A series of interviews with some of the foremost dancers in twentieth-century ballet, Never Far from Dancing reflects on the paths that their careers have taken since they retired from the stage. Barbara Newman has expertly edited each of her interviews to read as a monologue, addressing every aspect of ballet, from its styles and technical demands to its personalities, its celebrated roles and, most of all, to what happens when the dancing stops. While ballet invites all manner of writing from critics, admirers and academics, the thoughts and experiences of the dancers themselves are seldom recorded. Here, those who scaled the heights of their art hand down their wisdom and recount lives spent in this most enduring of art forms.

Poet. Dancer. Immigrant. Artist. Son. Brother. There’s always more than meets the eye . . . Valentin “Val” Chmerkovskiy has captivated viewers with his striking performances on Dancing with the Stars since his first step, season after season. His raw talent, dashing looks, and genuine kindness have made him an instant, beloved star. Now, for the first time ever, viewers will have an all-access pass to Val’s life—and in I’ll Never Change My Name, Val bares his soul, illuminating the thoughtful person he is both on and off the stage. In this revealing memoir, Val opens up about his life and career so far—where he’s come from and where he hopes to go. He shows the reader some of the most notable moments from his childhood in Odessa, Ukraine, and his tight-knit family’s immigration to the United States—including his struggles learning English as a stranger desperate to fit into a different culture, how he worked to become a premiere ballroom dancer, and, of course, the collaborations and competitions with his brother and fellow DWTS sensation, Maksim “Maks” Chmerkovskiy. After years of practice and discipline, Val, along with his older brother Maks, have reached the pinnacle of success, but it took a great deal of hard work and gratitude to get there. Sharing at times intimate and at times entertaining moments with early dance partners all the way up through celebrity dance partners such as Laurie Hernandez, Zendaya, Kelly Monaco, and Rumer Willis on Dancing with the Stars, Val expresses his enduring gratitude for the opportunities America has afforded him and his family, and for everything this country represents—offering hope not only to fans, but everyone with a dream. Inspiring, heartfelt, and compulsively readable—including sixteen pages of never- before-seen photographs, as well as a foreword by brother Maks Chmerkovskiy—I’ll Never Change My Name is filled with Val’s honesty and insight, and moments that are sure to touch readers’ hearts and inspire us all to keep it moving.

Microsoft’s associate general counsel shares the inspirational story of his rise from childhood poverty in pre-gentrified New York City to a stellar career at the top of the technology and music industries in this stirring true story of grit and perseverance. For fans of Indra Nooyi’s My Life in Full and Viola Davis’s Finding Me. As an accomplished Microsoft executive, Bruce Jackson handles billions of dollars of commerce as its associate general counsel while he plays a crucial role in the company’s corporate diversity efforts. But few of his colleagues can understand the weight he carries with him to the office each day. He kept his past hidden from sight as he ascended the corporate ladder but shares it in full for the first time here. Born in Crown Heights, Brooklyn, Jackson moved to Manhattan’s Amsterdam housing projects as a child, where he had already been falsely accused and arrested for robbery by the age of ten. At the age of fifteen, he witnessed the homicide of his close friend. Taken in by the criminal justice system, seduced by a burgeoning drug trade, and burdened by a fractured, impoverished home life, Jackson stood on the edge of failure. But he was saved by an offer. That offer set him on a better path, off the streets and eventually on the way to Georgetown Law, but not without hard knocks along the way. But even as he racked up professional accomplishments, Jackson is still haunted by the unchanged world outside his office. From public housing to working for Microsoft’s president, Brad Smith, and its founder, Bill Gates, to advising some of the biggest stars in music, Bruce Jackson’s Never Far from Home reveals the ups and downs of an incredible journey, how he overcame many obstacles and the valuable lessons learned along the way.

This is a collection of interviews with some of the foremost ballet dancers of the Twentieth Century, reflecting on the paths that their careers have taken since retiring.

