In June 1889, Mrs Humphry Ward's open letter "An Appeal Against Female Suffrage" was published with over a hundred other female signatories against the extension of Parliamentary suffrage to women. Inflamed by this "most despicable piece of treachery ever perpetrated towards women by women", Corbett wrote and published New Amazonia.In her novel, Corbett envisions a successful suffragette movement eventually giving rise to a breed of highly evolved "Amazonians" who turn Ireland into a utopian society. The book's female narrator wakes up in the year 2472, much like Julian West awakens in the year 2000 in Edward Bellamy's Looking Backward. Corbett's heroine, however, is accompanied by a man of her own time, who has similarly awakened from a hashish dream to find himself in New Amazonia.The narrator reacts very positively to what she sees and learns; but her male companion reacts precisely oppositely and adjusts badly. Read on to know more! Excerpt: "The next event I can chronicle was opening my eyes on a scene at once so beautiful and strange that I started to my feet in amaze. This was not my study, and I beheld nothing of the magazine which was the last thing I remembered seeing before I went to sleep. ... I was recalled to the necessity of behaving more decorously by hearing someone near me exclaim in mystified accents, "By Jove! But isn't this extraordinary? I say, do you live here, or have you been taking hasheesh too?"...

New Amazonia: A Foretaste of the Future (1889) is a novel by Elizabeth Burgoyne Corbett. In June 1889, British novelist and President of the Women’s National Anti-Suffrage League Mary Augusta Ward published her reactionary essay “An Appeal Against Female Suffrage” in The Nineteenth Century. In response, Corbett penned New Amazonia, a feminist utopian novel which depicts the emergence of an advanced society of women in the not-so-distant future. While little is known about Corbett, her surviving novels and stories suggest she was a passionate campaigner for women’s suffrage in an era of conservative politics and traditional values. “‘This country is New Amazonia. A long time ago it was called Erin by some, but Ireland was the name it was best known by. It used to be the scene of perpetual strife and warfare. Our archives tell us that it was subjugated by the warlike English, and that it suffered for centuries from want and oppression.’” Having fallen asleep for hundreds of years, a Victorian man and woman emerge to a vastly different world. Following a devastating war between Britain and Ireland, the British repopulated their colony with women deemed to be surplus. On New Amazonia, these women came to control all aspects of government and culture, leading to the eradication of corruption and oppression. Scientifically advanced, the Amazonians have developed a technique for strengthening the human body and increasing the lifespan of women by hundreds of years. Mesmerized by what she finds in this fascinating new world, the narrator records her reactions alongside those of her male counterpart, who remains openly hostile to the Amazonians throughout. For its depiction of an advanced matriarchal society and celebration of feminist ideals, New Amazonia: A Foretaste of the Future remains an important early work of utopian science fiction. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Burgoyne Corbett’s New Amazonia: A Foretaste of the Future is a classic of feminist utopian fiction reimagined for modern readers.

Embark on a suspenseful journey with this thrilling detective story set in the heart of English literature. When a jewelry theft shakes the community, it's up to the protagonist to unravel the mystery. George Mrs. Corbett masterfully crafts a narrative filled with twists, turns, and unexpected revelations, ensuring readers remain on the edge of their seats until the very end. A must-read for mystery enthusiasts.

The New Routledge Companion to Science Fiction provides an overview of the study of science fiction across multiple academic fields. It offers a new conceptualisation of the field today, marking the significant changes that have taken place in sf studies over the past 15 years. Building on the pioneering research in the first edition, the collection reorganises historical coverage of the genre to emphasise new geographical areas of cultural production and the growing importance of media beyond print. It also updates and expands the range of frameworks that are relevant to the study of science fiction. The periodisation has been reframed to include new chapters focusing on science fiction produced outside the Anglophone context, including South Asian, Latin American, Chinese and African diasporic science fiction. The contributors use both well- established critical and theoretical approaches and embrace a range of new ones, including biopolitics, climate crisis, critical ethnic studies, disability studies, energy humanities, game studies, medical humanities, new materialisms and sonic studies. This book is an invaluable resource for students and established scholars seeking to understand the vast range of engagements with science fiction in scholarship today.

Publisher description

Routledge Library Editions: Utopias (6 volume set) contains titles, originally published between 1923 and 1982. It includes volumes focusing on Utopian fiction, both as a genre in its own right and also from a feminist perspective. In addition, there are sociological texts that examine the history of Utopian thought, from the writings of Plato and beyond, as well as specific examples of people who have tried to create Utopian communities.

Readers will see how Michelson's newspaper work fueled her imagination as a fiction writer and how she adapted narrative techniques from fiction to create a body of journalism that informs, provokes, and entertains, even a century after it was written.

The first science fiction course in the American academy was held in the early 1950s. In the sixty years since, science fiction has become a recognized and established literary genre with a significant and growing body of scholarship. The Cambridge History of Science Fiction is a landmark volume as the first authoritative history of the genre. Over forty contributors with diverse and complementary specialties present a history of science fiction across national and genre boundaries, and trace its intellectual and creative roots in the philosophical and fantastic narratives of the ancient past. Science fiction as a literary genre is the central focus of the volume, but fundamental to its story is its non-literary cultural manifestations and influence. Coverage thus includes transmedia manifestations as an integral part of the genre's history, including not only short stories and novels, but also film, art, architecture, music, comics, and interactive media.