Distributed by the University of Nebraska Press for Caxton Press Veteran author Session S. Wheeler and award winning artist Craig Sheppard have come together to give the reader a taste of the history, and stark beauty of one of Nevada's most unique geological, and environmental features.

Each August staff and volunteers begin to construct Black Rock City, a temporary city located in the hostile and haunting Black Rock Desert of northwestern Nevada. Every September nearly seventy thousand people occupy the city for Burning Man, an event that creates the sixth-largest population center in Nevada. By mid-September the infrastructure that supported the community is fully dismantled, and by October the land on which the city lay is scrubbed of evidence of its existence. The Archaeology of Burning Man examines this process of building, occupation, and destruction. For nearly a decade Carolyn L. White has employed archaeological methods to analyze the various aspects of life and community in and around Burning Man and Black Rock City. With a syncretic approach, this work in active-site archaeology provides both a theoretical basis and a practical demonstration of the potential of this new field to reexamine the most fundamental conceptions in the social sciences.

In a brilliant duet, a photographer and geographer explore this desert realm the size of Delaware, a desolate landscape that nonetheless teems with life-forms that have endured for millennia.

Jessica Bruderis a reporter for theOregonian.Her writing has also appeared in theNew York Times,theWashington Post,and theNew York Observer.She lives in Portland, Oregon.

One brief week each summer, Black Rock City becomes a temporary community, spiritual adventure, desert rave, social experiment, and home to some of the most remarkable site-specific outdoor art ever made. For 16 years, writer and photographer NK Guy has traveled deep into the Nevada desert to photograph the installations, happenings, and...

In the summer of 2008, nearly fifty thousand people traveled to Nevada’s Black Rock Desert to participate in the countercultural arts event Burning Man. Founded on a commitment to expression and community, the annual weeklong festival presents unique challenges to its organizers. Over four years Katherine K. Chen regularly participated in organizing efforts to safely and successfully create a temporary community in the middle of the desert under the hot August sun. Enabling Creative Chaos tracks how a small, underfunded group of organizers transformed into an unconventional corporation with a ten-million-dollar budget and two thousand volunteers. Over the years, Burning Man’s organizers have experimented with different management models; learned how to recruit, motivate, and retain volunteers; and developed strategies to handle regulatory agencies and respond to media coverage. This remarkable evolution, Chen reveals, offers important lessons for managers in any organization, particularly in uncertain times.

Offers a photographic record of the annual event held in the Black Rock Desert in Northern Nevada, from its beginning as a performance art exhibit to its current status as a pop culture destination.

An authorized collection of more than two hundred color photos showcases the sculptures, art, stories, and interviews from the annual celebration of artistic expression in Nevada's barren Black Rock Desert

Boyhood tale of growing up in an isolated, unbridled town of the Wild West. Five bars, a whorehouse, population 150. An out of control schoolhouse. Life on the trail of a cattle drive. A terrible secret, two great tragedies. Ultimately, a story about the hero who resides in ordinary people.