Good news, Rabbit and Mouse are going on a picnic. Bad news, it is starting to rain. Good news, Rabbit has an umbrella. Bad news, the stormy winds blow the umbrella (and Mouse!) into a tree. So begins this clever story about two friends with very different dispositions. Using just four words, Jeff Mack has created a text with remarkable flair that is both funny and touching, and pairs perfectly with his energetic, and hilarious, illustrations. Good news, this is a book kids will clamor to read again and again!

From Mystery Writers of America Grand Master Donald E. Westlake comes the eagerly anticipated return of unlucky master crook John Dortmunder. Dortmunder doesn't like manual labor. So when Andy Kelp relays the offer of a grand to help dig up a grave in a far-flung cemetery, he balks...until he begins to wonder just why Fitzroy Guilderpost, criminal mastermind, wants to pull a switcheroo of two 70-years-dead Indians. Central to the plan is Little Feather Redcorn, the ex-Vegas showgirl and great-granddaughter of the newly-switched stiff. She will pose as the last remaining member of the Pottaknobbee tribe, one-third owners of the largest casino in the east. When the remains of the last known Pottaknobbee are dug up, down there in Queens, the DNA will prove that it's her ancestor. But when the scam goes into play, it's Dortmunder and his band who must step in to make sure everything runs smoothly.

In New Bad News, the frenetic and far-out worlds of fading celebrities, failed festival promoters, underemployed adjuncts, and overly aware chatbots collide. A Terminator statue comes to life at the Hollywood Wax Museum; a coyote laps up Colt 45, as a passerby looks on in existential quietude; a detective disappears while investigating a missing midwestern cam girl. Set in Kentucky, Hollywood, and the afterlife, these bright, bold short-shorts and stories construct an uncannily familiar, alternate-reality America.

When we share or receive good or bad news, from ordinary events such as the birth of a child to public catastrophes such as 9/11, our "old" lives come to an end, and suddenly we enter a new world. In Bad News, Good News, Douglas W. Maynard explores how we tell and hear such news, and what's similar and different about our social experiences when the tidings are bad rather than good or vice versa. Uncovering vocal and nonvocal patterns in everyday conversations, clinics, and other organizations, Maynard shows practices by which people give and receive good or bad news, how they come to realize the news and their new world, how they suppress or express their emotions, and how they construct social relationships through the sharing of news. He also reveals the implications of his study for understanding public affairs in which transmitting news may influence society at large, and he provides recommendations for professionals and others on how to deliver bad or good tidings more effectively. For anyone who wants to understand the interactional facets of news delivery and receipt and their social implications, Bad News, Good News offers a wealth of scholarly insights and practical advice.

Bad News for Refugees analyses the political, economic and environmental contexts of migration and looks specifically at how refugees and asylum seekers have been stigmatised in political rhetoric and in media coverage. Through forensic research it shows how hysterical and inaccurate media accounts act to legitimise political action which can have terrible consequences both on the lives of refugees and also on established migrant communities. Based on new research by the renowned Glasgow Media Group, Bad News for Refugees is essential reading for those concerned with the negative effects of media on public understanding and for the safety of vulnerable groups and communities in our society.

"There are three twenty-four-hour financial networks. All their slogans are like, Ẁe know what's going on on Wall Street.' But then you turn it on during the crisis, and they're like, Ẁe don't know what's going on.' It'd be like turning on the Weather Channel in a hurricane and they're just doing this: [shuddering] Ẁhy am I wet?! What's happening to me? And it's so windy!'"--Jon Stewart.

In Good News, Bad News , Jeremy Iggers argues that journalism's institutionalized conversation about ethics largely evades the most important issues regarding the public interest and the civic responsibilities of the press. Changes in the ownership and organization of the news media make these issues especially timely; although journalism's ethics rest on the idea of journalism as a profession, the rise of market-driven journalism has undermined journalists' professional status. Ultimately, argues Iggers, journalism is impossible without a public that cares about the common life. Written in an accessible style, Good News, Bad News is important reading for journalists, communication scholars, and students. }Public dissatisfaction with the news media frequently gives rise to calls for journalists to live up to the ethical standards of their profession. But what if the fault lies in part with the standards themselves?Jeremy Iggers argues that journalisms institutionalized conversation about ethics largely evades the most important issues regarding the public interest and the civic responsibilities of the press. Changes in the ownership and organization of the news media make these issues especially timely; although journalisms ethics rest on the idea of journalism as a profession, the rise of market-driven journalism has undermined journalists professional status.Ultimately, argues Iggers, journalism is impossible without a public that cares about the common life. A more meaningful approach to journalism ethics must begin with a consideration of the role of the news media in a democratic society and proceed to look for practical ways in which journalism can contribute to the vitality of public life.Written in an accessible style, Good News, Bad News is important reading for journalists, communication scholars, and students. }

The can't-miss final installment of beloved author Pseudonymous Bosch's bestselling Bad Books trilogy! At Earth Ranch, Clay encountered a haunted library, a castaway boy, and a fire-breathing dragon--not to mention incredible magic. Now he faces his most dangerous foes yet: the mysterious white-gloved members of the Midnight Sun, whose scheming leads Clay to a dragon reserve. Up against impossible odds, will Clay and his Secret Series Allies be able to triumph over these villains once and for all? Packed with action, humor, magic, mystery, and dragons, Pseudonymous Bosch answers long-simmering questions as he delivers his most exciting adventure yet.

Author of the acclaimed Stringer, praised by Jon Stewart as "a remarkable book about the lives of people in the Congo," Anjan Sundaram returns to Africa for a piercing look at Rwanda, a country still caught in political and social unrest years after the genocide that shocked the world. Bad News is the story of Anjan Sundaram's time teaching a class of journalists in Kigali, the capital city of Rwanda. The current Rwandan regime, which seized power after the genocide in 1994, is often held up as a beacon of progress and is the recipient of billions of dollars each year in aid from Western governments. Underpinning this shining vision of a modern orderly state, however, is a powerful climate of fear springing from the government's brutal treatment of any voice of dissent. "You cannot look and write," a policeman tells Sundaram as he takes notes at a political rally. As Sundaram's students are exiled, imprisoned, recruited as well-paid propagandists, and even shot, he tries frantically to preserve a last bastion of debate in a country where the testimony of the individual is crushed by the ways of thinking prescribed by Paul Kagame's dictatorial regime. A vivid portrait of a country at an extraordinary and dangerous place in its history, Bad News is a brilliant and urgent parable on the necessity of freedom of expression and what happens when that freedom is seized.