For those interested in contemporary permutations of neo-classical architecture, this volume offers a photo essay of the work of 14 architectural firms. Among them are Robert Adam Architects Ltd, Norman Davenport Askins, John Blatteau Associates, Fairfax & Sammons, Robert A.M. Stern Architects, Michael G. Imber, and Porphyrios Associates. The build

This latest volume in the "New Classicists" series offers an enticing glimpse of the exquisite work of Dinyar Wadia. While remaining loyal to traditional classical design, Wadia's finely detailed residences display a remarkable versatility and adaptability within the classical language of architecture. His work is characterised by a passion for excellent detailing, use of fine material and exceptional workmanship, always emphasizing the integral relationship between the home and its surrounding landscape. As revealed in the breathtaking array of homes featured in this volume, each residence is distinctive for its refined elegance and seamless incorporation into the landscape. It includes a foreword by HRH The Prince of Wales, and an introduction by Paul Gunther, President of The Institute of Classical Architecture and Classical America. Colour illustrations

Describes the return to a new classical style within art and architecture. Includes 350 illustrations of paintings, sculpture, and architecture.

The first in a new series of five books describing and illustrating the seminal architectural traditions of the world, Antiquity traces architectural history from its very beginnings until the time when the traditions that shape today’s environments began to flourish. More than a catalogue of buildings, in this work Tadgell provides their political, technological, social and cultural contexts and explores architecture, not only as the development of form and space but as an expression of the civilization within which it evolves. The buildings are analyzed and illustrated with over 1200 colour photographs and 400 drawings while the societies that produced them are brought to life through a broad selection of their artefacts.

Essays by a prominent contemporary composer explore a current trend in classical music away from atonal characteristics and toward more traditional forms. Topics include cultural identity, musical meaning, and the aesthetics of beauty.

During the rise of New York from the capital of an upstart nation to a global metropolis, the visual language of Greek and Roman antiquity played a formative role in the development of the city’s art and architecture. This compilation of essays offers a survey of diverse reinterpretations of classical forms in some of New York’s most iconic buildings, public monuments, and civic spaces. Classical New York examines the influence of Greco-Roman thought and design from the Greek Revival of the late eighteenth and early nineteenth centuries through the late-nineteenth-century American Renaissance and Beaux Arts period and into the twentieth century’s Art Deco. At every juncture, New Yorkers looked to the classical past for knowledge and inspiration in seeking out new ways to cultivate a civic identity, to design their buildings and monuments, and to structure their public and private spaces. Specialists from a range of disciplines—archaeology, architectural history, art history, classics, and history— focus on how classical art and architecture are repurposed to help shape many of New York City’s most evocative buildings and works of art. Federal Hall evoked the Parthenon as an architectural and democratic model; the Pantheon served as a model for the creation of Libraries at New York University and Columbia University; Pennsylvania Station derived its form from the Baths of Caracalla; and Atlas and Prometheus of Rockefeller Center recast ancient myths in a new light during the Great Depression. Designed to add breadth and depth to the exchange of ideas about the place and meaning of ancient Greece and Rome in our experience of New York City today, this examination of post-Revolutionary art, politics, and philosophy enriches the conversation about how we shape space—be it civic, religious, academic, theatrical, or domestic—and how we make use of that space and the objects in it.

This is a comparative study of the national significance of the classical revival which marked English and French art during the second half of the nineteenth century. It argues that the main focus of artists' interest in classical Greece, was the body of the Greek athlete. It explains this interest, first, by artists' contact with the art of Pheidias and Polycletus which portrayed it; and second, by the claim, made by physical anthropologists, that the classical body typified the race of the European nations.

Presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age.

The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.