"Best-selling and award-winning author Kathleen Eagle provides readers with an exciting ethnic romance . . . a classy reading experience." -- Harriet Klausner, AllReaders.com "You always can tell that a Kathleen Eagle book is going to be an enjoyable, intelligent read." -- The Romance Reader "Kathleen Eagle never fails to enthrall." - The Best Reviews She tracks him until he catches her . . . Some say Native American activist Kole Kills Crow is an outlaw; others say he's a hero. To reporter Heather Reardon, he's a must-have story. Her friend Savannah, who's married to Kole's half-brother, Clay, can vouch that Kole won't hurt Heather, even though a brush with the law has turned him into a fugitive. When Heather locates Kole in an isolated Minnesota cabin, she quickly learns that he's a loner with no interest in sharing his side of the story with the world. Yet neither Kole nor Heather can resist the attraction that complicates their relationship, along with Heather's persuasive arguments. Years ago Kole gave up a daughter for adoption because he couldn't raise her on the run. His daughter is now seven and deserves to know what kind of man her father really is. Kathleen Eagle expertly mingles passion, suspense and Native American political issues into an unforgettable story of love and healing. Kathleen Eagle retired from a seventeen-year teaching career on a North Dakota Indian reservation to become a full-time novelist. The Lakota Sioux heritage of her husband and their three children has inspired many of her stories. Among her honors, she has received a Career Achievement Award from Romantic Times, the Midwest Fiction Writer of the Year Award, and Romance Writers of America's prestigious RITA Award. Visit her at www.kathleeneagle.com.

DigiCat Publishing presents to you this special edition of "You Never Can Tell" by Bernard Shaw. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Mrs Warren's Profession, Candida, and You Never Can Tell are plays which give a clear sense of the range of Shaw's first forays into playwriting. Together they showcase his early negotiations between his political and social concerns and the constraints and possibilities of the British stageat the fin de siecle.These plays are bound together by shared concerns with gender roles, sexuality, concepts of familial and social duty, and how all these are shaped by wider financial, political, literary, philosophical and theatrical influences.Mrs Warren's Profession is the best known of Shaw's 'Plays Unpleasant', his first exercises in using the theatre as a means to awaken the consciences of morally complacent audiences. Written in 1893 in angry response to the success of A. W. Pinero's sensational hit The Second Mrs Tanqueray and arevival of Dumas's La dame aux camelias, Mrs Warren's Profession did not receive a public performance in Britain until 1925. Shaw's provocative response to the sentimental 'fallen woman' plays that dominated the fin-de-siecle stage was a play in which prostitution was presented not as a question offemale sexual morality, but as a direct result of the systematic economic exploitation of women.Candida (1894), by contrast, was categorised by Shaw as one of his 'Plays Pleasant', but the label was characteristically deceptive. The play appeared at first sight to offer audiences a reassuringly familiar drama of a marriage threatened by an interloper but ultimately reaffirmed when the wiferecognises her true place and her dangerous admirer is sent out into the cold. But, as critics have noted, the play was a re-working by Shaw of Ibsen's A Doll's House in which the husband played the part of the over-protected doll, unaware of the real power dynamics of his marriage.You Never Can Tell (1897) was Shaw's seaside comedy of manners, complete with an all-knowing waiter, exuberant twins, a lovelorn dentist, a long-lost father, lashings of food, and a comic catchphrase to provide the title. Shaw took all these familiar elements of Victorian farce and reworked theminto a modern play of ideas, in which etiquette and ideologies collide. Just as in Wilde's The Importance of Being Earnest (a comparison which Shaw always stubbornly rejected), questions of class, marriage, manners, money, sex and identity underpin the plot of love-at-first-sight, mislaid parentsand reunited families.

Never can tell. The beautiful Sarah Cummings is an independent certified accountant. She has two sons from a previous marriage. After she was divorced and single again, her dormant wits renewed themselves, and she had built a new life for herself. She is obsessed with the handsome stranger who recently moved in to the house across the street from where she lives. He is Daniel Spenser, the son of the deceased billionaire James Spenser, whose untimely death left Daniel overwhelmed and filled with sorrow. In reality, he is now the billionaire--the owner of the firm. He is loved, respected, and protected by his father's entourage. And in order to fit the self to its sphere, Daniel realizes that rest is the thing he needs. Joe Sellers, his colleague, handed him the keys to the vacant house where he retreated with his dog, Rover, his Harley Davidson bike, and his Camino. Here he met the beautiful Sarah Cummings. A sense of kinship began the first day he saw her. It deepened. He proposed to her on their first date. Who is this handsome, kempt stranger? Sarah's feelings for him run deep. In her heart, she wants to be a part of his world and have him become a part of hers. She had to sheath her inner feeling and let fate

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

#1 New York Times bestseller Lisa Gardner returns with an unpredictable thriller that puts fan favorites D.D. Warren and Flora Dane on a shocking new case that begins with a vicious murder and gets darker from there. A man is dead, shot three times in his home office. But his computer has been shot twelve times, and when the cops arrive, his pregnant wife is holding the gun. D.D. Warren arrives on the scene and recognizes the woman--Evie Carter--from a case many years back. Evie's father was killed in a shooting that was ruled an accident. But for D.D., two coincidental murders is too many. Flora Dane sees the murder of Conrad Carter on the TV news and immediately knows his face. She remembers a night when she was still a victim--a hostage--and her captor knew this man. Overcome with guilt that she never tracked him down, Flora is now determined to learn the truth of Conrad's murder. But D.D. and Flora are about to discover that in this case the truth is a devilishly elusive thing. As layer by layer they peel away the half-truths and outright lies, they wonder: How many secrets can one family have?

Two families have a shared tragedy to deal with, leaving two best friends wondering if they will ever experience happiness again. As they struggle to come to terms with their loss the girls slowly rebuild their lives as best they can. A relocation to a Shropshire village marks a change to their lives which will lead to new challenges and yet more heartbreak. Where will it all lead? You never can tell.....

This first book of a romantic suspense trilogy. When overweight, insecure Marcy Edmonds awakens from a coma, plastic surgery and weight loss has turned her into the woman she's always wanted to be. Someone is now paying attention, and he thinks she's exactly the kind of woman he'd love--to kill. Original.

You Never Can Tell is an interweaving of timeless plots that merit a fresh retelling - and the reader is the benefector of Mike Sharpe's spirited reinventions. The companion work, Smog, is a dystopian novella in which the presumably knowledgeable, affluent members of society are blind to all that is happening around them. Preoccupied with their own concerns, they fail to heed the warning signs as disaster engulfs the land.

This is a book that should never fall into the hands of children – for it is filled with the darkest truths about life that might unbearably depress the young. However, for the older ones among us, this is a book full of solace, humour and relief. In a charming, naively illustrated tale, we follow the adventures of Bunny – a version of all of us – as he encounters a series of obstacles we are in some ways liable to recognise from our own lives. Watching poor Bunny, we end up delighted we’re not alone, and perhaps smiling darkly in sympathy with his sorrows. Children might even have the odd peek inside if they dare.