The last ten years have witnessed a renewed interest in H.P. Lovecraft in academic and scholarly circles. New Critical Essays on H.P. Lovecraft seeks to offer an expansive and considered account of a fascinating yet challenging writer; both popular and critically valid but also problematic in terms of his depictions of race, gender and class.

The last ten years have witnessed a renewed interest in H.P. Lovecraft in academic and scholarly circles. New Critical Essays on H.P. Lovecraft seeks to offer an expansive and considered account of a fascinating yet challenging writer; both popular and critically valid but also problematic in terms of his depictions of race, gender and class.

The last ten years have witnessed a renewed interest in H.P. Lovecraft in academic and scholarly circles. New Critical Essays on H.P. Lovecraft seeks to offer an expansive and considered account of a fascinating yet challenging writer; both popular and critically valid but also problematic in terms of his depictions of race, gender and class.

This collection of new essays and reprints of significant articles provides a comprehensive picture of Lord Dunsany's contribution to fantasy fiction and world literature. These essays make a case for the continued study of this neglected but hugely influential writer.

A New York Times Book Review Editors' Choice Selection "The most exciting and definitive collection of Lovecraft's work out there." –Danielle Trussoni, New York Times Book Review No lover of gothic literature will want to be without this literary keepsake, the final volume of Leslie Klinger’s tour-de-force chronicle of Lovecraft’s canon. In 2014, The New Annotated H. P. Lovecraft was published to widespread acclaim— vaunted as a “treasure trove” (Joyce Carol Oates) for Lovecraft aficionados and general readers, alike. Hailed by Harlan Ellison as an “Olympian landmark of modern gothic literature,” the volume included twenty-two of Lovecraft’s original stories. Now, in this final volume, best- selling author Leslie S. Klinger reanimates twenty-five additional stories, the balance of Lovecraft’s significant fiction, including “Rats in the Wall,” a post– World War I story about the terrors of the past, and the newly contextualized “The Horror at Red Hook,” which recently has been adapted by best- selling novelist Victor LaValle. In following Lovecraft’s own literary trajectory, readers can witness his evolution from Rhode Island critic to prescient literary genius whose titanic influence would only be appreciated decades after his death. Including hundreds of eye- opening annotations and dozens of rare images, Beyond Arkham finally provides the complete picture of Lovecraft’s unparalleled achievements in fiction.

This collection of H.P. Lovecraft's most influential works presents several of his most famous stories, a sampling of his poetry and an abridgment of his monograph Supernatural Horror in Literature, with commentary providing background and context. Criticism is included from such scholars as S.T. Joshi and Robert M. Price, along with essays by writers Brad Strickland and T.E.D. Klein, and interviews with Pulitzer-nominated author Richard Monaco (Parsival) and award-winning novelists Cherie Priest (Boneshaker) and Caitlin Kiernan (The Drowning Girl).

H.P. Lovecraft, one of the twentieth century’s most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his “model” and his “God of Fiction.” While scholars and readers of Poe’s and Lovecraft’s work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe’s work influenced Lovecraft in important ways. Other essays explore how Lovecraft’s fictional, critical, and poetic reception of Poe irrevocably changed how Poe’s work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft’s interpretations of Poe have informed later adaptations of both writers’ works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe’s and Lovecraft’s work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.

For the past thirty-five years, S. T. Joshi has been one of the leading authorities on H. P. Lovecraft. As Lovecraft's editor and biographer, Joshi has revolutionized our understanding of the dreamer from Providence. This enormous volume, which contains all the critical essays that Joshi has written since 1979, is a treasure-house of scholarship that exhibits Joshi's all-encompassing knowledge of Lovecraft the man, writer, and thinker. Joshi has focused on a holistic understanding of Lovecraft, integrating his life and thought into the study of his work. Lovecraft, the atheist and materialist, infused his worldview into each tale, essay, and poem. Joshi has studied the interrelations between Lovecraft's life and work in such papers as "Autobiography in Lovecraft" and "Lovecraft and the Munsey Magazines." Joshi's analysis of Lovecraft's philosophical thought comes forth in such major essays as "Lovecraft's Alien Civilisations: A Political Interpretation" and "H. P. Lovecraft: The Fiction of Materialism." Joshi has also devoted much attention to neglected aspects of Lovecraft's work, and this book contains illuminating discussions of Lovecraft's poetry, essays, and letters. Joshi's landmark study "Textual Problems in Lovecraft" laid the groundwork for his corrected editions of Lovecraft's tales. A final section of the book studies Lovecraft's legacy and influence, including a lengthy essay on the Cthulhu Mythos and, as a capstone, a transcript of Joshi's keynote address at the NecronomiCon convention of 2013. This mammoth volume features nearly four decades of scholarship on one of the towering writers of the twentieth century, written by one of his most insightful interpreters. S. T. Joshi is the author of "The Weird Tale" (1990), "The Modern Weird Tale" (2001), "I Am Providence: The Life and Times of H. P. Lovecraft" (2010), and "Unutterable Horror: A History of Supernatural Fiction" (2012). He has prepared annotated editions of the works of H. P. Lovecraft, Arthur Machen, Lord Dunsany, Ambrose Bierce, and other weird writers. He is a two-time winner of the World Fantasy Award and has also won the Bram Stoker Award, the British Fantasy Award, and other awards.

In sharp contrast to many 1960s science fiction films, with idealized views of space exploration, Ridley Scott's Alien (1979) terrified audiences, depicting a harrowing and doomed deep-space mission. The Alien films launched a new generation of horror set in the great unknown, inspiring filmmakers to take Earth-bound franchises like Leprechaun and Friday the 13th into space. This collection of new essays examines the space horror subgenre, with a focus on such films as Paul W.S. Anderson's Event Horizon, Duncan Jones' Moon, Mario Bava's Planet of the Vampires and John Carpenter's Ghosts of Mars. Contributors discuss how filmmakers explored the concepts of the final girl/survivor, the uncanny valley, the isolationism of space travel, religion and supernatural phenomena.