In the much-anticipated update to a classic in dance studies, Mark Franko analyzes the political aspects of North American modern dance in the 20th century. A revisionary account of the evolution of modern dance, this revised edition of Dancing Modernism / Performing Politics features a foreword by Juan Ignacio Vallejos on Franko's career, a new preface, a new chapter on Yvonne Rainer, and an appendix of left-wing dance theory articles from the 1930s. Questioning assumptions that dancing reflects culture, Franko employs a unique interdisciplinary approach to dance analysis that draws from cultural theory, feminist studies, and sexual, class, and modernist politics. Franko also highlights the stories of such dancers as Isadora Duncan, Martha Graham, and even revolutionaries like Douglas Dunn in order to upend and contradict ideas on autonomy and traditionally accepted modernist dance history. Revealing the captivating development of modern dance, this revised edition of Dancing Modernism / Performing Politics will fascinate anyone interested in the intersection of performance studies, history, and politics.

Better Late Than Never is the extraordinary true story of how a man born into poverty in London's East End went on to find stardom late in life when he was chosen to be head judge on BBC1's Strictly Come Dancing. Len Goodman tells all about his new-found fame, his experiences on Strictly Come Dancing, and also on the no.1 US show Dancing with the Stars and his encounters with the likes of Heather Mills-McCartney and John Sergeant. But the real story is in his East End roots. And Len's early life couldn't be more East End. The son of a Bethnal Green costermonger he spent his formative years running the fruit and veg barrow and being bathed at night in the same water Nan used to cook the beetroot. There are echoes of Billy Elliot too. Though Len was a welder in the London Docks, he dreamt of being a professional footballer, and came close to making the grade had he not broken his foot on Hackney Marshes. The doctor recommended ballroom dancing as a light aid to his recovery. And Len, it turned out, was a natural. At first his family and work mates mocked, but soon he had made the final of a national competition and the welders descended en masse to the Albert Hall to cheer him on. With his dance partner, and then wife Cheryl, Len won the British Championships in his late twenties and ballroom dancing became his life. Funny and heart-warming, Len Goodman's autobiography has all the honest East End charm of Tommy Steele, Mike Read or Roberta Taylor.

Did you know that the ancient Romans left sixty days of winter out of their calendar, considering these two months a dead time of lurking terror and therefore better left unnamed? That they had a horror of even numbers, hence the tendency for months with an odd number of days? That robed and bearded druids from the Celts stand behind our New Year’s figure of Father Time? That if Thursday is Thor’s day, then Friday belongs to his faithful wife, Freya, queen of the Norse gods? That the name Easter may derive from the Anglo-Saxon goddess of spring, Eostre, whose consort was a hare, our Easter Bunny? Three streams of history created the Western calendar—first from the Sumerians, then from the Celtic and Germanic peoples in the North, and finally from Palestine with the rise of Christianity. Michael Judge teases out the contributions of each stream to the shape of the calendar, to the days and holidays, and to associated lore. In them, he finds glimpses of a way of seeing before the mechanical time of clocks, when the rhythms of man and woman matched those of earth and sky, and the sacred was born.

"A child survivor of the Holocaust, Richard Weilheimer describes life in pre-WW II Germany, the rise of Nazism, and his family's deportation to the misery of Camp de Gurs in Vichy-controlled France. Rescued by the Quakers, Richard established himself in the United States. Forty years later he challenges his grandchildren to live fully and resist intolerance"--Provided by publisher.

Christians are often tempted to encapsulate God in their own little boxes, as if God could be tied down to our finite way of thinking. But we can neither domesticate nor fully understand God, for theology has a lot to do with coming to terms with the mystery of God. This revised edition of Dancing in the Dark--shaped, as in the first edition, by the two overarching themes of God as Trinity and a theology of participation--embraces the notion of mystery in presenting a compelling vision of seeing all things finally united within the inner life of God. As we engage in Christian ministry, we are summoned to participate as grace-filled faith communities in the triune God's immeasurably loving and healing work in the world, leading those who are in darkness into an awareness of the God who imparts life in all its glorious abundance, that which is so . . . and a journey into the mystery of that which is to come. The liberating ministry of the gospel is both a declaration and an invitation--an invitation to the dance!

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