finds. Lavish illustrations and detailed maps bring the battle to life.

The Politics and Poetics of Contemporary English Tragedy is a detailed study of the idea of the tragic in the political plays of David Hare, Howard Barker, Edward Bond, Caryl Churchill, Mark Ravenhill, Sarah Kane, and Jez Butterworth. Through an in-depth analysis of over sixty of their works, Sean Carney argues that their dramatic exploration of tragic experience is an integral part of their ongoing politics. This approach allows for a comprehensive rather than selective study of both the politics and poetics of their work. Carney’s attention to the tragic enables him to find a common discourse among the canonical English playwrights of an older generation and representatives of the nineties generation, challenging the idea that there is a sharp generational break between these groups. Finally, Carney demonstrates that tragic experience is often denied by the social discourse of Englishness, and that these playwrights make a crucial critical intervention by dramatizing the tragic.

Bestselling true-crime author M. William Phelps, star of the new investigative television series “Dark Minds,” takes readers to his own backyard in these eight bloodcurdling murder cases. Think New England is all bucolic landscapes and Robert Frost poems? Think again. In Murder, New England, Phelps explores different motives, themes, and community reactions to horrific crimes: ** Murder by Blood: The Strange Death of Rebecca Cornwell (1673, Narragansset Bay, RI). A 73-year-old widow burned to death in front of her bedroom fireplace… ** William Beadle: Husband, Father, Murderer (1782, Wethersfield, CT). A man murders his wife and kids before taking his own life... ** The Angry Man: Murder in Manchester (1821, Manchester, NH). A poor widow killed in her home by a “ruffian” looking for food and drink... ** Better Off in Heaven: John Kemmler Kills His Three Children (1879, Holyoke, MA). After losing his mill job, a man kills his daughters because he fears they will become prostitutes... ** Birth of the “Big Seven”: Gaspare Messina’s Mafioso (1917, Boston). An ol’ fashioned Mafia murder tale... ** Electronic Kill Machine: “Forensic Files” Murder (2001, Somerville, MA). Teenage slackers, the show “Forensic Files,” and the murder of a grandmother blamed on TV, youth, drugs, sex, money, and rock-n-roll... ** Sings of Life (2006, Lanesborough, MA). A woman employs the help of her cocaine-snorting daughter and Goth son to help her get rid of their step-father. ** Sesame Street Murder: Death on Big Bird’s Estate (2008, Woodstock, CT). A young woman out for a jog murdered by the groundskeeper of an estate owned by the puppeteer who played Big Bird and Oscar the Grouch. [Page Two of spread] A chilling scene unfolds on the Woodstock, Connecticut, estate of the Sesame Street puppeteer who played Big Bird and Oscar the Grouch: Near the end of the access road was a picnic area with a large pagoda-like structure topped by an A-framed roof. Two paddle boats were stored under the ceiling of the open-air building. The pagoda had that sacred, spiritual look one would expect of a place to relax and meditate. Here was a haven separated from the main living space where one could retreat and disconnect from the world. What upset the serenity of the scene was the trail of blood. It lead from the roadway directly to the pagoda—and yet stopped in the center of the ground under the ceiling. The paddle boats, investigators noticed, had blood spatter and smudge marks on them. But what did it mean that the trail of blood just stopped? As they continued to search, troopers looked above them and spied a set of pull-down stairs. There was a storage area or attic within the pagoda’s A-frame. The blood trail had stopped directly beneath the pull-down stairs.

A survey of modern cinematic and televisual responses to the concept of the golden age.