A look at the journalists and satirists who’ve helped transform the political landscape in the twenty-first century. The New Blue Media traces the rise during the Bush years of new media stars: the news-saturated satire of The Onion, The Daily Show, and The Colbert Report; the polemical assaults of Michael Moore and Air America; and the instant-messaging politics of MoveOn, Daily Kos, and the netroots. With the exception of Air America, all of these new media outlets have found commercial success—marking, says Hamm, a new era in liberal politics. Does this new media matter? In 2004, both Michael Moore and MoveOn became major players; more recently, the influence of the netroots has sparked upheaval and debate within the Democratic Party. The New Blue Media examines this phenomenon in depth, and the reshaping of both the style and the substance of progressivism.

Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called “doo-wop,” “soul,” “funk,” “urban contemporary,” or “hip-hop,” R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a “re-Africanization” over time. By investigating musical elements of form, style, and content in R&B—and offering numerous musical examples—the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical “super-genre” which he labels “The New Blue Music.”

On Being Blue is a book about everything blue—sex and sleaze and sadness, among other things—and about everything else. It brings us the world in a word as only William H. Gass, among contemporary American writers, can do. Gass writes: Of the colors, blue and green have the greatest emotional range. Sad reds and melancholy yellows are difficult to turn up. Among the ancient elements, blue occurs everywhere: in ice and water, in the flame as purely as in the flower, overhead and inside caves, covering fruit and oozing out of clay. Although green enlivens the earth and mixes in the ocean, and we find it, copperish, in fire; green air, green skies, are rare. Gray and brown and widely distributed, but there are no joyful swatches of either, or any of exuberant black, sullen pink, or acquiescent orange. Blue is therefore most suitable as the color of interior life. Whether slick light sharp high bright thin quick sour new and cool or low deep sweet dark soft slow smooth heavy old and warm: blue moves easily among them all, and all profoundly qualify our states of feeling.

From the unique perspective of the executive who discovered them, One Step Closer reveals how Brad Delson’s college internship was a catalyst for a group of young musical visionaries, led by Mike Shinoda, which gave rise to a band that survived countless rejections, exceeded everyone’s expectations but their own, and became the voice of a generation. This against-all-odds story chronicles the early days of Linkin Park, from their first demo and Whisky a Go Go performance as Xero, through their tireless efforts to perfect their iconic sound and the discovery of Chester Bennington. Jeff Blue was there when no one else believed—first as their publisher, then as their A&R guy. This is his memoir of that incredible journey. Riveting and inspiring, One Step Closer is a testament to perseverance, as well as a detailed behind-the-scenes account of the building of a dream and what it takes to make it.

An A to Z of the whole fashion process including design, production and marketing.

The reader is invited to help Duck and his animal friends find a missing item.

'We'll all work together— you and me too. We'll build a great, snastical, fantastical zoo.' That's right! A snastical, fantastical zoo! Come along on the most fun, blue adventure you've ever been on as you explore the New Blue Zoo! William Powers lives in southwestern Ohio with his wife and best friend, Jerian. They have 8 Children and 7 grandchildren.

From an early age, Jeremiah Krone had a strong sense of right and wrong and of justice. In the fifth grade, he stood up against, Buzz, the class bully. When Krone graduates from high school, he applies to the police academy, is accepted, and graduates. But his first call as a young police officer fresh out of the academy is a shock. And it’s what’s missing that holds the answers to the crime. Thrust into the world of police work, Krone navigates his way through his rookie year. He balances a budding love relationship with his drive to succeed as an officer in this coming-of-age tale. Praise for New Blue “Author John Drake has done it again. This time, a novel of a young police officer learning the ropes of his trade in a beach town in North Florida. The wacky escapades cops see in the course of duty is material enough for a book. With an enjoyable writing style, the authors introduce youthful innocence to the mix and masterfully produce a compelling story. I hope we see more of young Officer Jerry.” —James H.K. Bruner, Author, the Bike Cop Trilogy “Provides a realistic introduction to young people considering police work. A true rookie-eye view, from getting chewed out and nearly washed out, to persevering and succeeding. The path this new blue takes is honest and believable; it effectively shows the diverse nature of this amazing job.” —Chief James T. Hurley, Fernandina Beach (Florida) Police Department

The Straus Center for Conservation and Technical Studies at the Harvard Art Museums possesses over 2500 of the world¿s rarest pigments. Visually and anthropologically excavating the extraordinary collection,Atelier Editions¿ monograph examines the contained artefacts¿ providence, composition, symbology and application. Whilst simultaneously exploringthe larger field of chromatics, utilising a variety of theoretical frameworks to interpret the collection anew. An introduction to the monograph is authored by Straus Center Director, Dr. Narayan Khandekar.